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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0C2E7 it is the complementary color #0F3D18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0C2E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0C2E7 shade: #F5C2E2, #FFD4F5, #FFE6FF, #FFF8FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0C2E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0C2E7 shade: #F0C2E7, #DFB0D4, #CE9EC1, #BD8CAE and #AC7A9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0C2E7 shade: #F0C1E7, #F0C1DA, #F0C1CE and #F0C1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0C2E7 shade: #F0C1E7, #EDC1F0, #E0C1F0, #D3C1F0 and #C7C1F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0C2E7 shade matches the following richer shades: #F0C1E7, #F6BBEB and #FCB5EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0C2E7 shade: #F0C1E7, #EAC8E3, #E4CEDF, #DED4DC and #D7DAD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0C2E7 shade: #E0C1F0, #ECC1F0, #F0C1E8, #F0C1DB and #F0C1CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0C2E7 shade: #E07FCD, #E8A0DA, #F0C1E7, #F8E3F4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0C2E7 shade: #F0C2E7, #F0D3C1 and #C1F0E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0C2E7 shade: #F0C2E7, #E8F0C1 and #C1E8F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0C2E7 shade: #F0C2E7, #F0D3C1, #C1F0CA and #C1DEF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0C2E7 shade: #F0C2E7, #F0E1C1, #C1F0CA and #C1D0F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 4 / 6

HEX #F0C2E7

RGB 240 194 231

HSL 311.74, 0.61%, 0.85%

LAB 83.38, 22.43, -12.14

 

Complementary color

CMYK 75 / 0 / 61 / 76

HEX #0F3D18

RGB 15 61 24

HSL 131.74, 0.61%, 0.15%

LAB 21.96, -24.89, 18.23

 

CMYK 0 / 21 / 8 / 4

HEX #F5C2E2

RGB 245 194 226

HSL 322.35, 0.72%, 0.86%

LAB 83.7, 23.25, -8.94

 

CMYK 0 / 17 / 4 / 0

HEX #FFD4F5

RGB 255 212 245

HSL 313.95, 1%, 0.92%

LAB 89.36, 20.4, -10.49

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 19 / 4 / 6

HEX #F0C2E7

RGB 240 194 231

HSL 311.74, 0.61%, 0.85%

LAB 83.38, 22.43, -12.14

 

CMYK 0 / 21 / 5 / 13

HEX #DFB0D4

RGB 223 176 212

HSL 314.04, 0.42%, 0.78%

LAB 76.98, 22.95, -11.63

 

CMYK 0 / 23 / 6 / 19

HEX #CE9EC1

RGB 206 158 193

HSL 316.25, 0.33%, 0.71%

LAB 70.47, 23.51, -11.11

 

CMYK 0 / 26 / 8 / 26

HEX #BD8CAE

RGB 189 140 174

HSL 318.37, 0.27%, 0.65%

LAB 63.86, 24.13, -10.55

 

CMYK 0 / 29 / 10 / 33

HEX #AC7A9B

RGB 172 122 155

HSL 320.4, 0.23%, 0.58%

LAB 57.13, 24.8, -9.96

 

CMYK 0 / 20 / 4 / 6

HEX #F0C1E7

RGB 240 193 231

HSL 311.49, 0.61%, 0.85%

LAB 83.14, 22.96, -12.49

 

CMYK 0 / 20 / 9 / 6

HEX #F0C1DA

RGB 240 193 218

HSL 328.09, 0.61%, 0.85%

LAB 82.77, 20.72, -6.09

 

CMYK 0 / 20 / 14 / 6

HEX #F0C1CE

RGB 240 193 206

HSL 343.4, 0.61%, 0.85%

LAB 82.44, 18.76, -0.13

 

CMYK 0 / 20 / 20 / 6

HEX #F0C1C1

RGB 240 193 193

HSL 0, 0.61%, 0.85%

LAB 82.12, 16.76, 6.37

 

CMYK 0 / 20 / 4 / 6

HEX #F0C1E7

RGB 240 193 231

HSL 311.49, 0.61%, 0.85%

LAB 83.14, 22.96, -12.49

 

CMYK 1 / 20 / 0 / 6

HEX #EDC1F0

RGB 237 193 240

HSL 296.17, 0.61%, 0.85%

LAB 83.14, 23.59, -17.32

 

CMYK 7 / 20 / 0 / 6

HEX #E0C1F0

RGB 224 193 240

HSL 279.57, 0.61%, 0.85%

LAB 81.99, 19.36, -19.18

 

CMYK 12 / 20 / 0 / 6

HEX #D3C1F0

RGB 211 193 240

HSL 262.98, 0.61%, 0.85%

LAB 80.89, 15.19, -20.94

 

CMYK 17 / 20 / 0 / 6

HEX #C7C1F0

RGB 199 193 240

HSL 247.66, 0.61%, 0.85%

LAB 79.94, 11.42, -22.48

 

CMYK 0 / 20 / 4 / 6

HEX #F0C1E7

RGB 240 193 231

HSL 311.49, 0.61%, 0.85%

LAB 83.14, 22.96, -12.49

 

CMYK 0 / 24 / 4 / 4

HEX #F6BBEB

RGB 246 187 235

HSL 311.19, 0.77%, 0.85%

LAB 82.45, 28.84, -15.61

 

CMYK 0 / 28 / 6 / 1

HEX #FCB5EE

RGB 252 181 238

HSL 311.83, 0.92%, 0.85%

LAB 81.79, 34.49, -18.15

 

CMYK 0 / 20 / 4 / 6

HEX #F0C1E7

RGB 240 193 231

HSL 311.49, 0.61%, 0.85%

LAB 83.14, 22.96, -12.49

 

