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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F05E2ACE it is the complementary color #0FA1D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F05E2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F05E2ACE shade: #F55E25CE, #FF7038CE, #FF824BCE, #FF945ECE and #FFA671CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F05E2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F05E2ACE shade: #F05E2ACE, #DF4C17CE, #CE3A04CE, #BD2800CE and #AC1600CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F05E2ACE shade: #F05D28 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F05E2ACE shade: #F05D28, #F09328, #F0C928, #E2F028 and #ACF028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F05E2ACE shade matches the following richer shades: #F05D28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F05E2ACE shade: #F05D28, #DE663B, #CB6E4E, #B87760 and #A68073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F05E2ACE shade: #F02861, #F0282C, #F05A28, #F09028 and #F0C528

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F05E2ACE shade: #B93A0D, #E04610, #F05D28, #F37A4F and #F59776

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F05E2ACE shade: #F05E2A, #96F028 and #2846F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F05E2ACE shade: #F05E2A, #28F05A and #5A28F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F05E2ACE shade: #F05E2A, #96F028, #28BEF0 and #8228F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F05E2ACE shade: #F05E2A, #5AF028, #28BEF0 and #BE28F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 67 / 5

HEX #F05E2ACE

RGBA 240 94 42 0.81

HSLA 15.76, 0.87%, 0.55%, 0.81

LABA 58.69, 53.85, 56.14, 0.81

 

Complementary color

CMYK 75 / 20 / 0 / 13

HEX #0FA1D5CE

RGBA 15 161 213 0.81

HSLA 195.76, 0.87%, 0.45%, 0.81

LABA 61.99, -16.03, -36.06, 0.81

 

CMYK 0 / 50 / 69 / 3

HEX #F55E25CE

RGBA 245 94 37 0.81

HSLA 16.44, 0.91%, 0.55%, 0.81

LABA 59.48, 55.47, 59.22, 0.81

 

CMYK 0 / 45 / 63 / 0

HEX #FF7038CE

RGBA 255 112 56 0.81

HSLA 16.88, 1%, 0.61%, 0.81

LABA 64.27, 51.49, 55.97, 0.81

 

CMYK 0 / 40 / 57 / 0

HEX #FF824BCE

RGBA 255 130 75 0.81

HSLA 18.33, 1%, 0.65%, 0.81

LABA 67.82, 43.64, 50.6, 0.81

 

CMYK 0 / 34 / 51 / 0

HEX #FF945ECE

RGBA 255 148 94 0.81

HSLA 20.12, 1%, 0.68%, 0.81

LABA 71.72, 35.62, 45.49, 0.81

 

CMYK 0 / 28 / 45 / 0

HEX #FFA671CE

RGBA 255 166 113 0.81

HSLA 22.39, 1%, 0.72%, 0.81

LABA 75.9, 27.63, 40.79, 0.81

 

CMYK 0 / 49 / 67 / 5

HEX #F05E2ACE

RGBA 240 94 42 0.81

HSLA 15.76, 0.87%, 0.55%, 0.81

LABA 58.69, 53.85, 56.14, 0.81

 

CMYK 0 / 53 / 73 / 10

HEX #DF4C17CE

RGBA 223 76 23 0.81

HSLA 15.9, 0.81%, 0.48%, 0.81

LABA 52.86, 55.21, 57.65, 0.81

 

CMYK 0 / 58 / 79 / 16

HEX #CE3A04CE

RGBA 206 58 4 0.81

HSLA 16.04, 0.96%, 0.41%, 0.81

LABA 47.18, 56.31, 57.88, 0.81

 

CMYK 0 / 64 / 81 / 21

HEX #BD2800CE

RGBA 189 40 0 0.81

HSLA 12.7, 1%, 0.37%, 0.81

LABA 41.75, 56.9, 54.62, 0.81

 

CMYK 0 / 71 / 81 / 26

HEX #AC1600CE

RGBA 172 22 0 0.81

HSLA 7.67, 1%, 0.34%, 0.81

LABA 36.64, 56.47, 50.41, 0.81

 

CMYK 0 / 61 / 83 / 6

HEX #F05D28

RGB 240 93 40

HSL 15.9, 0.87%, 0.55%

LAB 58.52, 54.23, 56.84

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 61 / 83 / 6

HEX #F05D28

RGB 240 93 40

HSL 15.9, 0.87%, 0.55%

LAB 58.52, 54.23, 56.84

 

CMYK 0 / 39 / 83 / 6

HEX #F09328

RGB 240 147 40

HSL 32.1, 0.87%, 0.55%

LAB 69.14, 27.69, 66.01

 

CMYK 0 / 16 / 83 / 6

HEX #F0C928

RGB 240 201 40

HSL 48.3, 0.87%, 0.55%

LAB 82.08, -0.62, 76.93

 

CMYK 6 / 0 / 83 / 6

HEX #E2F028

RGB 226 240 40

HSL 64.2, 0.87%, 0.55%

LAB 91.07, -25.78, 83.97

 

CMYK 28 / 0 / 83 / 6

HEX #ACF028

RGB 172 240 40

HSL 80.4, 0.87%, 0.55%

LAB 87.6, -46.86, 79.64

 

