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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F057A7 it is the complementary color #0FA858. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F057A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F057A7 shade: #F557A2, #FF69B5, #FF7BC8, #FF8DDB and #FF9FEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F057A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F057A7 shade: #F057A7, #DF4594, #CE3381, #BD216E and #AC0F5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F057A7 shade: #F056A7, #F0567D and #F05656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F057A7 shade: #F056A7, #F056D0, #E756F0, #BD56F0 and #9456F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F057A7 shade matches the following richer shades: #F056A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F057A7 shade: #F056A7, #E165A6, #D374A5, #C483A5 and #B592A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F057A7 shade: #E656F0, #F056D1, #F056A8, #F0567F and #F05656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F057A7 shade: #E0147F, #ED3093, #F056A7, #F47CBB and #F7A2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F057A7 shade: #F057A7, #F0BD56 and #56E6F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F057A7 shade: #F057A7, #A8F056 and #56A8F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F057A7 shade: #F057A7, #F0BD56, #56F09E and #5689F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F057A7 shade: #F057A7, #F0EB56, #56F09E and #565BF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 30 / 6

HEX #F057A7

RGB 240 87 167

HSL 328.63, 0.84%, 0.64%

LAB 60.01, 65.85, -11.65

 

Complementary color

CMYK 91 / 0 / 48 / 34

HEX #0FA858

RGB 15 168 88

HSL 148.63, 0.84%, 0.36%

LAB 60.61, -54.38, 31.26

 

CMYK 0 / 64 / 34 / 4

HEX #F557A2

RGB 245 87 162

HSL 331.52, 0.89%, 0.65%

LAB 60.64, 66.69, -7.73

 

CMYK 0 / 59 / 29 / 0

HEX #FF69B5

RGB 255 105 181

HSL 329.6, 1%, 0.71%

LAB 65.51, 64.37, -11.18

 

CMYK 0 / 52 / 22 / 0

HEX #FF7BC8

RGB 255 123 200

HSL 325, 1%, 0.74%

LAB 69.18, 58.76, -16.36

 

CMYK 0 / 45 / 14 / 0

HEX #FF8DDB

RGB 255 141 219

HSL 318.95, 1%, 0.78%

LAB 73.17, 52.86, -20.85

 

CMYK 0 / 38 / 7 / 0

HEX #FF9FEE

RGB 255 159 238

HSL 310.63, 1%, 0.81%

LAB 77.42, 46.86, -24.76

 

CMYK 0 / 64 / 30 / 6

HEX #F057A7

RGB 240 87 167

HSL 328.63, 0.84%, 0.64%

LAB 60.01, 65.85, -11.65

 

CMYK 0 / 69 / 34 / 13

HEX #DF4594

RGB 223 69 148

HSL 329.22, 0.71%, 0.57%

LAB 54.11, 65.82, -9.66

 

CMYK 0 / 75 / 37 / 19

HEX #CE3381

RGB 206 51 129

HSL 329.81, 0.61%, 0.5%

LAB 48.35, 65.3, -7.2

 

CMYK 0 / 83 / 42 / 26

HEX #BD216E

RGB 189 33 110

HSL 330.38, 0.7%, 0.44%

LAB 42.81, 64.04, -4.11

 

CMYK 0 / 91 / 47 / 33

HEX #AC0F5B

RGB 172 15 91

HSL 330.96, 0.84%, 0.37%

LAB 37.6, 61.67, -0.15

 

CMYK 0 / 64 / 30 / 6

HEX #F056A7

RGB 240 86 167

HSL 328.44, 0.84%, 0.64%

LAB 59.86, 66.25, -11.87

 

CMYK 0 / 64 / 48 / 6

HEX #F0567D

RGB 240 86 125

HSL 344.81, 0.84%, 0.64%

LAB 58.66, 61.92, 10.86

 

CMYK 0 / 64 / 64 / 6

HEX #F05656

RGB 240 86 86

HSL 0, 0.84%, 0.64%

LAB 57.9, 59.09, 32.5

 

CMYK 0 / 64 / 30 / 6

HEX #F056A7

RGB 240 86 167

HSL 328.44, 0.84%, 0.64%

LAB 59.86, 66.25, -11.87

 

CMYK 0 / 64 / 13 / 6

HEX #F056D0

RGB 240 86 208

HSL 312.47, 0.84%, 0.64%

LAB 61.42, 71.64, -32.94

 

CMYK 4 / 64 / 0 / 6

HEX #E756F0

RGB 231 86 240

HSL 296.49, 0.84%, 0.64%

LAB 61.6, 74.49, -50.71

 

CMYK 21 / 64 / 0 / 6

HEX #BD56F0

RGB 189 86 240

HSL 280.13, 0.84%, 0.64%

LAB 55.85, 65.12, -60.21

 

CMYK 38 / 64 / 0 / 6

HEX #9456F0

RGB 148 86 240

HSL 264.16, 0.84%, 0.64%

LAB 50.97, 56.5, -68.33

 

CMYK 0 / 64 / 30 / 6

HEX #F056A7

RGB 240 86 167

HSL 328.44, 0.84%, 0.64%

LAB 59.86, 66.25, -11.87

 

CMYK 0 / 64 / 30 / 6

HEX #F056A7

RGB 240 86 167

HSL 328.44, 0.84%, 0.64%

LAB 59.86, 66.25, -11.87

 

CMYK 0 / 55 / 26 / 12

HEX #E165A6

RGB 225 101 166

HSL 328.55, 0.67%, 0.64%

LAB 59.95, 55.24, -11.39

 

