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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F028AD it is the complementary color #0FD752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F028AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F028AD: #F528A8, #FF3ABB, #FF4CCE, #FF5EE1 and #FF70F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F028AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F028AD: #F028AD, #DF169A, #CE0487, #BD0074 and #AC0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

Complementary color

CMYK 93 / 0 / 62 / 16

HEX #0FD752

RGB 15 215 82

HSL 140.1, 0.87%, 0.45%

LAB 75.64, -70.36, 52.18

 

CMYK 0 / 84 / 31 / 4

HEX #F528A8

RGB 245 40 168

HSL 322.54, 0.91%, 0.56%

LAB 55.84, 81.41, -18.45

 

CMYK 0 / 77 / 27 / 0

HEX #FF3ABB

RGB 255 58 187

HSL 320.71, 1%, 0.61%

LAB 59.77, 81.6, -23.31

 

CMYK 0 / 70 / 19 / 0

HEX #FF4CCE

RGB 255 76 206

HSL 316.42, 1%, 0.65%

LAB 62.41, 78.59, -30.09

 

CMYK 0 / 63 / 12 / 0

HEX #FF5EE1

RGB 255 94 225

HSL 311.18, 1%, 0.68%

LAB 65.52, 74.76, -35.95

 

CMYK 0 / 56 / 4 / 0

HEX #FF70F4

RGB 255 112 244

HSL 304.62, 1%, 0.72%

LAB 69.03, 70.3, -41

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 0 / 90 / 31 / 13

HEX #DF169A

RGB 223 22 154

HSL 320.6, 0.82%, 0.48%

LAB 50.21, 78.21, -19.14

 

CMYK 0 / 98 / 34 / 19

HEX #CE0487

RGB 206 4 135

HSL 321.09, 0.96%, 0.41%

LAB 45.58, 74.52, -15.04

 

CMYK 0 / 100 / 39 / 26

HEX #BD0074

RGB 189 0 116

HSL 323.17, 1%, 0.37%

LAB 41.34, 69.47, -10.04

 

CMYK 0 / 100 / 44 / 33

HEX #AC0061

RGB 172 0 97

HSL 326.16, 1%, 0.34%

LAB 37.18, 64.02, -4.63

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 0 / 83 / 42 / 6

HEX #F0288C

RGB 240 40 140

HSL 330, 0.87%, 0.55%

LAB 53.96, 77.55, -4.82

 

CMYK 0 / 83 / 56 / 6

HEX #F0286A

RGB 240 40 106

HSL 340.2, 0.87%, 0.55%

LAB 53.04, 74.89, 14.31

 

CMYK 0 / 83 / 70 / 6

HEX #F02849

RGB 240 40 73

HSL 350.1, 0.87%, 0.55%

LAB 52.42, 73.08, 33.28

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 0 / 83 / 28 / 86

HEX #24061A

RGB 36 6 26

HSL 320, 0.71%, 0.08%

LAB 5.24, 17.25, -5.78

 

CMYK 0 / 83 / 28 / 66

HEX #570F3F

RGB 87 15 63

HSL 320, 0.71%, 0.2%

LAB 18.91, 36.83, -11.26

 

CMYK 0 / 83 / 28 / 46

HEX #8A1763

RGB 138 23 99

HSL 320.35, 0.71%, 0.32%

LAB 31.62, 52.63, -14.98

 

CMYK 0 / 83 / 28 / 26

HEX #BD2088

RGB 189 32 136

HSL 320.25, 0.71%, 0.43%

LAB 43.7, 67.04, -18.81

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 0 / 39 / 83 / 6

HEX #F09228

RGB 240 146 40

HSL 31.8, 0.87%, 0.55%

LAB 68.92, 28.21, 65.82

 

CMYK 83 / 0 / 6 / 6

HEX #28F0E2

RGB 40 240 226

HSL 175.8, 0.87%, 0.55%

LAB 86.14, -48.36, -6.39

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 28 / 0 / 83 / 6

HEX #ADF028

RGB 173 240 40

HSL 80.1, 0.87%, 0.55%

LAB 87.66, -46.5, 79.71

 

CMYK 83 / 28 / 0 / 6

HEX #28ADF0

RGB 40 173 240

HSL 200.1, 0.87%, 0.55%

LAB 67, -11.57, -43.09

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 0 / 39 / 83 / 6

HEX #F09228

RGB 240 146 40

HSL 31.8, 0.87%, 0.55%

LAB 68.92, 28.21, 65.82

 

CMYK 83 / 0 / 56 / 6

HEX #28F06A

RGB 40 240 106

HSL 139.8, 0.87%, 0.55%

LAB 83.87, -73.33, 51.16

 

CMYK 83 / 45 / 0 / 6

HEX #2885F0

RGB 40 133 240

HSL 212.1, 0.87%, 0.55%

LAB 55.6, 11.69, -61.18

 

CMYK 0 / 83 / 28 / 6

HEX #F028AD

RGB 240 40 173

HSL 320.1, 0.87%, 0.55%

LAB 55.13, 80.87, -22.54

 

CMYK 0 / 14 / 83 / 6

HEX #F0CE28

RGB 240 206 40

HSL 49.8, 0.87%, 0.55%

LAB 83.35, -3.18, 77.98

 

CMYK 83 / 0 / 56 / 6

HEX #28F06A

RGB 40 240 106

HSL 139.8, 0.87%, 0.55%

LAB 83.87, -73.33, 51.16

 

CMYK 83 / 70 / 0 / 6

HEX #2849F0

RGB 40 73 240

HSL 230.1, 0.87%, 0.55%

LAB 40.42, 49.08, -85.9

 

Description

Color code: HEX #F028AD | qconv.com Color code: HEX #F028AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 40 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 40 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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