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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 47 / 24 / 10 it is the complementary color CMYK 81 / 0 / 39 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 47 / 24 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 47 / 24 / 10: CMYK 0 / 48 / 28 / 8, CMYK 0 / 44 / 25 / 1, CMYK 0 / 38 / 19 / 0, CMYK 0 / 31 / 11 / 0 and CMYK 0 / 24 / 4 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 47 / 24 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 47 / 24 / 10: CMYK 0 / 47 / 24 / 10, CMYK 0 / 51 / 27 / 16, CMYK 0 / 56 / 31 / 23, CMYK 0 / 62 / 35 / 30 and CMYK 0 / 69 / 40 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

Complementary color

CMYK 81 / 0 / 39 / 48

HEX #198551

RGB 25 133 81

HSL 151.11, 0.68%, 0.31%

LAB 48.98, -41.9, 19.92

 

CMYK 0 / 48 / 28 / 8

HEX #EB7AA9

RGB 235 122 169

HSL 335.04, 0.74%, 0.7%

LAB 65.31, 48.73, -4.97

 

CMYK 0 / 44 / 25 / 1

HEX #FC8CBC

RGB 252 140 188

HSL 334.29, 0.95%, 0.77%

LAB 71.61, 47.92, -6.08

 

CMYK 0 / 38 / 19 / 0

HEX #FF9ECF

RGB 255 158 207

HSL 329.69, 1%, 0.81%

LAB 76.2, 42.48, -9.7

 

CMYK 0 / 31 / 11 / 0

HEX #FFB0E2

RGB 255 176 226

HSL 322.03, 1%, 0.85%

LAB 80.63, 36.09, -13.41

 

CMYK 0 / 24 / 4 / 0

HEX #FFC2F5

RGB 255 194 245

HSL 309.84, 1%, 0.88%

LAB 85.22, 29.85, -16.7

 

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

CMYK 0 / 51 / 27 / 16

HEX #D5689B

RGB 213 104 155

HSL 331.93, 0.56%, 0.62%

LAB 58.43, 48.53, -7.48

 

CMYK 0 / 56 / 31 / 23

HEX #C45688

RGB 196 86 136

HSL 332.73, 0.48%, 0.55%

LAB 52.03, 49.23, -6.11

 

CMYK 0 / 62 / 35 / 30

HEX #B34475

RGB 179 68 117

HSL 333.51, 0.45%, 0.48%

LAB 45.64, 49.77, -4.44

 

CMYK 0 / 69 / 40 / 36

HEX #A23262

RGB 162 50 98

HSL 334.29, 0.53%, 0.42%

LAB 39.32, 50, -2.31

 

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

CMYK 0 / 47 / 32 / 10

HEX #E57A9C

RGB 229 122 156

HSL 340.93, 0.67%, 0.69%

LAB 64.14, 45.04, 0.61

 

CMYK 0 / 47 / 40 / 10

HEX #E57A8A

RGB 229 122 138

HSL 351.03, 0.67%, 0.69%

LAB 63.68, 42.92, 10.22

 

CMYK 0 / 46 / 47 / 10

HEX #E57B7A

RGB 229 123 122

HSL 0.56, 0.67%, 0.69%

LAB 63.53, 40.76, 19.11

 

CMYK 0 / 38 / 47 / 10

HEX #E58D7A

RGB 229 141 122

HSL 10.65, 0.67%, 0.69%

LAB 67.36, 31.39, 24.3

 

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

CMYK 0 / 46 / 23 / 90

HEX #1A0E14

RGB 26 14 20

HSL 330, 0.3%, 0.08%

LAB 5.28, 6.31, -1.45

 

CMYK 0 / 47 / 25 / 70

HEX #4D293A

RGB 77 41 58

HSL 331.67, 0.31%, 0.23%

LAB 21.83, 19.37, -3.56

 

CMYK 0 / 47 / 24 / 50

HEX #804461

RGB 128 68 97

HSL 331, 0.31%, 0.38%

LAB 37.09, 29.62, -5.59

 

CMYK 0 / 47 / 25 / 30

HEX #B35F87

RGB 179 95 135

HSL 331.43, 0.36%, 0.54%

LAB 51.29, 38.88, -6.88

 

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

CMYK 0 / 13 / 47 / 10

HEX #E5C77A

RGB 229 199 122

HSL 43.18, 0.67%, 0.69%

LAB 81.24, 0.64, 42.29

 

CMYK 47 / 5 / 0 / 10

HEX #7AD9E5

RGB 122 217 229

HSL 186.73, 0.67%, 0.69%

LAB 81.52, -25.02, -14.65

 

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

CMYK 24 / 0 / 47 / 10

HEX #AEE57A

RGB 174 229 122

HSL 90.84, 0.67%, 0.69%

LAB 85.22, -35.42, 46.35

 

CMYK 47 / 24 / 0 / 10

HEX #7AAEE5

RGB 122 174 229

HSL 210.84, 0.67%, 0.69%

LAB 69.52, -2.53, -32.95

 

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

CMYK 0 / 13 / 47 / 10

HEX #E5C77A

RGB 229 199 122

HSL 43.18, 0.67%, 0.69%

LAB 81.24, 0.64, 42.29

 

CMYK 47 / 0 / 23 / 10

HEX #7AE5B1

RGB 122 229 177

HSL 150.84, 0.67%, 0.69%

LAB 83.63, -42.69, 15.94

 

CMYK 47 / 34 / 0 / 10

HEX #7A98E5

RGB 122 152 229

HSL 223.18, 0.67%, 0.69%

LAB 63.55, 9.94, -42.25

 

CMYK 0 / 47 / 24 / 10

HEX #E67AAE

RGB 230 122 174

HSL 331.11, 0.68%, 0.69%

LAB 64.8, 47.75, -8.64

 

CMYK 1 / 0 / 47 / 10

HEX #E3E57A

RGB 227 229 122

HSL 61.12, 0.67%, 0.69%

LAB 88.82, -15.36, 51.56

 

CMYK 47 / 0 / 23 / 10

HEX #7AE5B1

RGB 122 229 177

HSL 150.84, 0.67%, 0.69%

LAB 83.63, -42.69, 15.94

 

CMYK 46 / 47 / 0 / 10

HEX #7B7AE5

RGB 123 122 229

HSL 240.56, 0.67%, 0.69%

LAB 55.87, 27.85, -54.4

 

Description

Color code: CMYK 0 / 47 / 24 / 10 | qconv.com Color code: CMYK 0 / 47 / 24 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 122 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 122 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 24 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 24% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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