CMYK 0 / 45 / 22 / 17

HEX #D374A5

RGB 211 116 165

HSL 329.05, 0.52%, 0.64%

LAB 60.83, 43.22, -9.69

 

CMYK 0 / 33 / 16 / 23

HEX #C483A5

RGB 196 131 165

HSL 328.62, 0.36%, 0.64%

LAB 62.24, 30.04, -7.78

 

CMYK 0 / 19 / 9 / 29

HEX #B592A4

RGB 181 146 164

HSL 329.14, 0.19%, 0.64%

LAB 64.21, 16.15, -4.47

 

CMYK 4 / 64 / 0 / 6

HEX #E656F0

RGB 230 86 240

HSL 296.1, 0.84%, 0.64%

LAB 61.46, 74.26, -50.94

 

CMYK 0 / 64 / 13 / 6

HEX #F056D1

RGB 240 86 209

HSL 312.08, 0.84%, 0.64%

LAB 61.47, 71.78, -33.44

 

CMYK 0 / 64 / 30 / 6

HEX #F056A8

RGB 240 86 168

HSL 328.05, 0.84%, 0.64%

LAB 59.9, 66.36, -12.4

 

CMYK 0 / 64 / 47 / 6

HEX #F0567F

RGB 240 86 127

HSL 344.03, 0.84%, 0.64%

LAB 58.71, 62.1, 9.76

 

CMYK 0 / 64 / 64 / 6

HEX #F05656

RGB 240 86 86

HSL 0, 0.84%, 0.64%

LAB 57.9, 59.09, 32.5

 

CMYK 0 / 91 / 43 / 12

HEX #E0147F

RGB 224 20 127

HSL 328.53, 0.84%, 0.48%

LAB 49.35, 76.09, -4.14

 

CMYK 0 / 80 / 38 / 7

HEX #ED3093

RGB 237 48 147

HSL 328.57, 0.84%, 0.56%

LAB 54.26, 75.69, -8.59

 

CMYK 0 / 64 / 30 / 6

HEX #F056A7

RGB 240 86 167

HSL 328.44, 0.84%, 0.64%

LAB 59.86, 66.25, -11.87

 

CMYK 0 / 49 / 23 / 4

HEX #F47CBB

RGB 244 124 187

HSL 328.5, 0.85%, 0.72%

LAB 67.45, 53.08, -11.82

 

CMYK 0 / 34 / 17 / 3

HEX #F7A2CE

RGB 247 162 206

HSL 328.94, 0.84%, 0.8%

LAB 76.11, 37.57, -9.39

 

CMYK 0 / 64 / 30 / 6

HEX #F057A7

RGB 240 87 167

HSL 328.63, 0.84%, 0.64%

LAB 60.01, 65.85, -11.65

 

CMYK 0 / 21 / 64 / 6

HEX #F0BD56

RGB 240 189 86

HSL 40.13, 0.84%, 0.64%

LAB 79.38, 7.57, 57.62

 

CMYK 64 / 4 / 0 / 6

HEX #56E6F0

RGB 86 230 240

HSL 183.9, 0.84%, 0.64%

LAB 84.41, -35.02, -16.25

 

CMYK 0 / 64 / 30 / 6

HEX #F057A7

RGB 240 87 167

HSL 328.63, 0.84%, 0.64%

LAB 60.01, 65.85, -11.65

 

CMYK 30 / 0 / 64 / 6

HEX #A8F056

RGB 168 240 86

HSL 88.05, 0.84%, 0.64%

LAB 87.64, -45.83, 65.02

 

CMYK 64 / 30 / 0 / 6

HEX #56A8F0

RGB 86 168 240

HSL 208.05, 0.84%, 0.64%

LAB 66.73, -3.16, -43.43

 

CMYK 0 / 64 / 30 / 6

HEX #F057A7

RGB 240 87 167

HSL 328.63, 0.84%, 0.64%

LAB 60.01, 65.85, -11.65

 

CMYK 0 / 21 / 64 / 6

HEX #F0BD56

RGB 240 189 86

HSL 40.13, 0.84%, 0.64%

LAB 79.38, 7.57, 57.62

 

CMYK 64 / 0 / 34 / 6

HEX #56F09E

RGB 86 240 158

HSL 148.05, 0.84%, 0.64%

LAB 85.39, -58.7, 28

 

CMYK 64 / 43 / 0 / 6

HEX #5689F0

RGB 86 137 240

HSL 220.13, 0.84%, 0.64%

LAB 58.19, 14.92, -56.95

 

CMYK 0 / 64 / 30 / 6

HEX #F057A7

RGB 240 87 167

HSL 328.63, 0.84%, 0.64%

LAB 60.01, 65.85, -11.65

 

CMYK 0 / 2 / 64 / 6

HEX #F0EB56

RGB 240 235 86

HSL 58.05, 0.84%, 0.64%

LAB 91.06, -15.76, 70.09

 

CMYK 64 / 0 / 34 / 6

HEX #56F09E

RGB 86 240 158

HSL 148.05, 0.84%, 0.64%

LAB 85.39, -58.7, 28

 

CMYK 64 / 62 / 0 / 6

HEX #565BF0

RGB 86 91 240

HSL 238.05, 0.84%, 0.64%

LAB 46.65, 42.93, -75.6

 

Description

Color code: HEX #F057A7 | qconv.com Color code: HEX #F057A7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 87 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 87 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 30% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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