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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 49 / 23 / 4 it is the complementary color CMYK 92 / 0 / 48 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 49 / 23 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 49 / 23 / 4: CMYK 0 / 50 / 27 / 2, CMYK 0 / 44 / 21 / 0, CMYK 0 / 37 / 13 / 0, CMYK 0 / 30 / 6 / 0 and CMYK 0 / 23 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 49 / 23 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 49 / 23 / 4: CMYK 0 / 49 / 23 / 4, CMYK 0 / 53 / 26 / 11, CMYK 0 / 58 / 29 / 17, CMYK 0 / 63 / 32 / 24 and CMYK 0 / 70 / 37 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

Complementary color

CMYK 92 / 0 / 48 / 49

HEX #0A8243

RGB 10 130 67

HSL 148.5, 0.86%, 0.27%

LAB 47.54, -44.97, 25.78

 

CMYK 0 / 50 / 27 / 2

HEX #FA7DB7

RGB 250 125 183

HSL 332.16, 0.93%, 0.74%

LAB 68.32, 53.97, -8.19

 

CMYK 0 / 44 / 21 / 0

HEX #FF8FCA

RGB 255 143 202

HSL 328.39, 1%, 0.78%

LAB 73, 49.35, -11.73

 

CMYK 0 / 37 / 13 / 0

HEX #FFA1DD

RGB 255 161 221

HSL 321.7, 1%, 0.82%

LAB 77.26, 43.07, -15.76

 

CMYK 0 / 30 / 6 / 0

HEX #FFB3F0

RGB 255 179 240

HSL 311.84, 1%, 0.85%

LAB 81.72, 36.85, -19.29

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

CMYK 0 / 53 / 26 / 11

HEX #E46BA9

RGB 228 107 169

HSL 329.26, 0.69%, 0.66%

LAB 61.55, 53.75, -10.68

 

CMYK 0 / 58 / 29 / 17

HEX #D35996

RGB 211 89 150

HSL 330, 0.58%, 0.59%

LAB 55.27, 54.35, -9.3

 

CMYK 0 / 63 / 32 / 24

HEX #C24783

RGB 194 71 131

HSL 330.73, 0.5%, 0.52%

LAB 49.03, 54.76, -7.63

 

CMYK 0 / 70 / 37 / 31

HEX #B13570

RGB 177 53 112

HSL 331.45, 0.54%, 0.45%

LAB 42.86, 54.82, -5.52

 

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

CMYK 0 / 49 / 31 / 4

HEX #F57EAA

RGB 245 126 170

HSL 337.82, 0.86%, 0.73%

LAB 67.45, 50.2, -2.23

 

CMYK 0 / 49 / 39 / 4

HEX #F57E96

RGB 245 126 150

HSL 347.9, 0.86%, 0.73%

LAB 66.93, 47.85, 8.31

 

CMYK 0 / 49 / 47 / 4

HEX #F57E82

RGB 245 126 130

HSL 357.98, 0.86%, 0.73%

LAB 66.48, 45.81, 18.98

 

CMYK 0 / 42 / 49 / 4

HEX #F58E7E

RGB 245 142 126

HSL 8.07, 0.86%, 0.73%

LAB 69.66, 37.34, 25.52

 

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

CMYK 0 / 49 / 24 / 84

HEX #29151F

RGB 41 21 31

HSL 330, 0.32%, 0.12%

LAB 9.85, 12.01, -2.67

 

CMYK 0 / 49 / 23 / 64

HEX #5C2F47

RGB 92 47 71

HSL 328, 0.32%, 0.27%

LAB 26.05, 23.93, -5.8

 

CMYK 0 / 49 / 23 / 44

HEX #8F496E

RGB 143 73 110

HSL 328.29, 0.32%, 0.42%

LAB 40.78, 34.3, -7.95

 

CMYK 0 / 49 / 23 / 24

HEX #C26395

RGB 194 99 149

HSL 328.42, 0.44%, 0.57%

LAB 54.62, 43.93, -9.95

 

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

CMYK 0 / 16 / 49 / 4

HEX #F5CD7E

RGB 245 205 126

HSL 39.83, 0.86%, 0.73%

LAB 84.27, 4.35, 44.39

 

CMYK 49 / 3 / 0 / 4

HEX #7EEDF5

RGB 126 237 245

HSL 184.03, 0.86%, 0.73%

LAB 87.77, -29.71, -13.71

 

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

CMYK 22 / 0 / 49 / 4

HEX #BEF57E

RGB 190 245 126

HSL 87.73, 0.86%, 0.73%

LAB 90.67, -36.53, 51.35

 

CMYK 49 / 22 / 0 / 4

HEX #7EBEF5

RGB 126 190 245

HSL 207.73, 0.86%, 0.73%

LAB 74.73, -5.78, -33.55

 

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

CMYK 0 / 16 / 49 / 4

HEX #F5CD7E

RGB 245 205 126

HSL 39.83, 0.86%, 0.73%

LAB 84.27, 4.35, 44.39

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B6

RGB 126 245 182

HSL 148.24, 0.86%, 0.73%

LAB 88.5, -47.63, 20.18

 

CMYK 49 / 32 / 0 / 4

HEX #7EA6F5

RGB 126 166 245

HSL 219.83, 0.86%, 0.73%

LAB 68.24, 7.55, -43.65

 

CMYK 0 / 49 / 23 / 4

HEX #F57DBC

RGB 245 125 188

HSL 328.5, 0.86%, 0.73%

LAB 67.81, 53.05, -11.84

 

CMYK 0 / 2 / 49 / 4

HEX #F5F17E

RGB 245 241 126

HSL 57.98, 0.86%, 0.73%

LAB 93.38, -13.81, 55.5

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B6

RGB 126 245 182

HSL 148.24, 0.86%, 0.73%

LAB 88.5, -47.63, 20.18

 

CMYK 49 / 47 / 0 / 4

HEX #7E82F5

RGB 126 130 245

HSL 237.98, 0.86%, 0.73%

LAB 58.97, 28.52, -58.34

 

Description

Color code: CMYK 0 / 49 / 23 / 4 | qconv.com Color code: CMYK 0 / 49 / 23 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 125 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 125 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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