CMYK 0 / 15 / 3 / 8

HEX #EAC8E3

RGB 234 200 227

HSL 312.35, 0.45%, 0.85%

LAB 84.15, 16.51, -8.92

 

CMYK 0 / 10 / 2 / 11

HEX #E4CEDF

RGB 228 206 223

HSL 313.64, 0.29%, 0.85%

LAB 84.98, 10.59, -5.61

 

CMYK 0 / 5 / 1 / 13

HEX #DED4DC

RGB 222 212 220

HSL 312, 0.13%, 0.85%

LAB 85.9, 4.85, -2.72

 

CMYK 1 / 0 / 1 / 15

HEX #D7DAD8

RGB 215 218 216

HSL 140, 0.04%, 0.85%

LAB 86.77, -1.37, 0.62

 

CMYK 7 / 20 / 0 / 6

HEX #E0C1F0

RGB 224 193 240

HSL 279.57, 0.61%, 0.85%

LAB 81.99, 19.36, -19.18

 

CMYK 2 / 20 / 0 / 6

HEX #ECC1F0

RGB 236 193 240

HSL 294.89, 0.61%, 0.85%

LAB 83.05, 23.26, -17.47

 

CMYK 0 / 20 / 3 / 6

HEX #F0C1E8

RGB 240 193 232

HSL 310.21, 0.61%, 0.85%

LAB 83.17, 23.13, -12.98

 

CMYK 0 / 20 / 9 / 6

HEX #F0C1DB

RGB 240 193 219

HSL 326.81, 0.61%, 0.85%

LAB 82.8, 20.89, -6.58

 

CMYK 0 / 20 / 14 / 6

HEX #F0C1CF

RGB 240 193 207

HSL 342.13, 0.61%, 0.85%

LAB 82.47, 18.92, -0.63

 

CMYK 0 / 43 / 8 / 12

HEX #E07FCD

RGB 224 127 205

HSL 311.75, 0.61%, 0.69%

LAB 66.09, 48.05, -24.24

 

CMYK 0 / 31 / 6 / 9

HEX #E8A0DA

RGB 232 160 218

HSL 311.67, 0.61%, 0.77%

LAB 74.42, 35.59, -18.66

 

CMYK 0 / 20 / 4 / 6

HEX #F0C1E7

RGB 240 193 231

HSL 311.49, 0.61%, 0.85%

LAB 83.14, 22.96, -12.49

 

CMYK 0 / 8 / 2 / 3

HEX #F8E3F4

RGB 248 227 244

HSL 311.43, 0.6%, 0.93%

LAB 92.32, 10.07, -5.65

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 19 / 4 / 6

HEX #F0C2E7

RGB 240 194 231

HSL 311.74, 0.61%, 0.85%

LAB 83.38, 22.43, -12.14

 

CMYK 0 / 12 / 20 / 6

HEX #F0D3C1

RGB 240 211 193

HSL 22.98, 0.61%, 0.85%

LAB 86.49, 7.31, 12.61

 

CMYK 20 / 0 / 4 / 6

HEX #C1F0E6

RGB 193 240 230

HSL 167.23, 0.61%, 0.85%

LAB 91.4, -16.99, -0.15

 

CMYK 0 / 19 / 4 / 6

HEX #F0C2E7

RGB 240 194 231

HSL 311.74, 0.61%, 0.85%

LAB 83.38, 22.43, -12.14

 

CMYK 3 / 0 / 20 / 6

HEX #E8F0C1

RGB 232 240 193

HSL 70.21, 0.61%, 0.85%

LAB 93.16, -10.4, 21.87

 

CMYK 20 / 3 / 0 / 6

HEX #C1E8F0

RGB 193 232 240

HSL 190.21, 0.61%, 0.85%

LAB 89.55, -10.92, -8.09

 

CMYK 0 / 19 / 4 / 6

HEX #F0C2E7

RGB 240 194 231

HSL 311.74, 0.61%, 0.85%

LAB 83.38, 22.43, -12.14

 

CMYK 0 / 12 / 20 / 6

HEX #F0D3C1

RGB 240 211 193

HSL 22.98, 0.61%, 0.85%

LAB 86.49, 7.31, 12.61

 

CMYK 20 / 0 / 16 / 6

HEX #C1F0CA

RGB 193 240 202

HSL 131.49, 0.61%, 0.85%

LAB 90.74, -22.29, 13.46

 

CMYK 20 / 8 / 0 / 6

HEX #C1DEF0

RGB 193 222 240

HSL 202.98, 0.61%, 0.85%

LAB 86.93, -5.8, -11.99

 

CMYK 0 / 19 / 4 / 6

HEX #F0C2E7

RGB 240 194 231

HSL 311.74, 0.61%, 0.85%

LAB 83.38, 22.43, -12.14

 

CMYK 0 / 6 / 20 / 6

HEX #F0E1C1

RGB 240 225 193

HSL 40.85, 0.61%, 0.85%

LAB 89.96, 0.07, 17.51

 

CMYK 20 / 0 / 16 / 6

HEX #C1F0CA

RGB 193 240 202

HSL 131.49, 0.61%, 0.85%

LAB 90.74, -22.29, 13.46

 

CMYK 20 / 13 / 0 / 6

HEX #C1D0F0

RGB 193 208 240

HSL 220.85, 0.61%, 0.85%

LAB 83.31, 1.53, -17.43

 

Description

Color code: HEX #F0C2E7 | qconv.com Color code: HEX #F0C2E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 194 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 194 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 4 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 4% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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