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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0887C it is the complementary color #0F7783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0887C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0887C shade: #F58877, #FF9A8A, #FFAC9D, #FFBEB0 and #FFD0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0887C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0887C shade: #F0887C, #DF7669, #CE6456, #BD5243 and #AC4030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0887C shade: #EF877B and #EF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0887C shade: #EF877B, #EFA67B, #EFC67B, #EFE57B and #DAEF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0887C shade matches the following richer shades: #EF877B and #FB7D6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0887C shade: #EF877B, #E49087, #D89A93, #CCA39F and #C0ADAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0887C shade: #EF7BAD, #EF7B8E, #EF867B, #EFA57B and #EFC57B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0887C shade: #E74431, #EB6556, #EF877B, #F4A8A0 and #F8CAC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0887C shade: #F0887C, #CCEF7B and #7B9EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0887C shade: #F0887C, #7BEF86 and #867BEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0887C shade: #F0887C, #CCEF7B, #7BE4EF and #9E7BEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0887C shade: #F0887C, #A9EF7B, #7BE4EF and #C17BEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 48 / 6

HEX #F0887C

RGB 240 136 124

HSL 6.21, 0.79%, 0.71%

LAB 67.72, 38.37, 23.91

 

Complementary color

CMYK 89 / 9 / 0 / 49

HEX #0F7783

RGB 15 119 131

HSL 186.21, 0.79%, 0.29%

LAB 45.54, -22.42, -14.34

 

CMYK 0 / 44 / 51 / 4

HEX #F58877

RGB 245 136 119

HSL 8.1, 0.86%, 0.71%

LAB 68.28, 39.79, 27.54

 

CMYK 0 / 40 / 46 / 0

HEX #FF9A8A

RGB 255 154 138

HSL 8.21, 1%, 0.77%

LAB 73.68, 36.04, 24.57

 

CMYK 0 / 33 / 38 / 0

HEX #FFAC9D

RGB 255 172 157

HSL 9.18, 1%, 0.81%

LAB 77.99, 28.67, 20.15

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEB0

RGB 255 190 176

HSL 10.63, 1%, 0.85%

LAB 82.5, 21.51, 16.21

 

CMYK 0 / 18 / 24 / 0

HEX #FFD0C3

RGB 255 208 195

HSL 13, 1%, 0.88%

LAB 87.15, 14.63, 12.68

 

CMYK 0 / 43 / 48 / 6

HEX #F0887C

RGB 240 136 124

HSL 6.21, 0.79%, 0.71%

LAB 67.72, 38.37, 23.91

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 0 / 51 / 58 / 19

HEX #CE6456

RGB 206 100 86

HSL 7, 0.55%, 0.57%

LAB 54.98, 40.77, 27.68

 

CMYK 0 / 57 / 65 / 26

HEX #BD5243

RGB 189 82 67

HSL 7.38, 0.48%, 0.5%

LAB 48.58, 42.05, 30.02

 

CMYK 0 / 63 / 72 / 33

HEX #AC4030

RGB 172 64 48

HSL 7.74, 0.56%, 0.43%

LAB 42.23, 43.29, 32.74

 

CMYK 0 / 44 / 49 / 6

HEX #EF877B

RGB 239 135 123

HSL 6.21, 0.78%, 0.71%

LAB 67.36, 38.41, 23.96

 

CMYK 0 / 49 / 49 / 6

HEX #EF7B7B

RGB 239 123 123

HSL 0, 0.78%, 0.71%

LAB 64.92, 44.49, 20.66

 

CMYK 0 / 44 / 49 / 6

HEX #EF877B

RGB 239 135 123

HSL 6.21, 0.78%, 0.71%

LAB 67.36, 38.41, 23.96

 

CMYK 0 / 31 / 49 / 6

HEX #EFA67B

RGB 239 166 123

HSL 22.24, 0.78%, 0.71%

LAB 74.22, 22.15, 33.03

 

CMYK 0 / 17 / 49 / 6

HEX #EFC67B

RGB 239 198 123

HSL 38.79, 0.78%, 0.71%

LAB 81.93, 5.29, 42.85

 

CMYK 0 / 4 / 49 / 6

HEX #EFE57B

RGB 239 229 123

HSL 54.83, 0.78%, 0.71%

LAB 89.78, -10.52, 52.47

 

CMYK 9 / 0 / 49 / 6

HEX #DAEF7B

RGB 218 239 123

HSL 70.86, 0.78%, 0.71%

LAB 90.81, -23.62, 53.34

 

CMYK 0 / 44 / 49 / 6

HEX #EF877B

RGB 239 135 123

HSL 6.21, 0.78%, 0.71%

LAB 67.36, 38.41, 23.96

 

CMYK 0 / 50 / 56 / 2

HEX #FB7D6F

RGB 251 125 111

HSL 6, 0.95%, 0.71%

LAB 66.77, 46.84, 30.13

 

CMYK 0 / 44 / 49 / 6

HEX #EF877B

RGB 239 135 123

HSL 6.21, 0.78%, 0.71%

LAB 67.36, 38.41, 23.96

 

CMYK 0 / 37 / 41 / 11

HEX #E49087

RGB 228 144 135

HSL 5.81, 0.63%, 0.71%

LAB 68.16, 30.77, 18.15

 

