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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 240 94 42 it is the complementary color RGB 15 161 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 240 94 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 240 94 42: RGB 245 94 37, RGB 255 112 56, RGB 255 130 75, RGB 255 148 94 and RGB 255 166 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 240 94 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 240 94 42: RGB 240 94 42, RGB 223 76 23, RGB 206 58 4, RGB 189 40 0 and RGB 172 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

Complementary color

CMYK 93 / 24 / 0 / 16

HEX #0FA1D5

RGB 15 161 213

HSL 195.76, 0.87%, 0.45%

LAB 61.99, -16.03, -36.06

 

CMYK 0 / 62 / 85 / 4

HEX #F55E25

RGB 245 94 37

HSL 16.44, 0.91%, 0.55%

LAB 59.48, 55.47, 59.22

 

CMYK 0 / 56 / 78 / 0

HEX #FF7038

RGB 255 112 56

HSL 16.88, 1%, 0.61%

LAB 64.27, 51.49, 55.97

 

CMYK 0 / 49 / 71 / 0

HEX #FF824B

RGB 255 130 75

HSL 18.33, 1%, 0.65%

LAB 67.82, 43.64, 50.6

 

CMYK 0 / 42 / 63 / 0

HEX #FF945E

RGB 255 148 94

HSL 20.12, 1%, 0.68%

LAB 71.72, 35.62, 45.49

 

CMYK 0 / 35 / 56 / 0

HEX #FFA671

RGB 255 166 113

HSL 22.39, 1%, 0.72%

LAB 75.9, 27.63, 40.79

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 0 / 66 / 90 / 13

HEX #DF4C17

RGB 223 76 23

HSL 15.9, 0.81%, 0.48%

LAB 52.86, 55.21, 57.65

 

CMYK 0 / 72 / 98 / 19

HEX #CE3A04

RGB 206 58 4

HSL 16.04, 0.96%, 0.41%

LAB 47.18, 56.31, 57.88

 

CMYK 0 / 79 / 100 / 26

HEX #BD2800

RGB 189 40 0

HSL 12.7, 1%, 0.37%

LAB 41.75, 56.9, 54.62

 

CMYK 0 / 87 / 100 / 33

HEX #AC1600

RGB 172 22 0

HSL 7.67, 1%, 0.34%

LAB 36.64, 56.47, 50.41

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 0 / 49 / 83 / 6

HEX #F07B28

RGB 240 123 40

HSL 24.9, 0.87%, 0.55%

LAB 64.03, 40.05, 61.63

 

CMYK 0 / 35 / 83 / 6

HEX #F09C28

RGB 240 156 40

HSL 34.8, 0.87%, 0.55%

LAB 71.18, 22.95, 67.75

 

CMYK 0 / 21 / 83 / 6

HEX #F0BE28

RGB 240 190 40

HSL 45, 0.87%, 0.55%

LAB 79.33, 5.07, 74.62

 

CMYK 0 / 7 / 83 / 6

HEX #F0DF28

RGB 240 223 40

HSL 54.9, 0.87%, 0.55%

LAB 87.71, -11.73, 81.61

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 0 / 61 / 83 / 86

HEX #240E06

RGB 36 14 6

HSL 16, 0.71%, 0.08%

LAB 6.34, 10.15, 7.23

 

CMYK 0 / 61 / 83 / 66

HEX #57220F

RGB 87 34 15

HSL 15.83, 0.71%, 0.2%

LAB 20.85, 23.24, 24.09

 

CMYK 0 / 61 / 83 / 46

HEX #8A3618

RGB 138 54 24

HSL 15.79, 0.7%, 0.32%

LAB 34.21, 34.19, 35.63

 

CMYK 0 / 61 / 83 / 26

HEX #BD4A21

RGB 189 74 33

HSL 15.77, 0.7%, 0.44%

LAB 46.75, 44.29, 46.18

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 38 / 0 / 83 / 6

HEX #96F028

RGB 150 240 40

HSL 87, 0.87%, 0.55%

LAB 86.48, -54.59, 78.23

 

CMYK 83 / 71 / 0 / 6

HEX #2846F0

RGB 40 70 240

HSL 231, 0.87%, 0.55%

LAB 39.79, 50.83, -86.95

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 83 / 0 / 63 / 6

HEX #28F05A

RGB 40 240 90

HSL 135, 0.87%, 0.55%

LAB 83.71, -75.26, 57.95

 

CMYK 63 / 83 / 0 / 6

HEX #5A28F0

RGB 90 40 240

HSL 255, 0.87%, 0.55%

LAB 37.81, 68.9, -90.12

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 38 / 0 / 83 / 6

HEX #96F028

RGB 150 240 40

HSL 87, 0.87%, 0.55%

LAB 86.48, -54.59, 78.23

 

CMYK 83 / 21 / 0 / 6

HEX #28BEF0

RGB 40 190 240

HSL 195, 0.87%, 0.55%

LAB 71.94, -20.61, -35.38

 

CMYK 46 / 83 / 0 / 6

HEX #8228F0

RGB 130 40 240

HSL 267, 0.87%, 0.55%

LAB 42.08, 72.93, -82.92

 

CMYK 0 / 61 / 83 / 6

HEX #F05E2A

RGB 240 94 42

HSL 15.76, 0.87%, 0.55%

LAB 58.69, 53.85, 56.14

 

CMYK 63 / 0 / 83 / 6

HEX #5AF028

RGB 90 240 40

HSL 105, 0.87%, 0.55%

LAB 84.3, -71.38, 75.47

 

CMYK 83 / 21 / 0 / 6

HEX #28BEF0

RGB 40 190 240

HSL 195, 0.87%, 0.55%

LAB 71.94, -20.61, -35.38

 

CMYK 21 / 83 / 0 / 6

HEX #BE28F0

RGB 190 40 240

HSL 285, 0.87%, 0.55%

LAB 50.4, 81.23, -69

 

Description

Color code: RGB 240 94 42 | qconv.com Color code: RGB 240 94 42 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 94 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 94 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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