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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0A050 it is the complementary color #0F5FAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0A050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F0A050: #F5A04B, #FFB25E, #FFC471, #FFD684 and #FFE897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0A050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F0A050: #F0A050, #DF8E3D, #CE7C2A, #BD6A17 and #AC5804

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

Complementary color

CMYK 91 / 46 / 0 / 31

HEX #0F5FAF

RGB 15 95 175

HSL 210, 0.84%, 0.37%

LAB 40.22, 8.71, -48.8

 

CMYK 0 / 35 / 69 / 4

HEX #F5A04B

RGB 245 160 75

HSL 30, 0.89%, 0.63%

LAB 72.93, 24.29, 55.77

 

CMYK 0 / 30 / 63 / 0

HEX #FFB25E

RGB 255 178 94

HSL 31.3, 1%, 0.68%

LAB 78.41, 20.02, 53.26

 

CMYK 0 / 23 / 56 / 0

HEX #FFC471

RGB 255 196 113

HSL 35.07, 1%, 0.72%

LAB 82.88, 11.96, 49.32

 

CMYK 0 / 16 / 48 / 0

HEX #FFD684

RGB 255 214 132

HSL 40, 1%, 0.76%

LAB 87.49, 4.25, 45.64

 

CMYK 0 / 9 / 41 / 0

HEX #FFE897

RGB 255 232 151

HSL 46.73, 1%, 0.8%

LAB 92.22, -3.05, 42.21

 

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

CMYK 0 / 36 / 73 / 13

HEX #DF8E3D

RGB 223 142 61

HSL 30, 0.72%, 0.56%

LAB 66.04, 24.02, 54.05

 

CMYK 0 / 40 / 80 / 19

HEX #CE7C2A

RGB 206 124 42

HSL 30, 0.66%, 0.49%

LAB 59.62, 25.75, 55.15

 

CMYK 0 / 44 / 88 / 26

HEX #BD6A17

RGB 189 106 23

HSL 30, 0.78%, 0.42%

LAB 53.16, 27.71, 55.55

 

CMYK 0 / 49 / 98 / 33

HEX #AC5804

RGB 172 88 4

HSL 30, 0.95%, 0.35%

LAB 46.66, 29.9, 54.61

 

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

CMYK 0 / 22 / 66 / 6

HEX #EFBB51

RGB 239 187 81

HSL 40.25, 0.83%, 0.63%

LAB 78.74, 7.9, 59.12

 

CMYK 0 / 11 / 66 / 6

HEX #EFD551

RGB 239 213 81

HSL 50.13, 0.83%, 0.63%

LAB 85.27, -5.5, 66.03

 

CMYK 0 / 0 / 66 / 6

HEX #EFEF51

RGB 239 239 81

HSL 60, 0.83%, 0.63%

LAB 91.99, -18.39, 72.92

 

CMYK 11 / 0 / 66 / 6

HEX #D5EF51

RGB 213 239 81

HSL 69.87, 0.83%, 0.63%

LAB 90.08, -28.81, 70.36

 

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

CMYK 0 / 33 / 67 / 86

HEX #24180C

RGB 36 24 12

HSL 30, 0.5%, 0.09%

LAB 9.44, 4.14, 9.23

 

CMYK 0 / 33 / 67 / 66

HEX #573A1D

RGB 87 58 29

HSL 30, 0.5%, 0.23%

LAB 27.13, 9.4, 22.89

 

CMYK 0 / 33 / 67 / 46

HEX #8A5C2E

RGB 138 92 46

HSL 30, 0.5%, 0.36%

LAB 43.14, 14.07, 33.53

 

CMYK 0 / 33 / 67 / 26

HEX #BD7E3F

RGB 189 126 63

HSL 30, 0.5%, 0.49%

LAB 58.13, 18.4, 43.37

 

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

CMYK 46 / 0 / 66 / 6

HEX #80EF51

RGB 128 239 81

HSL 102.15, 0.83%, 0.63%

LAB 85.46, -58.77, 64.11

 

CMYK 59 / 66 / 0 / 6

HEX #6151EF

RGB 97 81 239

HSL 246.08, 0.83%, 0.63%

LAB 45.16, 49.97, -77.43

 

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

CMYK 66 / 0 / 33 / 6

HEX #51EFA0

RGB 81 239 160

HSL 150, 0.83%, 0.63%

LAB 85.01, -58.8, 26.44

 

CMYK 33 / 66 / 0 / 6

HEX #A051EF

RGB 160 81 239

HSL 270, 0.83%, 0.63%

LAB 51.37, 61.1, -67.06

 

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

CMYK 46 / 0 / 66 / 6

HEX #80EF51

RGB 128 239 81

HSL 102.15, 0.83%, 0.63%

LAB 85.46, -58.77, 64.11

 

CMYK 66 / 33 / 0 / 6

HEX #51A0EF

RGB 81 160 239

HSL 210, 0.83%, 0.63%

LAB 64.26, 0.23, -46.77

 

CMYK 20 / 66 / 0 / 6

HEX #C051EF

RGB 192 81 239

HSL 282.15, 0.83%, 0.63%

LAB 55.4, 67.73, -60.35

 

CMYK 0 / 33 / 67 / 6

HEX #F0A050

RGB 240 160 80

HSL 30, 0.84%, 0.63%

LAB 72.39, 22.5, 52.68

 

CMYK 66 / 0 / 66 / 6

HEX #51EF51

RGB 81 239 81

HSL 120, 0.83%, 0.63%

LAB 84.01, -70.15, 62.11

 

CMYK 66 / 33 / 0 / 6

HEX #51A0EF

RGB 81 160 239

HSL 210, 0.83%, 0.63%

LAB 64.26, 0.23, -46.77

 

CMYK 0 / 66 / 0 / 6

HEX #EF51EF

RGB 239 81 239

HSL 300, 0.83%, 0.63%

LAB 62.06, 77.97, -49.35

 

Description

Color code: HEX #F0A050 | qconv.com Color code: HEX #F0A050 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 160 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 160 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 67 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 67% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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