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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0BA75 it is the complementary color #0F458A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0BA75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F0BA75: #F5BA70, #FFCC83, #FFDE96, #FFF0A9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0BA75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F0BA75: #F0BA75, #DFA862, #CE964F, #BD843C and #AC7229

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

Complementary color

CMYK 89 / 50 / 0 / 46

HEX #0F458A

RGB 15 69 138

HSL 213.66, 0.8%, 0.3%

LAB 29.89, 10.89, -43.14

 

CMYK 0 / 24 / 54 / 4

HEX #F5BA70

RGB 245 186 112

HSL 33.38, 0.87%, 0.7%

LAB 79.44, 13.05, 45.42

 

CMYK 0 / 20 / 49 / 0

HEX #FFCC83

RGB 255 204 131

HSL 35.32, 1%, 0.76%

LAB 85.04, 9.32, 43.06

 

CMYK 0 / 13 / 41 / 0

HEX #FFDE96

RGB 255 222 150

HSL 41.14, 1%, 0.79%

LAB 89.72, 1.92, 39.49

 

CMYK 0 / 6 / 34 / 0

HEX #FFF0A9

RGB 255 240 169

HSL 49.53, 1%, 0.83%

LAB 94.5, -5.08, 36.19

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

CMYK 0 / 25 / 56 / 13

HEX #DFA862

RGB 223 168 98

HSL 33.6, 0.66%, 0.63%

LAB 72.61, 12.43, 43.62

 

CMYK 0 / 27 / 62 / 19

HEX #CE964F

RGB 206 150 79

HSL 33.54, 0.56%, 0.56%

LAB 66.14, 13.57, 45.04

 

CMYK 0 / 30 / 68 / 26

HEX #BD843C

RGB 189 132 60

HSL 33.49, 0.52%, 0.49%

LAB 59.57, 14.9, 46.43

 

CMYK 0 / 34 / 76 / 33

HEX #AC7229

RGB 172 114 41

HSL 33.44, 0.62%, 0.42%

LAB 52.91, 16.48, 47.63

 

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

CMYK 0 / 14 / 51 / 6

HEX #EFCD75

RGB 239 205 117

HSL 43.28, 0.79%, 0.7%

LAB 83.6, 1.13, 47.88

 

CMYK 0 / 6 / 51 / 6

HEX #EFE175

RGB 239 225 117

HSL 53.11, 0.79%, 0.7%

LAB 88.68, -9.04, 53.98

 

CMYK 3 / 0 / 51 / 6

HEX #E9EF75

RGB 233 239 117

HSL 62.95, 0.79%, 0.7%

LAB 91.84, -18.32, 57.59

 

CMYK 11 / 0 / 51 / 6

HEX #D5EF75

RGB 213 239 117

HSL 72.79, 0.79%, 0.7%

LAB 90.4, -26.1, 55.54

 

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

CMYK 0 / 22 / 50 / 86

HEX #241C12

RGB 36 28 18

HSL 33.33, 0.33%, 0.11%

LAB 10.92, 2.07, 8.13

 

CMYK 0 / 23 / 52 / 66

HEX #57432A

RGB 87 67 42

HSL 33.33, 0.35%, 0.25%

LAB 29.93, 4.97, 18.43

 

CMYK 0 / 22 / 51 / 46

HEX #8A6B43

RGB 138 107 67

HSL 33.8, 0.35%, 0.4%

LAB 47.4, 7.08, 27.04

 

CMYK 0 / 23 / 51 / 26

HEX #BD925C

RGB 189 146 92

HSL 33.4, 0.42%, 0.55%

LAB 63.47, 9.59, 34.69

 

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

CMYK 38 / 0 / 51 / 6

HEX #93EF75

RGB 147 239 117

HSL 105.25, 0.79%, 0.7%

LAB 86.61, -49.42, 50.1

 

CMYK 44 / 51 / 0 / 6

HEX #8775EF

RGB 135 117 239

HSL 248.85, 0.79%, 0.7%

LAB 56.19, 36.41, -59.42

 

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

CMYK 51 / 0 / 23 / 6

HEX #75EFB8

RGB 117 239 184

HSL 152.95, 0.79%, 0.7%

LAB 86.49, -46.8, 16.29

 

CMYK 23 / 51 / 0 / 6

HEX #B875EF

RGB 184 117 239

HSL 272.95, 0.79%, 0.7%

LAB 60.91, 48.45, -51.62

 

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

CMYK 38 / 0 / 51 / 6

HEX #93EF75

RGB 147 239 117

HSL 105.25, 0.79%, 0.7%

LAB 86.61, -49.42, 50.1

 

CMYK 51 / 28 / 0 / 6

HEX #75ACEF

RGB 117 172 239

HSL 212.95, 0.79%, 0.7%

LAB 69.13, 0.35, -39.04

 

CMYK 13 / 51 / 0 / 6

HEX #D175EF

RGB 209 117 239

HSL 285.25, 0.79%, 0.7%

LAB 63.76, 55.02, -46.92

 

CMYK 0 / 23 / 51 / 6

HEX #F0BA75

RGB 240 186 117

HSL 33.66, 0.8%, 0.7%

LAB 79, 11.44, 42.24

 

CMYK 51 / 0 / 49 / 6

HEX #75EF7B

RGB 117 239 123

HSL 122.95, 0.79%, 0.7%

LAB 85.48, -57.23, 45.6

 

CMYK 51 / 28 / 0 / 6

HEX #75ACEF

RGB 117 172 239

HSL 212.95, 0.79%, 0.7%

LAB 69.13, 0.35, -39.04

 

CMYK 0 / 51 / 3 / 6

HEX #EF75E9

RGB 239 117 233

HSL 302.95, 0.79%, 0.7%

LAB 67.24, 62.01, -37.87

 

Description

Color code: HEX #F0BA75 | qconv.com Color code: HEX #F0BA75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 186 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 186 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 51 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 51% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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