CMYK 0 / 29 / 32 / 15

HEX #D89A93

RGB 216 154 147

HSL 6.09, 0.47%, 0.71%

LAB 69.34, 22.26, 12.92

 

CMYK 0 / 20 / 22 / 20

HEX #CCA39F

RGB 204 163 159

HSL 5.33, 0.31%, 0.71%

LAB 70.55, 14.48, 7.81

 

CMYK 0 / 10 / 11 / 25

HEX #C0ADAA

RGB 192 173 170

HSL 8.18, 0.15%, 0.71%

LAB 72.23, 6.32, 4.02

 

CMYK 0 / 49 / 28 / 6

HEX #EF7BAD

RGB 239 123 173

HSL 334.14, 0.78%, 0.71%

LAB 66.16, 50.08, -5.92

 

CMYK 0 / 49 / 41 / 6

HEX #EF7B8E

RGB 239 123 142

HSL 350.17, 0.78%, 0.71%

LAB 65.33, 46.38, 10.47

 

CMYK 0 / 44 / 49 / 6

HEX #EF867B

RGB 239 134 123

HSL 5.69, 0.78%, 0.71%

LAB 67.15, 38.93, 23.68

 

CMYK 0 / 31 / 49 / 6

HEX #EFA57B

RGB 239 165 123

HSL 21.72, 0.78%, 0.71%

LAB 73.99, 22.68, 32.73

 

CMYK 0 / 18 / 49 / 6

HEX #EFC57B

RGB 239 197 123

HSL 38.28, 0.78%, 0.71%

LAB 81.68, 5.81, 42.54

 

CMYK 0 / 71 / 79 / 9

HEX #E74431

RGB 231 68 49

HSL 6.26, 0.79%, 0.55%

LAB 53.32, 61.52, 47.19

 

CMYK 0 / 57 / 63 / 8

HEX #EB6556

RGB 235 101 86

HSL 6.04, 0.79%, 0.63%

LAB 59.56, 50.84, 34.39

 

CMYK 0 / 44 / 49 / 6

HEX #EF877B

RGB 239 135 123

HSL 6.21, 0.78%, 0.71%

LAB 67.36, 38.41, 23.96

 

CMYK 0 / 31 / 34 / 4

HEX #F4A8A0

RGB 244 168 160

HSL 5.71, 0.79%, 0.79%

LAB 75.93, 27, 15.47

 

CMYK 0 / 19 / 21 / 3

HEX #F8CAC4

RGB 248 202 196

HSL 6.92, 0.79%, 0.87%

LAB 85.09, 15.36, 9.13

 

CMYK 0 / 43 / 48 / 6

HEX #F0887C

RGB 240 136 124

HSL 6.21, 0.79%, 0.71%

LAB 67.72, 38.37, 23.91

 

CMYK 15 / 0 / 49 / 6

HEX #CCEF7B

RGB 204 239 123

HSL 78.1, 0.78%, 0.71%

LAB 89.86, -28.94, 51.97

 

CMYK 49 / 34 / 0 / 6

HEX #7B9EEF

RGB 123 158 239

HSL 221.9, 0.78%, 0.71%

LAB 65.67, 9.66, -44.43

 

CMYK 0 / 43 / 48 / 6

HEX #F0887C

RGB 240 136 124

HSL 6.21, 0.79%, 0.71%

LAB 67.72, 38.37, 23.91

 

CMYK 49 / 0 / 44 / 6

HEX #7BEF86

RGB 123 239 134

HSL 125.69, 0.78%, 0.71%

LAB 85.84, -54.12, 40.79

 

CMYK 44 / 49 / 0 / 6

HEX #867BEF

RGB 134 123 239

HSL 245.69, 0.78%, 0.71%

LAB 57.53, 32.69, -57.29

 

CMYK 0 / 43 / 48 / 6

HEX #F0887C

RGB 240 136 124

HSL 6.21, 0.79%, 0.71%

LAB 67.72, 38.37, 23.91

 

CMYK 15 / 0 / 49 / 6

HEX #CCEF7B

RGB 204 239 123

HSL 78.1, 0.78%, 0.71%

LAB 89.86, -28.94, 51.97

 

CMYK 49 / 5 / 0 / 6

HEX #7BE4EF

RGB 123 228 239

HSL 185.69, 0.78%, 0.71%

LAB 84.96, -27.57, -14.78

 

CMYK 34 / 49 / 0 / 6

HEX #9E7BEF

RGB 158 123 239

HSL 258.1, 0.78%, 0.71%

LAB 59.59, 38.5, -53.88

 

CMYK 0 / 43 / 48 / 6

HEX #F0887C

RGB 240 136 124

HSL 6.21, 0.79%, 0.71%

LAB 67.72, 38.37, 23.91

 

CMYK 29 / 0 / 49 / 6

HEX #A9EF7B

RGB 169 239 123

HSL 96.21, 0.78%, 0.71%

LAB 87.77, -41.53, 48.95

 

CMYK 49 / 5 / 0 / 6

HEX #7BE4EF

RGB 123 228 239

HSL 185.69, 0.78%, 0.71%

LAB 84.96, -27.57, -14.78

 

CMYK 19 / 49 / 0 / 6

HEX #C17BEF

RGB 193 123 239

HSL 276.21, 0.78%, 0.71%

LAB 63.12, 47.65, -48.05

 

Description

Color code: HEX #F0887C | qconv.com Color code: HEX #F0887C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 136 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 136 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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