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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA9FCE it is the complementary color #256031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA9FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA9FCE shade: #DF9FC9, #F0B1DC, #FFC3EF, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA9FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA9FCE shade: #DA9FCE, #C98DBB, #B87BA8, #A76995 and #965782

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA9FCE shade: #D99FCE, #D99FBE, #D99FAE and #D99F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA9FCE shade: #D99FCE, #D69FD9, #C69FD9, #B69FD9 and #A69FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA9FCE shade matches the following richer shades: #D99FCE, #E494D4, #EF8ADA and #FA7FE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA9FCE shade: #D99FCE, #CFAAC7, #C4B4C1, #B9BFBA and #AECAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA9FCE shade: #C69FD9, #D59FD9, #D99FCE, #D99FBE and #D99FAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA9FCE shade: #C264AF, #CE81BE, #D99FCE, #E5BDDD and #F0DAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA9FCE shade: #DA9FCE, #D9B69F and #9FD9CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA9FCE shade: #DA9FCE, #CED99F and #9FCED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA9FCE shade: #DA9FCE, #D9B69F, #9FD9AB and #9FC2D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA9FCE shade: #DA9FCE, #D9C89F, #9FD9AB and #9FB1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 6 / 15

HEX #DA9FCE

RGB 218 159 206

HSL 312.2, 0.44%, 0.74%

LAB 72.33, 29.37, -15.37

 

Complementary color

CMYK 61 / 0 / 49 / 62

HEX #256031

RGB 37 96 49

HSL 132.2, 0.44%, 0.26%

LAB 35.95, -30.51, 21.2

 

CMYK 0 / 29 / 10 / 13

HEX #DF9FC9

RGB 223 159 201

HSL 320.63, 0.5%, 0.75%

LAB 72.69, 30.2, -12.02

 

CMYK 0 / 26 / 8 / 6

HEX #F0B1DC

RGB 240 177 220

HSL 319.05, 0.68%, 0.82%

LAB 79.12, 29.55, -12.59

 

CMYK 0 / 24 / 6 / 0

HEX #FFC3EF

RGB 255 195 239

HSL 316, 1%, 0.88%

LAB 85.26, 28.29, -13.44

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 27 / 6 / 15

HEX #DA9FCE

RGB 218 159 206

HSL 312.2, 0.44%, 0.74%

LAB 72.33, 29.37, -15.37

 

CMYK 0 / 30 / 7 / 21

HEX #C98DBB

RGB 201 141 187

HSL 314, 0.36%, 0.67%

LAB 65.79, 30.04, -14.84

 

CMYK 0 / 33 / 9 / 28

HEX #B87BA8

RGB 184 123 168

HSL 315.74, 0.3%, 0.6%

LAB 59.14, 30.76, -14.28

 

CMYK 0 / 37 / 11 / 35

HEX #A76995

RGB 167 105 149

HSL 317.42, 0.26%, 0.53%

LAB 52.39, 31.52, -13.66

 

CMYK 0 / 42 / 13 / 41

HEX #965782

RGB 150 87 130

HSL 319.05, 0.27%, 0.46%

LAB 45.51, 32.33, -12.95

 

CMYK 0 / 27 / 5 / 15

HEX #D99FCE

RGB 217 159 206

HSL 311.38, 0.43%, 0.74%

LAB 72.23, 29.03, -15.53

 

CMYK 0 / 27 / 12 / 15

HEX #D99FBE

RGB 217 159 190

HSL 327.93, 0.43%, 0.74%

LAB 71.73, 26.29, -7.45

 

CMYK 0 / 27 / 20 / 15

HEX #D99FAE

RGB 217 159 174

HSL 344.48, 0.43%, 0.74%

LAB 71.29, 23.74, 0.74

 

CMYK 0 / 27 / 27 / 15

HEX #D99F9F

RGB 217 159 159

HSL 0, 0.43%, 0.74%

LAB 70.91, 21.55, 8.5

 

