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Color name
HEX #F0CD78

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0CD78 it is the complementary color #0F3287. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0CD78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0CD78 shade: #F5CD73, #FFDF86, #FFF199, #FFFFAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0CD78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0CD78 shade: #F0CD78, #DFBB65, #CEA952, #BD973F and #AC852C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0CD78 shade: #F0CE7A, #F0AE7A, #F08E7A and #F07A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0CD78 shade: #F0CE7A, #F0EE7A, #D3F07A, #B3F07A and #93F07A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0CD78 shade matches the following richer shades: #F0CE7A and #FCD36E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0CD78 shade: #F0CE7A, #E4C986, #D8C492, #CCBF9E and #C0BAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0CD78 shade: #F08E7A, #F0AD7A, #F0CD7A, #F0EC7A and #D5F07A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0CD78 shade: #E8B230, #ECC055, #F0CE7A, #F4DB9F and #F8E9C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0CD78 shade: #F0CD78, #86F07A and #9D7AF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0CD78 shade: #F0CD78, #7AF0CD and #CD7AF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0CD78 shade: #F0CD78, #86F07A, #7A9DF0 and #E47AF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0CD78 shade: #F0CD78, #7AF092, #7A9DF0 and #F07AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 50 / 6

HEX #F0CD78

RGB 240 205 120

HSL 42.5, 0.8%, 0.71%

LAB 83.73, 1.8, 46.59

 

Complementary color

CMYK 89 / 63 / 0 / 47

HEX #0F3287

RGB 15 50 135

HSL 222.5, 0.8%, 0.29%

LAB 24.1, 22.98, -50.69

 

CMYK 0 / 16 / 53 / 4

HEX #F5CD73

RGB 245 205 115

HSL 41.54, 0.87%, 0.71%

LAB 84.13, 3.4, 49.62

 

CMYK 0 / 13 / 47 / 0

HEX #FFDF86

RGB 255 223 134

HSL 44.13, 1%, 0.76%

LAB 89.75, -0.16, 47.46

 

CMYK 0 / 5 / 40 / 0

HEX #FFF199

RGB 255 241 153

HSL 51.76, 1%, 0.8%

LAB 94.51, -7.34, 44.16

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 15 / 50 / 6

HEX #F0CD78

RGB 240 205 120

HSL 42.5, 0.8%, 0.71%

LAB 83.73, 1.8, 46.59

 

CMYK 0 / 16 / 55 / 13

HEX #DFBB65

RGB 223 187 101

HSL 42.3, 0.66%, 0.64%

LAB 77.38, 2.6, 47.85

 

CMYK 0 / 18 / 60 / 19

HEX #CEA952

RGB 206 169 82

HSL 42.1, 0.56%, 0.56%

LAB 70.94, 3.53, 49.1

 

CMYK 0 / 20 / 67 / 26

HEX #BD973F

RGB 189 151 63

HSL 41.9, 0.5%, 0.49%

LAB 64.41, 4.64, 50.26

 

CMYK 0 / 23 / 74 / 33

HEX #AC852C

RGB 172 133 44

HSL 41.72, 0.59%, 0.42%

LAB 57.78, 5.97, 51.15

 

CMYK 0 / 14 / 49 / 6

HEX #F0CE7A

RGB 240 206 122

HSL 42.71, 0.8%, 0.71%

LAB 84, 1.46, 45.94

 

CMYK 0 / 28 / 49 / 6

HEX #F0AE7A

RGB 240 174 122

HSL 26.44, 0.8%, 0.71%

LAB 76.19, 18.22, 36.12

 

CMYK 0 / 41 / 49 / 6

HEX #F08E7A

RGB 240 142 122

HSL 10.17, 0.8%, 0.71%

LAB 68.95, 35.08, 26.66

 

CMYK 0 / 49 / 49 / 6

HEX #F07A7A

RGB 240 122 122

HSL 0, 0.8%, 0.71%

LAB 64.84, 45.26, 21.14

 

CMYK 0 / 14 / 49 / 6

HEX #F0CE7A

RGB 240 206 122

HSL 42.71, 0.8%, 0.71%

LAB 84, 1.46, 45.94

 

CMYK 0 / 1 / 49 / 6

HEX #F0EE7A

RGB 240 238 122

HSL 58.98, 0.8%, 0.71%

LAB 92.17, -14.66, 55.82

 

CMYK 12 / 0 / 49 / 6

HEX #D3F07A

RGB 211 240 122

HSL 74.75, 0.8%, 0.71%

LAB 90.59, -26.87, 53.42

 

CMYK 25 / 0 / 49 / 6

HEX #B3F07A

RGB 179 240 122

HSL 91.02, 0.8%, 0.71%

LAB 88.59, -38.62, 50.55

 

CMYK 39 / 0 / 49 / 6

HEX #93F07A

RGB 147 240 122

HSL 107.29, 0.8%, 0.71%

LAB 86.96, -49.24, 48.18

 

CMYK 0 / 14 / 49 / 6

HEX #F0CE7A

RGB 240 206 122

HSL 42.71, 0.8%, 0.71%

LAB 84, 1.46, 45.94

 

CMYK 0 / 16 / 56 / 1

HEX #FCD36E

RGB 252 211 110

HSL 42.68, 0.96%, 0.71%

LAB 86.21, 2.77, 54.64

 

CMYK 0 / 14 / 49 / 6

HEX #F0CE7A

RGB 240 206 122

HSL 42.71, 0.8%, 0.71%

LAB 84, 1.46, 45.94

 