CMYK 0 / 61 / 83 / 6

HEX #F05D28

RGB 240 93 40

HSL 15.9, 0.87%, 0.55%

LAB 58.52, 54.23, 56.84

 

CMYK 0 / 61 / 83 / 6

HEX #F05D28

RGB 240 93 40

HSL 15.9, 0.87%, 0.55%

LAB 58.52, 54.23, 56.84

 

CMYK 0 / 54 / 73 / 13

HEX #DE663B

RGB 222 102 59

HSL 15.83, 0.71%, 0.55%

LAB 57.41, 44.2, 45.88

 

CMYK 0 / 46 / 62 / 20

HEX #CB6E4E

RGB 203 110 78

HSL 15.36, 0.55%, 0.55%

LAB 56.48, 33.87, 33.98

 

CMYK 0 / 35 / 48 / 28

HEX #B87760

RGB 184 119 96

HSL 15.68, 0.38%, 0.55%

LAB 56.32, 22.86, 23.16

 

CMYK 0 / 23 / 31 / 35

HEX #A68073

RGB 166 128 115

HSL 15.29, 0.22%, 0.55%

LAB 56.86, 12.74, 12.69

 

CMYK 0 / 83 / 60 / 6

HEX #F02861

RGB 240 40 97

HSL 342.9, 0.87%, 0.55%

LAB 52.85, 74.32, 19.47

 

CMYK 0 / 83 / 82 / 6

HEX #F0282C

RGB 240 40 44

HSL 358.8, 0.87%, 0.55%

LAB 52.09, 72.08, 49.14

 

CMYK 0 / 63 / 83 / 6

HEX #F05A28

RGB 240 90 40

HSL 15, 0.87%, 0.55%

LAB 58.03, 55.53, 56.41

 

CMYK 0 / 40 / 83 / 6

HEX #F09028

RGB 240 144 40

HSL 31.2, 0.87%, 0.55%

LAB 68.48, 29.26, 65.44

 

CMYK 0 / 18 / 83 / 6

HEX #F0C528

RGB 240 197 40

HSL 47.1, 0.87%, 0.55%

LAB 81.08, 1.44, 76.09

 

CMYK 0 / 69 / 93 / 27

HEX #B93A0D

RGB 185 58 13

HSL 15.7, 0.87%, 0.39%

LAB 43.31, 49.42, 51.1

 

CMYK 0 / 69 / 93 / 12

HEX #E04610

RGB 224 70 16

HSL 15.58, 0.87%, 0.47%

LAB 52.14, 57.82, 59.43

 

CMYK 0 / 61 / 83 / 6

HEX #F05D28

RGB 240 93 40

HSL 15.9, 0.87%, 0.55%

LAB 58.52, 54.23, 56.84

 

CMYK 0 / 50 / 67 / 5

HEX #F37A4F

RGB 243 122 79

HSL 15.73, 0.87%, 0.63%

LAB 64.59, 43.27, 44.47

 

CMYK 0 / 38 / 52 / 4

HEX #F59776

RGB 245 151 118

HSL 15.59, 0.86%, 0.71%

LAB 71.46, 31.96, 32.25

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 38 / 0 / 83 / 6

HEX #96F028

RGB 150 240 40

HSL 87, 0.87%, 0.55%

LAB 86.48, -54.59, 78.23

 

CMYK 83 / 71 / 0 / 6

HEX #2846F0

RGB 40 70 240

HSL 231, 0.87%, 0.55%

LAB 39.79, 50.83, -86.95

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 83 / 0 / 63 / 6

HEX #28F05A

RGB 40 240 90

HSL 135, 0.87%, 0.55%

LAB 83.71, -75.26, 57.95

 

CMYK 63 / 83 / 0 / 6

HEX #5A28F0

RGB 90 40 240

HSL 255, 0.87%, 0.55%

LAB 37.81, 68.9, -90.12

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 38 / 0 / 83 / 6

HEX #96F028

RGB 150 240 40

HSL 87, 0.87%, 0.55%

LAB 86.48, -54.59, 78.23

 

CMYK 83 / 21 / 0 / 6

HEX #28BEF0

RGB 40 190 240

HSL 195, 0.87%, 0.55%

LAB 71.94, -20.61, -35.38

 

CMYK 46 / 83 / 0 / 6

HEX #8228F0

RGB 130 40 240

HSL 267, 0.87%, 0.55%

LAB 42.08, 72.93, -82.92

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 63 / 0 / 83 / 6

HEX #5AF028

RGB 90 240 40

HSL 105, 0.87%, 0.55%

LAB 84.3, -71.38, 75.47

 

CMYK 83 / 21 / 0 / 6

HEX #28BEF0

RGB 40 190 240

HSL 195, 0.87%, 0.55%

LAB 71.94, -20.61, -35.38

 

CMYK 21 / 83 / 0 / 6

HEX #BE28F0

RGB 190 40 240

HSL 285, 0.87%, 0.55%

LAB 50.4, 81.23, -69

 

Description

Color code: HEX #F05E2ACE | qconv.com Color code: HEX #F05E2ACE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 94 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 94 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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