CMYK 0 / 27 / 5 / 15

HEX #D99FCE

RGB 217 159 206

HSL 311.38, 0.43%, 0.74%

LAB 72.23, 29.03, -15.53

 

CMYK 1 / 27 / 0 / 15

HEX #D69FD9

RGB 214 159 217

HSL 296.9, 0.43%, 0.74%

LAB 72.3, 30.06, -21.51

 

CMYK 9 / 27 / 0 / 15

HEX #C69FD9

RGB 198 159 217

HSL 280.34, 0.43%, 0.74%

LAB 70.74, 24.87, -24.02

 

CMYK 16 / 27 / 0 / 15

HEX #B69FD9

RGB 182 159 217

HSL 263.79, 0.43%, 0.74%

LAB 69.29, 19.78, -26.37

 

CMYK 24 / 27 / 0 / 15

HEX #A69FD9

RGB 166 159 217

HSL 247.24, 0.43%, 0.74%

LAB 67.96, 14.83, -28.53

 

CMYK 0 / 27 / 5 / 15

HEX #D99FCE

RGB 217 159 206

HSL 311.38, 0.43%, 0.74%

LAB 72.23, 29.03, -15.53

 

CMYK 0 / 35 / 7 / 11

HEX #E494D4

RGB 228 148 212

HSL 312, 0.6%, 0.74%

LAB 71.16, 39.6, -20.34

 

CMYK 0 / 42 / 9 / 6

HEX #EF8ADA

RGB 239 138 218

HSL 312.48, 0.76%, 0.74%

LAB 70.59, 49.26, -24.42

 

CMYK 0 / 49 / 10 / 2

HEX #FA7FE1

RGB 250 127 225

HSL 312.2, 0.92%, 0.74%

LAB 70.13, 59.09, -28.86

 

CMYK 0 / 27 / 5 / 15

HEX #D99FCE

RGB 217 159 206

HSL 311.38, 0.43%, 0.74%

LAB 72.23, 29.03, -15.53

 

CMYK 0 / 18 / 4 / 19

HEX #CFAAC7

RGB 207 170 199

HSL 312.97, 0.28%, 0.74%

LAB 73.64, 18.38, -9.68

 

CMYK 0 / 8 / 2 / 23

HEX #C4B4C1

RGB 196 180 193

HSL 311.25, 0.12%, 0.74%

LAB 74.97, 8.02, -4.53

 

CMYK 3 / 0 / 3 / 25

HEX #B9BFBA

RGB 185 191 186

HSL 130, 0.04%, 0.74%

LAB 76.75, -3.01, 1.79

 

CMYK 14 / 0 / 11 / 21

HEX #AECAB4

RGB 174 202 180

HSL 132.86, 0.21%, 0.74%

LAB 78.77, -13.64, 7.84

 

CMYK 9 / 27 / 0 / 15

HEX #C69FD9

RGB 198 159 217

HSL 280.34, 0.43%, 0.74%

LAB 70.74, 24.87, -24.02

 

CMYK 2 / 27 / 0 / 15

HEX #D59FD9

RGB 213 159 217

HSL 295.86, 0.43%, 0.74%

LAB 72.2, 29.73, -21.67

 

CMYK 0 / 27 / 5 / 15

HEX #D99FCE

RGB 217 159 206

HSL 311.38, 0.43%, 0.74%

LAB 72.23, 29.03, -15.53

 

CMYK 0 / 27 / 12 / 15

HEX #D99FBE

RGB 217 159 190

HSL 327.93, 0.43%, 0.74%

LAB 71.73, 26.29, -7.45

 

CMYK 0 / 27 / 19 / 15

HEX #D99FAF

RGB 217 159 175

HSL 343.45, 0.43%, 0.74%

LAB 71.31, 23.89, 0.23

 