CMYK 0 / 12 / 41 / 11

HEX #E4C986

RGB 228 201 134

HSL 42.77, 0.64%, 0.71%

LAB 81.83, 0.41, 36.94

 

CMYK 0 / 9 / 32 / 15

HEX #D8C492

RGB 216 196 146

HSL 42.86, 0.47%, 0.71%

LAB 79.7, -0.32, 27.7

 

CMYK 0 / 6 / 23 / 20

HEX #CCBF9E

RGB 204 191 158

HSL 43.04, 0.31%, 0.71%

LAB 77.62, -0.7, 18.32

 

CMYK 0 / 3 / 11 / 25

HEX #C0BAAA

RGB 192 186 170

HSL 43.64, 0.15%, 0.71%

LAB 75.59, -0.66, 8.86

 

CMYK 0 / 41 / 49 / 6

HEX #F08E7A

RGB 240 142 122

HSL 10.17, 0.8%, 0.71%

LAB 68.95, 35.08, 26.66

 

CMYK 0 / 28 / 49 / 6

HEX #F0AD7A

RGB 240 173 122

HSL 25.93, 0.8%, 0.71%

LAB 75.96, 18.75, 35.82

 

CMYK 0 / 15 / 49 / 6

HEX #F0CD7A

RGB 240 205 122

HSL 42.2, 0.8%, 0.71%

LAB 83.75, 1.97, 45.63

 

CMYK 0 / 2 / 49 / 6

HEX #F0EC7A

RGB 240 236 122

HSL 57.97, 0.8%, 0.71%

LAB 91.65, -13.67, 55.2

 

CMYK 11 / 0 / 49 / 6

HEX #D5F07A

RGB 213 240 122

HSL 73.73, 0.8%, 0.71%

LAB 90.72, -26.11, 53.62

 

CMYK 0 / 23 / 79 / 9

HEX #E8B230

RGB 232 178 48

HSL 42.39, 0.8%, 0.55%

LAB 75.58, 8.16, 68.66

 

CMYK 0 / 19 / 64 / 7

HEX #ECC055

RGB 236 192 85

HSL 42.52, 0.8%, 0.63%

LAB 79.72, 4.27, 58.33

 

CMYK 0 / 14 / 49 / 6

HEX #F0CE7A

RGB 240 206 122

HSL 42.71, 0.8%, 0.71%

LAB 84, 1.46, 45.94

 

CMYK 0 / 10 / 35 / 4

HEX #F4DB9F

RGB 244 219 159

HSL 42.35, 0.79%, 0.79%

LAB 88.16, 0.18, 32.69

 

CMYK 0 / 6 / 21 / 3

HEX #F8E9C4

RGB 248 233 196

HSL 42.69, 0.79%, 0.87%

LAB 92.67, -0.67, 19.84

 

CMYK 0 / 15 / 50 / 6

HEX #F0CD78

RGB 240 205 120

HSL 42.5, 0.8%, 0.71%

LAB 83.73, 1.8, 46.59

 

CMYK 44 / 0 / 49 / 6

HEX #86F07A

RGB 134 240 122

HSL 113.9, 0.8%, 0.71%

LAB 86.4, -53.12, 47.37

 

CMYK 35 / 49 / 0 / 6

HEX #9D7AF0

RGB 157 122 240

HSL 257.8, 0.8%, 0.71%

LAB 59.32, 39.07, -54.86

 

CMYK 0 / 15 / 50 / 6

HEX #F0CD78

RGB 240 205 120

HSL 42.5, 0.8%, 0.71%

LAB 83.73, 1.8, 46.59

 

CMYK 49 / 0 / 15 / 6

HEX #7AF0CD

RGB 122 240 205

HSL 162.2, 0.8%, 0.71%

LAB 87.42, -41.59, 6.7

 

CMYK 15 / 49 / 0 / 6

HEX #CD7AF0

RGB 205 122 240

HSL 282.2, 0.8%, 0.71%

LAB 64.31, 51.62, -46.63

 

CMYK 0 / 15 / 50 / 6

HEX #F0CD78

RGB 240 205 120

HSL 42.5, 0.8%, 0.71%

LAB 83.73, 1.8, 46.59

 

CMYK 44 / 0 / 49 / 6

HEX #86F07A

RGB 134 240 122

HSL 113.9, 0.8%, 0.71%

LAB 86.4, -53.12, 47.37

 

CMYK 49 / 35 / 0 / 6

HEX #7A9DF0

RGB 122 157 240

HSL 222.2, 0.8%, 0.71%

LAB 65.39, 10.31, -45.41

 

CMYK 5 / 49 / 0 / 6

HEX #E47AF0

RGB 228 122 240

HSL 293.9, 0.8%, 0.71%

LAB 67.05, 57.86, -42.13

 

CMYK 0 / 15 / 50 / 6

HEX #F0CD78

RGB 240 205 120

HSL 42.5, 0.8%, 0.71%

LAB 83.73, 1.8, 46.59

 

CMYK 49 / 0 / 39 / 6

HEX #7AF092

RGB 122 240 146

HSL 132.2, 0.8%, 0.71%

LAB 86.27, -52.95, 35.42

 

CMYK 49 / 35 / 0 / 6

HEX #7A9DF0

RGB 122 157 240

HSL 222.2, 0.8%, 0.71%

LAB 65.39, 10.31, -45.41

 

CMYK 0 / 49 / 10 / 6

HEX #F07AD9

RGB 240 122 217

HSL 311.69, 0.8%, 0.71%

LAB 67.62, 57.3, -28.41

 

Description

Color code: HEX #F0CD78 | qconv.com Color code: HEX #F0CD78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 205 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 205 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 50 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 50% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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