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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F070B0CE it is the complementary color #0F8F4FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F070B0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F070B0CE shade: #F570ABCE, #FF82BECE, #FF94D1CE, #FFA6E4CE and #FFB8F7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F070B0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F070B0CE shade: #F070B0CE, #DF5E9DCE, #CE4C8ACE, #BD3A77CE and #AC2864CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F070B0CE shade: #F070B0, #F0708D and #F07070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F070B0CE shade: #F070B0, #F070D2, #EB70F0, #C870F0 and #A670F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F070B0CE shade matches the following richer shades: #F070B0 and #FD63B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F070B0CE shade: #F070B0, #E37DB0, #D68AB0, #CA96B0 and #BDA3B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F070B0CE shade: #EC70F0, #F070D2, #F070B0, #F0708E and #F07470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F070B0CE shade: #E82587, #EC4B9B, #F070B0, #F495C5 and #F8BBD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F070B0CE shade: #F070B0, #F0CA70 and #70E3F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F070B0CE shade: #F070B0, #B0F070 and #70B0F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F070B0CE shade: #F070B0, #F0CA70, #70F0B0 and #7096F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F070B0CE shade: #F070B0, #F0F070, #70F0B0 and #7070F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 22 / 5

HEX #F070B0CE

RGBA 240 112 176 0.81

HSLA 330, 0.81%, 0.69%, 0.81

LABA 64.36, 56.07, -10.29, 0.81

 

Complementary color

CMYK 73 / 0 / 36 / 36

HEX #0F8F4FCE

RGBA 15 143 79 0.81

HSLA 150, 0.81%, 0.31%, 0.81

LABA 52.19, -47.11, 25.23, 0.81

 

CMYK 0 / 44 / 24 / 3

HEX #F570ABCE

RGBA 245 112 171 0.81

HSLA 333.38, 0.87%, 0.7%, 0.81

LABA 64.92, 57, -6.54, 0.81

 

CMYK 0 / 40 / 21 / 0

HEX #FF82BECE

RGBA 255 130 190 0.81

HSLA 331.2, 1%, 0.75%, 0.81

LABA 70.14, 54.08, -9.34, 0.81

 

CMYK 0 / 34 / 15 / 0

HEX #FF94D1CE

RGBA 255 148 209 0.81

HSLA 325.79, 1%, 0.79%, 0.81

LABA 74.22, 47.86, -13.77, 0.81

 

CMYK 0 / 28 / 9 / 0

HEX #FFA6E4CE

RGBA 255 166 228 0.81

HSLA 318.2, 1%, 0.83%, 0.81

LABA 78.54, 41.61, -17.63, 0.81

 

CMYK 0 / 23 / 3 / 0

HEX #FFB8F7CE

RGBA 255 184 247 0.81

HSLA 306.76, 1%, 0.86%, 0.81

LABA 83.05, 35.45, -21.04, 0.81

 

CMYK 0 / 43 / 22 / 5

HEX #F070B0CE

RGBA 240 112 176 0.81

HSLA 330, 0.81%, 0.69%, 0.81

LABA 64.36, 56.07, -10.29, 0.81

 

CMYK 0 / 47 / 24 / 10

HEX #DF5E9DCE

RGBA 223 94 157 0.81

HSLA 330.7, 0.67%, 0.62%, 0.81

LABA 58.16, 56.66, -8.89, 0.81

 

CMYK 0 / 51 / 27 / 16

HEX #CE4C8ACE

RGBA 206 76 138 0.81

HSLA 331.38, 0.57%, 0.55%, 0.81

LABA 51.98, 57.07, -7.21, 0.81

 

CMYK 0 / 56 / 30 / 21

HEX #BD3A77CE

RGBA 189 58 119 0.81

HSLA 332.06, 0.53%, 0.48%, 0.81

LABA 45.88, 57.16, -5.12, 0.81

 

CMYK 0 / 62 / 34 / 26

HEX #AC2864CE

RGBA 172 40 100 0.81

HSLA 332.73, 0.62%, 0.42%, 0.81

LABA 39.93, 56.68, -2.46, 0.81

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 53 / 41 / 6

HEX #F0708D

RGB 240 112 141

HSL 346.41, 0.81%, 0.69%

LAB 63.37, 51.96, 8.27

 

CMYK 0 / 53 / 53 / 6

HEX #F07070

RGB 240 112 112

HSL 0, 0.81%, 0.69%

LAB 62.75, 49.27, 23.98

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 53 / 13 / 6

HEX #F070D2

RGB 240 112 210

HSL 314.06, 0.81%, 0.69%

LAB 65.57, 60.9, -27.66

 

CMYK 2 / 53 / 0 / 6

HEX #EB70F0

RGB 235 112 240

HSL 297.66, 0.81%, 0.69%

LAB 66.17, 64.45, -43.46

 

CMYK 17 / 53 / 0 / 6

HEX #C870F0

RGB 200 112 240

HSL 281.25, 0.81%, 0.69%

LAB 61.79, 55.38, -50.66

 

