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Color name
RGB 249 223 143

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 223 143 it is the complementary color RGB 6 32 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 223 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 223 143 shade: RGB 254 223 138, RGB 255 241 157, RGB 255 255 176, RGB 255 255 195 and RGB 255 255 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 223 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 232 205 124, RGB 215 187 105, RGB 198 169 86 and RGB 181 151 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 249 194 143, RGB 249 166 143 and RGB 249 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 246 249 143, RGB 218 249 143, RGB 189 249 143 and RGB 161 249 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 223 143 shade matches the following richer shades: RGB 249 223 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 239 218 153, RGB 230 213 162, RGB 220 208 172 and RGB 211 203 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 223 143 shade: RGB 249 166 143, RGB 249 194 143, RGB 249 222 143, RGB 247 249 143 and RGB 219 249 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 223 143 shade: RGB 245 200 65, RGB 247 212 104, RGB 249 223 143, RGB 251 234 182 and RGB 253 245 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 148 249 143 and RGB 180 143 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 143 249 222 and RGB 222 143 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 148 249 143, RGB 143 169 249 and RGB 243 143 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 223 143 shade: RGB 249 223 143, RGB 143 249 169, RGB 143 169 249 and RGB 249 143 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

Complementary color

CMYK 95 / 71 / 0 / 56

HEX #062070

RGB 6 32 112

HSL 225.28, 0.9%, 0.23%

LAB 16.71, 25.62, -48.21

 

CMYK 0 / 12 / 46 / 0

HEX #FEDF8A

RGB 254 223 138

HSL 43.97, 0.98%, 0.77%

LAB 89.71, -0.18, 45.43

 

CMYK 0 / 5 / 38 / 0

HEX #FFF19D

RGB 255 241 157

HSL 51.43, 1%, 0.81%

LAB 94.57, -6.92, 42.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 0 / 12 / 47 / 9

HEX #E8CD7C

RGB 232 205 124

HSL 45, 0.7%, 0.7%

LAB 83.06, -1.06, 43.62

 

CMYK 0 / 13 / 51 / 16

HEX #D7BB69

RGB 215 187 105

HSL 44.73, 0.58%, 0.63%

LAB 76.68, -0.38, 44.87

 

CMYK 0 / 15 / 57 / 22

HEX #C6A956

RGB 198 169 86

HSL 44.46, 0.5%, 0.56%

LAB 70.21, 0.43, 46.13

 

CMYK 0 / 17 / 63 / 29

HEX #B59743

RGB 181 151 67

HSL 44.21, 0.46%, 0.49%

LAB 63.64, 1.39, 47.33

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 0 / 22 / 43 / 2

HEX #F9C28F

RGB 249 194 143

HSL 28.87, 0.9%, 0.77%

LAB 82.22, 13.31, 33.17

 

CMYK 0 / 33 / 43 / 2

HEX #F9A68F

RGB 249 166 143

HSL 13.02, 0.9%, 0.77%

LAB 75.7, 28.03, 24.46

 

CMYK 0 / 43 / 43 / 2

HEX #F98F8F

RGB 249 143 143

HSL 0, 0.9%, 0.77%

LAB 70.71, 39.97, 17.63

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 1 / 0 / 43 / 2

HEX #F6F98F

RGB 246 249 143

HSL 61.7, 0.9%, 0.77%

LAB 95.72, -15.75, 50.36

 

CMYK 12 / 0 / 43 / 2

HEX #DAF98F

RGB 218 249 143

HSL 77.55, 0.9%, 0.77%

LAB 93.73, -26.33, 47.45

 

CMYK 24 / 0 / 43 / 2

HEX #BDF98F

RGB 189 249 143

HSL 93.96, 0.9%, 0.77%

LAB 91.93, -36.74, 44.81

 

CMYK 35 / 0 / 43 / 2

HEX #A1F98F

RGB 161 249 143

HSL 109.81, 0.9%, 0.77%

LAB 90.46, -45.99, 42.64

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 0 / 9 / 36 / 6

HEX #EFDA99

RGB 239 218 153

HSL 45.35, 0.73%, 0.77%

LAB 87.38, -1.93, 34.65

 

CMYK 0 / 7 / 30 / 10

HEX #E6D5A2

RGB 230 213 162

HSL 45, 0.58%, 0.77%

LAB 85.51, -1.73, 27.38

 

