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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F08ADA3F it is the complementary color #0F75253F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F08ADA3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F08ADA3F shade: #F58AD53F, #FF9CE83F, #FFAEFB3F, #FFC0FF3F and #FFD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F08ADA3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F08ADA3F shade: #F08ADA3F, #DF78C73F, #CE66B43F, #BD54A13F and #AC428E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F08ADA3F shade: #F08ADA, #F08ABE, #F08AA3 and #F08A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F08ADA3F shade: #F08ADA, #EA8AF0, #CF8AF0, #B38AF0 and #988AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F08ADA3F shade matches the following richer shades: #F08ADA and #FA7FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F08ADA3F shade: #F08ADA, #E594D4, #DA9FCE, #D0AAC7 and #C5B5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F08ADA3F shade: #CE8AF0, #E98AF0, #F08ADB, #F08AC0 and #F08AA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F08ADA3F shade: #E641C3, #EB65CE, #F08ADA, #F4AEE5 and #F9D3F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F08ADA3F shade: #F08ADA, #F0B28A and #8AF0DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F08ADA3F shade: #F08ADA, #DBF08A and #8ADBF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F08ADA3F shade: #F08ADA, #F0B28A, #8AF09E and #8AC7F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F08ADA3F shade: #F08ADA, #F0D18A, #8AF09E and #8AA8F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 2 / 1

HEX #F08ADA3F

RGBA 240 138 218 0.25

HSLA 312.94, 0.77%, 0.74%, 0.25

LABA 70.71, 49.57, -24.22, 0.25

 

Complementary color

CMYK 22 / 0 / 17 / 14

HEX #0F75253F

RGBA 15 117 37 0.25

HSLA 132.94, 0.77%, 0.26%, 0.25

LABA 42.7, -44.51, 35.35, 0.25

 

CMYK 0 / 11 / 3 / 1

HEX #F58AD53F

RGBA 245 138 213 0.25

HSLA 317.94, 0.84%, 0.75%, 0.25

LABA 71.14, 50.32, -20.74, 0.25

 

CMYK 0 / 10 / 2 / 0

HEX #FF9CE83F

RGBA 255 156 232 0.25

HSLA 313.94, 1%, 0.81%, 0.25

LABA 76.6, 47.4, -22.75, 0.25

 

CMYK 0 / 8 / 0 / 0

HEX #FFAEFB3F

RGBA 255 174 251 0.25

HSLA 302.96, 1%, 0.84%, 0.25

LABA 81.01, 41.37, -26.27, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FFC0FF3F

RGBA 255 192 255 0.25

HSLA 300, 1%, 0.88%, 0.25

LABA 85.09, 32.67, -22.21, 0.25

 

CMYK 0 / 4 / 0 / 0

HEX #FFD2FF3F

RGBA 255 210 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 89.19, 23.22, -16.01, 0.25

 

CMYK 0 / 11 / 2 / 1

HEX #F08ADA3F

RGBA 240 138 218 0.25

HSLA 312.94, 0.77%, 0.74%, 0.25

LABA 70.71, 49.57, -24.22, 0.25

 

CMYK 0 / 12 / 3 / 3

HEX #DF78C73F

RGBA 223 120 199 0.25

HSLA 313.98, 0.62%, 0.67%, 0.25

LABA 64.36, 50.29, -23.53, 0.25

 

CMYK 0 / 13 / 3 / 5

HEX #CE66B43F

RGBA 206 102 180 0.25

HSLA 315, 0.51%, 0.6%, 0.25

LABA 57.96, 50.97, -22.72, 0.25

 

CMYK 0 / 14 / 4 / 6

HEX #BD54A13F

RGBA 189 84 161 0.25

HSLA 316, 0.44%, 0.54%, 0.25

LABA 51.53, 51.56, -21.75, 0.25

 

CMYK 0 / 15 / 4 / 8

HEX #AC428E3F

RGBA 172 66 142 0.25

HSLA 316.98, 0.45%, 0.47%, 0.25

LABA 45.11, 51.94, -20.53, 0.25

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 0 / 43 / 21 / 6

HEX #F08ABE

RGB 240 138 190

HSL 329.41, 0.77%, 0.74%

LAB 69.77, 45.24, -10.1

 

CMYK 0 / 43 / 32 / 6

HEX #F08AA3

RGB 240 138 163

HSL 345.29, 0.77%, 0.74%

LAB 69, 41.59, 3.89

 

CMYK 0 / 43 / 43 / 6

HEX #F08A8A

RGB 240 138 138

HSL 0, 0.77%, 0.74%

LAB 68.41, 38.72, 17.06

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 3 / 43 / 0 / 6

HEX #EA8AF0

RGB 234 138 240

HSL 296.47, 0.77%, 0.74%

LAB 70.84, 51.59, -36.17

 

CMYK 14 / 43 / 0 / 6

HEX #CF8AF0

RGB 207 138 240

HSL 280.59, 0.77%, 0.74%

LAB 67.82, 43.79, -41.1

 

CMYK 25 / 43 / 0 / 6

HEX #B38AF0

RGB 179 138 240

HSL 264.12, 0.77%, 0.74%

LAB 65, 35.89, -45.73

 