CMYK 0 / 48 / 10 / 24

HEX #C264AF

RGB 194 100 175

HSL 312.13, 0.44%, 0.58%

LAB 55.76, 47.49, -23.35

 

CMYK 0 / 37 / 8 / 19

HEX #CE81BE

RGB 206 129 190

HSL 312.47, 0.44%, 0.66%

LAB 63.79, 38.73, -19.52

 

CMYK 0 / 27 / 5 / 15

HEX #D99FCE

RGB 217 159 206

HSL 311.38, 0.43%, 0.74%

LAB 72.23, 29.03, -15.53

 

CMYK 0 / 17 / 3 / 10

HEX #E5BDDD

RGB 229 189 221

HSL 312, 0.43%, 0.82%

LAB 80.89, 19.61, -10.59

 

CMYK 0 / 9 / 2 / 6

HEX #F0DAEC

RGB 240 218 236

HSL 310.91, 0.42%, 0.9%

LAB 89.26, 10.66, -6.05

 

CMYK 0 / 27 / 6 / 15

HEX #DA9FCE

RGB 218 159 206

HSL 312.2, 0.44%, 0.74%

LAB 72.33, 29.37, -15.37

 

CMYK 0 / 16 / 27 / 15

HEX #D9B69F

RGB 217 182 159

HSL 23.79, 0.43%, 0.74%

LAB 76.5, 9.17, 16.41

 

CMYK 27 / 0 / 5 / 15

HEX #9FD9CE

RGB 159 217 206

HSL 168.62, 0.43%, 0.74%

LAB 82.62, -20.79, -0.59

 

CMYK 0 / 27 / 6 / 15

HEX #DA9FCE

RGB 218 159 206

HSL 312.2, 0.44%, 0.74%

LAB 72.33, 29.37, -15.37

 

CMYK 5 / 0 / 27 / 15

HEX #CED99F

RGB 206 217 159

HSL 71.38, 0.43%, 0.74%

LAB 84.61, -13.2, 27.4

 

CMYK 27 / 5 / 0 / 15

HEX #9FCED9

RGB 159 206 217

HSL 191.38, 0.43%, 0.74%

LAB 79.91, -12.78, -10.46

 

CMYK 0 / 27 / 6 / 15

HEX #DA9FCE

RGB 218 159 206

HSL 312.2, 0.44%, 0.74%

LAB 72.33, 29.37, -15.37

 

CMYK 0 / 16 / 27 / 15

HEX #D9B69F

RGB 217 182 159

HSL 23.79, 0.43%, 0.74%

LAB 76.5, 9.17, 16.41

 

CMYK 27 / 0 / 21 / 15

HEX #9FD9AB

RGB 159 217 171

HSL 132.41, 0.43%, 0.74%

LAB 81.8, -27.7, 16.79

 

CMYK 27 / 11 / 0 / 15

HEX #9FC2D9

RGB 159 194 217

HSL 203.79, 0.43%, 0.74%

LAB 76.66, -6.5, -15.33

 

CMYK 0 / 27 / 6 / 15

HEX #DA9FCE

RGB 218 159 206

HSL 312.2, 0.44%, 0.74%

LAB 72.33, 29.37, -15.37

 

CMYK 0 / 8 / 27 / 15

HEX #D9C89F

RGB 217 200 159

HSL 42.41, 0.43%, 0.74%

LAB 81.05, -0.34, 22.7

 

CMYK 27 / 0 / 21 / 15

HEX #9FD9AB

RGB 159 217 171

HSL 132.41, 0.43%, 0.74%

LAB 81.8, -27.7, 16.79

 

CMYK 27 / 18 / 0 / 15

HEX #9FB1D9

RGB 159 177 217

HSL 221.38, 0.43%, 0.74%

LAB 72.11, 2.69, -22.22

 

Description

Color code: HEX #DA9FCE | qconv.com Color code: HEX #DA9FCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 159 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 159 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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