CMYK 0 / 5 / 22 / 14

HEX #DCD0AC

RGB 220 208 172

HSL 45, 0.41%, 0.77%

LAB 83.6, -1.56, 19.4

 

CMYK 0 / 4 / 14 / 17

HEX #D3CBB5

RGB 211 203 181

HSL 44, 0.25%, 0.77%

LAB 81.78, -0.91, 11.96

 

CMYK 0 / 33 / 43 / 2

HEX #F9A68F

RGB 249 166 143

HSL 13.02, 0.9%, 0.77%

LAB 75.7, 28.03, 24.46

 

CMYK 0 / 22 / 43 / 2

HEX #F9C28F

RGB 249 194 143

HSL 28.87, 0.9%, 0.77%

LAB 82.22, 13.31, 33.17

 

CMYK 0 / 11 / 43 / 2

HEX #F9DE8F

RGB 249 222 143

HSL 44.72, 0.9%, 0.77%

LAB 89.09, -1.15, 42.08

 

CMYK 1 / 0 / 43 / 2

HEX #F7F98F

RGB 247 249 143

HSL 61.13, 0.9%, 0.77%

LAB 95.79, -15.37, 50.47

 

CMYK 12 / 0 / 43 / 2

HEX #DBF98F

RGB 219 249 143

HSL 76.98, 0.9%, 0.77%

LAB 93.79, -25.96, 47.55

 

CMYK 0 / 18 / 73 / 4

HEX #F5C841

RGB 245 200 65

HSL 45, 0.9%, 0.61%

LAB 82.43, 2.87, 69.56

 

CMYK 0 / 14 / 58 / 3

HEX #F7D468

RGB 247 212 104

HSL 45.31, 0.9%, 0.69%

LAB 85.94, -0.23, 56.99

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 0 / 7 / 27 / 2

HEX #FBEAB6

RGB 251 234 182

HSL 45.22, 0.9%, 0.85%

LAB 92.9, -1.97, 27.39

 

CMYK 0 / 3 / 13 / 1

HEX #FDF5DD

RGB 253 245 221

HSL 45, 0.89%, 0.93%

LAB 96.58, -1.25, 12.5

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 41 / 0 / 43 / 2

HEX #94F98F

RGB 148 249 143

HSL 117.17, 0.9%, 0.77%

LAB 89.87, -49.93, 41.76

 

CMYK 28 / 43 / 0 / 2

HEX #B48FF9

RGB 180 143 249

HSL 260.94, 0.9%, 0.77%

LAB 66.66, 35.53, -48.05

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 43 / 0 / 11 / 2

HEX #8FF9DE

RGB 143 249 222

HSL 164.72, 0.9%, 0.77%

LAB 91.17, -36.91, 3.37

 

CMYK 11 / 43 / 0 / 2

HEX #DE8FF9

RGB 222 143 249

HSL 284.72, 0.9%, 0.77%

LAB 70.88, 47.27, -41.13

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 41 / 0 / 43 / 2

HEX #94F98F

RGB 148 249 143

HSL 117.17, 0.9%, 0.77%

LAB 89.87, -49.93, 41.76

 

CMYK 43 / 32 / 0 / 2

HEX #8FA9F9

RGB 143 169 249

HSL 225.28, 0.9%, 0.77%

LAB 70.21, 11.07, -42.67

 

CMYK 2 / 43 / 0 / 2

HEX #F38FF9

RGB 243 143 249

HSL 296.6, 0.9%, 0.77%

LAB 73.25, 53.3, -37.27

 

CMYK 0 / 10 / 43 / 2

HEX #F9DF8F

RGB 249 223 143

HSL 45.28, 0.9%, 0.77%

LAB 89.35, -1.66, 42.4

 

CMYK 43 / 0 / 32 / 2

HEX #8FF9A9

RGB 143 249 169

HSL 134.72, 0.9%, 0.77%

LAB 90.07, -47.31, 29.06

 

CMYK 43 / 32 / 0 / 2

HEX #8FA9F9

RGB 143 169 249

HSL 225.28, 0.9%, 0.77%

LAB 70.21, 11.07, -42.67

 

CMYK 0 / 43 / 11 / 2

HEX #F98FDE

RGB 249 143 222

HSL 315.28, 0.9%, 0.77%

LAB 72.93, 50.48, -22.93

 

Description

Color code: RGB 249 223 143 | qconv.com Color code: RGB 249 223 143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 223 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 223 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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