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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F02D99 it is the complementary color #0FD266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F02D99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F02D99: #F52D94, #FF3FA7, #FF51BA, #FF63CD and #FF75E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F02D99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F02D99: #F02D99, #DF1B86, #CE0973, #BD0060 and #AC004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

Complementary color

CMYK 93 / 0 / 51 / 18

HEX #0FD266

RGB 15 210 102

HSL 146.77, 0.87%, 0.44%

LAB 74.29, -66.1, 41.38

 

CMYK 0 / 82 / 40 / 4

HEX #F52D94

RGB 245 45 148

HSL 329.1, 0.91%, 0.57%

LAB 55.51, 78.38, -7.17

 

CMYK 0 / 75 / 35 / 0

HEX #FF3FA7

RGB 255 63 167

HSL 327.5, 1%, 0.62%

LAB 59.53, 78.05, -12.12

 

CMYK 0 / 68 / 27 / 0

HEX #FF51BA

RGB 255 81 186

HSL 323.79, 1%, 0.66%

LAB 62.25, 74.4, -18.96

 

CMYK 0 / 61 / 20 / 0

HEX #FF63CD

RGB 255 99 205

HSL 319.23, 1%, 0.69%

LAB 65.43, 69.97, -24.88

 

CMYK 0 / 54 / 12 / 0

HEX #FF75E0

RGB 255 117 224

HSL 313.48, 1%, 0.73%

LAB 69.01, 64.98, -29.98

 

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

CMYK 0 / 88 / 40 / 13

HEX #DF1B86

RGB 223 27 134

HSL 327.24, 0.78%, 0.49%

LAB 49.73, 75.5, -7.85

 

CMYK 0 / 96 / 44 / 19

HEX #CE0973

RGB 206 9 115

HSL 327.72, 0.92%, 0.42%

LAB 45.02, 72.22, -3.58

 

CMYK 0 / 100 / 49 / 26

HEX #BD0060

RGB 189 0 96

HSL 329.52, 1%, 0.37%

LAB 40.68, 67.72, 1.56

 

CMYK 0 / 100 / 55 / 33

HEX #AC004D

RGB 172 0 77

HSL 333.14, 1%, 0.34%

LAB 36.57, 62.41, 7.39

 

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

CMYK 0 / 81 / 49 / 6

HEX #F02D7B

RGB 240 45 123

HSL 336, 0.87%, 0.56%

LAB 53.85, 75.02, 5.2

 

CMYK 0 / 81 / 63 / 6

HEX #F02D5A

RGB 240 45 90

HSL 346.15, 0.87%, 0.56%

LAB 53.1, 72.8, 24.02

 

CMYK 0 / 81 / 76 / 6

HEX #F02D3A

RGB 240 45 58

HSL 356, 0.87%, 0.56%

LAB 52.63, 71.36, 42.15

 

CMYK 0 / 73 / 81 / 6

HEX #F0402D

RGB 240 64 45

HSL 5.85, 0.87%, 0.56%

LAB 54.43, 65.55, 50.84

 

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

CMYK 0 / 81 / 36 / 86

HEX #240717

RGB 36 7 23

HSL 326.9, 0.67%, 0.08%

LAB 5.32, 16.12, -3.33

 

CMYK 0 / 82 / 37 / 66

HEX #571037

RGB 87 16 55

HSL 327.04, 0.69%, 0.2%

LAB 18.68, 35.39, -6

 

CMYK 0 / 81 / 36 / 46

HEX #8A1A58

RGB 138 26 88

HSL 326.79, 0.68%, 0.32%

LAB 31.46, 50.48, -8.08

 

CMYK 0 / 81 / 37 / 26

HEX #BD2378

RGB 189 35 120

HSL 326.88, 0.69%, 0.44%

LAB 43.33, 64.55, -9.54

 

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

CMYK 0 / 30 / 81 / 6

HEX #F0A82D

RGB 240 168 45

HSL 37.85, 0.87%, 0.56%

LAB 74.01, 16.76, 68.58

 

CMYK 81 / 3 / 0 / 6

HEX #2DE9F0

RGB 45 233 240

HSL 182.15, 0.87%, 0.56%

LAB 84.55, -40.98, -16.12

 

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

CMYK 35 / 0 / 81 / 6

HEX #9BF02D

RGB 155 240 45

HSL 86.15, 0.87%, 0.56%

LAB 86.74, -52.71, 77.38

 

CMYK 81 / 35 / 0 / 6

HEX #2D9BF0

RGB 45 155 240

HSL 206.15, 0.87%, 0.56%

LAB 61.91, -1.01, -51.11

 

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

CMYK 0 / 30 / 81 / 6

HEX #F0A82D

RGB 240 168 45

HSL 37.85, 0.87%, 0.56%

LAB 74.01, 16.76, 68.58

 

CMYK 81 / 0 / 46 / 6

HEX #2DF081

RGB 45 240 129

HSL 145.85, 0.87%, 0.56%

LAB 84.21, -69.48, 40.77

 

CMYK 81 / 52 / 0 / 6

HEX #2D74F0

RGB 45 116 240

HSL 218.15, 0.87%, 0.56%

LAB 51.08, 22.68, -68.46

 

CMYK 0 / 81 / 36 / 6

HEX #F02D99

RGB 240 45 153

HSL 326.77, 0.87%, 0.56%

LAB 54.76, 77.7, -11.34

 

CMYK 0 / 5 / 81 / 6

HEX #F0E32D

RGB 240 227 45

HSL 56, 0.87%, 0.56%

LAB 88.76, -13.58, 81.3

 

CMYK 81 / 0 / 46 / 6

HEX #2DF081

RGB 45 240 129

HSL 145.85, 0.87%, 0.56%

LAB 84.21, -69.48, 40.77

 

CMYK 81 / 76 / 0 / 6

HEX #2D3AF0

RGB 45 58 240

HSL 236, 0.87%, 0.56%

LAB 37.62, 57.73, -90.53

 

Description

Color code: HEX #F02D99 | qconv.com Color code: HEX #F02D99 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 45 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 45 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 36 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 36% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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