CMYK 31 / 53 / 0 / 6

HEX #A670F0

RGB 166 112 240

HSL 265.31, 0.81%, 0.69%

LAB 58.02, 46.83, -56.88

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 61 / 30 / 1

HEX #FD63B0

RGB 253 99 176

HSL 330, 0.97%, 0.69%

LAB 64.11, 65.73, -10.46

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 45 / 22 / 11

HEX #E37DB0

RGB 227 125 176

HSL 330, 0.65%, 0.69%

LAB 65.07, 45.53, -9.42

 

CMYK 0 / 36 / 18 / 16

HEX #D68AB0

RGB 214 138 176

HSL 330, 0.48%, 0.69%

LAB 66.22, 34.31, -7.87

 

CMYK 0 / 26 / 13 / 21

HEX #CA96B0

RGB 202 150 176

HSL 330, 0.33%, 0.69%

LAB 67.65, 23.56, -5.89

 

CMYK 0 / 14 / 7 / 26

HEX #BDA3B0

RGB 189 163 176

HSL 330, 0.16%, 0.69%

LAB 69.57, 11.74, -3.19

 

CMYK 2 / 53 / 0 / 6

HEX #EC70F0

RGB 236 112 240

HSL 298.13, 0.81%, 0.69%

LAB 66.3, 64.71, -43.25

 

CMYK 0 / 53 / 13 / 6

HEX #F070D2

RGB 240 112 210

HSL 314.06, 0.81%, 0.69%

LAB 65.57, 60.9, -27.66

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 53 / 41 / 6

HEX #F0708E

RGB 240 112 142

HSL 345.94, 0.81%, 0.69%

LAB 63.4, 52.06, 7.74

 

CMYK 0 / 52 / 53 / 6

HEX #F07470

RGB 240 116 112

HSL 1.88, 0.81%, 0.69%

LAB 63.5, 47.35, 24.98

 

CMYK 0 / 84 / 42 / 9

HEX #E82587

RGB 232 37 135

HSL 329.85, 0.81%, 0.53%

LAB 52.09, 75.84, -4.75

 

CMYK 0 / 68 / 34 / 7

HEX #EC4B9B

RGB 236 75 155

HSL 330.19, 0.81%, 0.61%

LAB 57.3, 67.96, -8.79

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 39 / 19 / 4

HEX #F495C5

RGB 244 149 197

HSL 329.68, 0.81%, 0.77%

LAB 72.73, 41.95, -9.51

 

CMYK 0 / 25 / 13 / 3

HEX #F8BBD9

RGB 248 187 217

HSL 330.49, 0.81%, 0.85%

LAB 82.11, 26.49, -6.43

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 16 / 53 / 6

HEX #F0CA70

RGB 240 202 112

HSL 42.19, 0.81%, 0.69%

LAB 82.88, 2.67, 49.46

 

CMYK 53 / 5 / 0 / 6

HEX #70E3F0

RGB 112 227 240

HSL 186.09, 0.81%, 0.69%

LAB 84.32, -29.09, -16.32

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 27 / 0 / 53 / 6

HEX #B0F070

RGB 176 240 112

HSL 90, 0.81%, 0.69%

LAB 88.31, -40.72, 54.78

 

CMYK 53 / 27 / 0 / 6

HEX #70B0F0

RGB 112 176 240

HSL 210, 0.81%, 0.69%

LAB 70.03, -2.67, -38.19

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 16 / 53 / 6

HEX #F0CA70

RGB 240 202 112

HSL 42.19, 0.81%, 0.69%

LAB 82.88, 2.67, 49.46

 

CMYK 53 / 0 / 27 / 6

HEX #70F0B0

RGB 112 240 176

HSL 150, 0.81%, 0.69%

LAB 86.45, -49.97, 20.35

 

CMYK 53 / 38 / 0 / 6

HEX #7096F0

RGB 112 150 240

HSL 222.19, 0.81%, 0.69%

LAB 62.97, 12.16, -49.27

 

CMYK 0 / 53 / 27 / 6

HEX #F070B0

RGB 240 112 176

HSL 330, 0.81%, 0.69%

LAB 64.36, 56.07, -10.29

 

CMYK 0 / 0 / 53 / 6

HEX #F0F070

RGB 240 240 112

HSL 60, 0.81%, 0.69%

LAB 92.58, -16.45, 60.84

 

CMYK 53 / 0 / 27 / 6

HEX #70F0B0

RGB 112 240 176

HSL 150, 0.81%, 0.69%

LAB 86.45, -49.97, 20.35

 

CMYK 53 / 53 / 0 / 6

HEX #7070F0

RGB 112 112 240

HSL 240, 0.81%, 0.69%

LAB 53.3, 34.78, -64.72

 

Description

Color code: HEX #F070B0CE | qconv.com Color code: HEX #F070B0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 112 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 112 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 22 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 22% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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