CMYK 37 / 43 / 0 / 6

HEX #988AF0

RGB 152 138 240

HSL 248.24, 0.77%, 0.74%

LAB 62.63, 28.67, -49.64

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 0 / 49 / 10 / 2

HEX #FA7FE0

RGB 250 127 224

HSL 312.68, 0.92%, 0.74%

LAB 70.09, 58.93, -28.37

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 0 / 35 / 7 / 10

HEX #E594D4

RGB 229 148 212

HSL 312.59, 0.61%, 0.74%

LAB 71.28, 39.92, -20.16

 

CMYK 0 / 27 / 6 / 15

HEX #DA9FCE

RGB 218 159 206

HSL 312.2, 0.44%, 0.74%

LAB 72.33, 29.37, -15.37

 

CMYK 0 / 18 / 4 / 18

HEX #D0AAC7

RGB 208 170 199

HSL 314.21, 0.29%, 0.74%

LAB 73.73, 18.73, -9.53

 

CMYK 0 / 8 / 2 / 23

HEX #C5B5C1

RGB 197 181 193

HSL 315, 0.12%, 0.74%

LAB 75.31, 7.83, -4.02

 

CMYK 14 / 43 / 0 / 6

HEX #CE8AF0

RGB 206 138 240

HSL 280, 0.77%, 0.74%

LAB 67.72, 43.5, -41.28

 

CMYK 3 / 43 / 0 / 6

HEX #E98AF0

RGB 233 138 240

HSL 295.88, 0.77%, 0.74%

LAB 70.73, 51.3, -36.36

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADB

RGB 240 138 219

HSL 312.35, 0.77%, 0.74%

LAB 70.74, 49.74, -24.72

 

CMYK 0 / 43 / 20 / 6

HEX #F08AC0

RGB 240 138 192

HSL 328.24, 0.77%, 0.74%

LAB 69.83, 45.53, -11.12

 

CMYK 0 / 43 / 31 / 6

HEX #F08AA5

RGB 240 138 165

HSL 344.12, 0.77%, 0.74%

LAB 69.05, 41.84, 2.84

 

CMYK 0 / 72 / 15 / 10

HEX #E641C3

RGB 230 65 195

HSL 312.73, 0.77%, 0.58%

LAB 56.63, 74.83, -33.12

 

CMYK 0 / 57 / 12 / 8

HEX #EB65CE

RGB 235 101 206

HSL 312.99, 0.77%, 0.66%

LAB 62.87, 63.84, -29.64

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 0 / 29 / 6 / 4

HEX #F4AEE5

RGB 244 174 229

HSL 312.86, 0.76%, 0.82%

LAB 79.13, 34.01, -17.39

 

CMYK 0 / 15 / 3 / 2

HEX #F9D3F1

RGB 249 211 241

HSL 312.63, 0.76%, 0.9%

LAB 88.49, 18.23, -9.75

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 0 / 26 / 43 / 6

HEX #F0B28A

RGB 240 178 138

HSL 23.53, 0.77%, 0.74%

LAB 77.4, 17.68, 29.26

 

CMYK 43 / 0 / 9 / 6

HEX #8AF0DB

RGB 138 240 219

HSL 167.65, 0.77%, 0.74%

LAB 88.37, -34.67, 0.84

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 9 / 0 / 43 / 6

HEX #DBF08A

RGB 219 240 138

HSL 72.35, 0.77%, 0.74%

LAB 91.33, -22.21, 46.87

 

CMYK 43 / 9 / 0 / 6

HEX #8ADBF0

RGB 138 219 240

HSL 192.35, 0.77%, 0.74%

LAB 83.1, -19.44, -18.04

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 0 / 26 / 43 / 6

HEX #F0B28A

RGB 240 178 138

HSL 23.53, 0.77%, 0.74%

LAB 77.4, 17.68, 29.26

 

CMYK 43 / 0 / 34 / 6

HEX #8AF09E

RGB 138 240 158

HSL 131.76, 0.77%, 0.74%

LAB 87.09, -46.7, 30.58

 

CMYK 43 / 17 / 0 / 6

HEX #8AC7F0

RGB 138 199 240

HSL 204.12, 0.77%, 0.74%

LAB 77.6, -9.11, -26.4

 

CMYK 0 / 43 / 9 / 6

HEX #F08ADA

RGB 240 138 218

HSL 312.94, 0.77%, 0.74%

LAB 70.71, 49.57, -24.22

 

CMYK 0 / 13 / 43 / 6

HEX #F0D18A

RGB 240 209 138

HSL 41.76, 0.77%, 0.74%

LAB 84.98, 1.45, 39.16

 

CMYK 43 / 0 / 34 / 6

HEX #8AF09E

RGB 138 240 158

HSL 131.76, 0.77%, 0.74%

LAB 87.09, -46.7, 30.58

 

CMYK 43 / 30 / 0 / 6

HEX #8AA8F0

RGB 138 168 240

HSL 222.35, 0.77%, 0.74%

LAB 69.26, 7.88, -39.29

 

Description

Color code: HEX #F08ADA3F | qconv.com Color code: HEX #F08ADA3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 138 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 138 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 2 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 2% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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