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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7669 it is the complementary color #208996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DF7669: #E47664, #F58877, #FF9A8A, #FFAC9D and #FFBEB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DF7669: #DF7669, #CE6456, #BD5243, #AC4030 and #9B2E1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

Complementary color

CMYK 79 / 9 / 0 / 41

HEX #208996

RGB 32 137 150

HSL 186.61, 0.65%, 0.36%

LAB 52.29, -23.86, -15.23

 

CMYK 0 / 48 / 56 / 11

HEX #E47664

RGB 228 118 100

HSL 8.44, 0.7%, 0.64%

LAB 61.97, 41, 29.4

 

CMYK 0 / 44 / 51 / 4

HEX #F58877

RGB 245 136 119

HSL 8.1, 0.86%, 0.71%

LAB 68.28, 39.79, 27.54

 

CMYK 0 / 40 / 46 / 0

HEX #FF9A8A

RGB 255 154 138

HSL 8.21, 1%, 0.77%

LAB 73.68, 36.04, 24.57

 

CMYK 0 / 33 / 38 / 0

HEX #FFAC9D

RGB 255 172 157

HSL 9.18, 1%, 0.81%

LAB 77.99, 28.67, 20.15

 

CMYK 0 / 25 / 31 / 0

HEX #FFBEB0

RGB 255 190 176

HSL 10.63, 1%, 0.85%

LAB 82.5, 21.51, 16.21

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 0 / 51 / 58 / 19

HEX #CE6456

RGB 206 100 86

HSL 7, 0.55%, 0.57%

LAB 54.98, 40.77, 27.68

 

CMYK 0 / 57 / 65 / 26

HEX #BD5243

RGB 189 82 67

HSL 7.38, 0.48%, 0.5%

LAB 48.58, 42.05, 30.02

 

CMYK 0 / 63 / 72 / 33

HEX #AC4030

RGB 172 64 48

HSL 7.74, 0.56%, 0.43%

LAB 42.23, 43.29, 32.74

 

CMYK 0 / 70 / 81 / 39

HEX #9B2E1D

RGB 155 46 29

HSL 8.1, 0.68%, 0.36%

LAB 36.01, 44.32, 35.81

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 0 / 39 / 54 / 13

HEX #DE8767

RGB 222 135 103

HSL 16.13, 0.64%, 0.64%

LAB 64.83, 30.1, 31.27

 

CMYK 0 / 30 / 54 / 13

HEX #DE9B67

RGB 222 155 103

HSL 26.22, 0.64%, 0.64%

LAB 69.44, 19.39, 37.11

 

CMYK 0 / 21 / 54 / 13

HEX #DEAF67

RGB 222 175 103

HSL 36.3, 0.64%, 0.64%

LAB 74.3, 8.69, 43.12

 

CMYK 0 / 12 / 54 / 13

HEX #DEC367

RGB 222 195 103

HSL 46.39, 0.64%, 0.64%

LAB 79.35, -1.83, 49.2

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 0 / 47 / 53 / 93

HEX #130A09

RGB 19 10 9

HSL 6, 0.36%, 0.05%

LAB 3.39, 2.86, 1.43

 

CMYK 0 / 47 / 53 / 73

HEX #462521

RGB 70 37 33

HSL 6.49, 0.36%, 0.2%

LAB 18.95, 15.09, 9.46

 

CMYK 0 / 47 / 53 / 53

HEX #794039

RGB 121 64 57

HSL 6.56, 0.36%, 0.35%

LAB 34.04, 23.9, 15.29

 

CMYK 0 / 47 / 53 / 33

HEX #AC5B51

RGB 172 91 81

HSL 6.59, 0.36%, 0.5%

LAB 48.07, 31.96, 20.63

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 16 / 0 / 54 / 13

HEX #BBDE67

RGB 187 222 103

HSL 77.65, 0.64%, 0.64%

LAB 83.85, -29.32, 53.82

 

CMYK 54 / 37 / 0 / 13

HEX #678BDE

RGB 103 139 222

HSL 221.85, 0.64%, 0.64%

LAB 58.62, 11.08, -46.2

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 54 / 0 / 48 / 13

HEX #67DE73

RGB 103 222 115

HSL 126.05, 0.64%, 0.64%

LAB 79.82, -55.29, 42.31

 

CMYK 48 / 54 / 0 / 13

HEX #7367DE

RGB 115 103 222

HSL 246.05, 0.64%, 0.64%

LAB 50.24, 35.3, -59.53

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 16 / 0 / 54 / 13

HEX #BBDE67

RGB 187 222 103

HSL 77.65, 0.64%, 0.64%

LAB 83.85, -29.32, 53.82

 

CMYK 54 / 5 / 0 / 13

HEX #67D2DE

RGB 103 210 222

HSL 186.05, 0.64%, 0.64%

LAB 78.61, -27.48, -15.36

 

CMYK 37 / 54 / 0 / 13

HEX #8B67DE

RGB 139 103 222

HSL 258.15, 0.64%, 0.64%

LAB 52.36, 40.73, -56.02

 

CMYK 0 / 47 / 53 / 13

HEX #DF7669

RGB 223 118 105

HSL 6.61, 0.65%, 0.64%

LAB 61.36, 39.53, 25.67

 

CMYK 32 / 0 / 54 / 13

HEX #97DE67

RGB 151 222 103

HSL 95.8, 0.64%, 0.64%

LAB 81.73, -42.44, 50.79

 

CMYK 54 / 5 / 0 / 13

HEX #67D2DE

RGB 103 210 222

HSL 186.05, 0.64%, 0.64%

LAB 78.61, -27.48, -15.36

 

CMYK 21 / 54 / 0 / 13

HEX #AF67DE

RGB 175 103 222

HSL 276.3, 0.64%, 0.64%

LAB 56.18, 49.7, -49.7

 

Description

Color code: HEX #DF7669 | qconv.com Color code: HEX #DF7669 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 118 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 118 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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