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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFEBA3 it is the complementary color #10145C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFEBA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFEBA3 shade: #F4EB9E, #FFFDB1, #FFFFC4, #FFFFD7 and #FFFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFEBA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFEBA3 shade: #EFEBA3, #DED990, #CDC77D, #BCB56A and #ABA357

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFEBA3 shade: #EEEAA3, #EED6A3, #EEC2A3, #EEAEA3 and #EEA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFEBA3 shade: #EEEAA3, #DEEEA3, #CAEEA3, #B6EEA3 and #A3EEA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFEBA3 shade matches the following richer shades: #EEEAA3 and #F7F29B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFEBA3 shade: #EEEAA3, #E6E3AC, #DDDBB5, #D4D3BD and #CCCBC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFEBA3 shade: #EEC1A3, #EED5A3, #EEE9A3, #DFEEA3 and #CBEEA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFEBA3 shade: #E2DB5D, #E8E380, #EEEAA3, #F5F2C7 and #FBFAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFEBA3 shade: #EFEBA3, #A3EEAD and #CBA3EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFEBA3 shade: #EFEBA3, #A3EEE9 and #E9A3EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFEBA3 shade: #EFEBA3, #A3EEAD, #A3A8EE and #EEA3E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFEBA3 shade: #EFEBA3, #A3EEC4, #A3A8EE and #EEA3CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 32 / 6

HEX #EFEBA3

RGB 239 235 163

HSL 56.84, 0.7%, 0.79%

LAB 91.87, -9.34, 35.5

 

Complementary color

CMYK 83 / 78 / 0 / 64

HEX #10145C

RGB 16 20 92

HSL 236.84, 0.7%, 0.21%

LAB 11.85, 26.58, -43.02

 

CMYK 0 / 4 / 35 / 4

HEX #F4EB9E

RGB 244 235 158

HSL 53.72, 0.8%, 0.79%

LAB 92.18, -8.02, 38.5

 

CMYK 0 / 1 / 31 / 0

HEX #FFFDB1

RGB 255 253 177

HSL 58.46, 1%, 0.85%

LAB 97.91, -10.58, 36.7

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 2 / 32 / 6

HEX #EFEBA3

RGB 239 235 163

HSL 56.84, 0.7%, 0.79%

LAB 91.87, -9.34, 35.5

 

CMYK 0 / 2 / 35 / 13

HEX #DED990

RGB 222 217 144

HSL 56.15, 0.54%, 0.72%

LAB 85.59, -9.04, 36.61

 

CMYK 0 / 3 / 39 / 20

HEX #CDC77D

RGB 205 199 125

HSL 55.5, 0.44%, 0.65%

LAB 79.22, -8.68, 37.78

 

CMYK 0 / 4 / 44 / 26

HEX #BCB56A

RGB 188 181 106

HSL 54.88, 0.38%, 0.58%

LAB 72.75, -8.26, 38.99

 

CMYK 0 / 5 / 49 / 33

HEX #ABA357

RGB 171 163 87

HSL 54.29, 0.33%, 0.51%

LAB 66.17, -7.75, 40.22

 

CMYK 0 / 2 / 32 / 7

HEX #EEEAA3

RGB 238 234 163

HSL 56.8, 0.69%, 0.79%

LAB 91.54, -9.22, 35.04

 

CMYK 0 / 10 / 32 / 7

HEX #EED6A3

RGB 238 214 163

HSL 40.8, 0.69%, 0.79%

LAB 86.46, 0.93, 28.26

 

CMYK 0 / 18 / 32 / 7

HEX #EEC2A3

RGB 238 194 163

HSL 24.8, 0.69%, 0.79%

LAB 81.51, 11.35, 21.51

 

CMYK 0 / 27 / 32 / 7

HEX #EEAEA3

RGB 238 174 163

HSL 8.8, 0.69%, 0.79%

LAB 76.74, 21.94, 14.87

 

CMYK 0 / 32 / 32 / 7

HEX #EEA3A3

RGB 238 163 163

HSL 0, 0.69%, 0.79%

LAB 74.2, 27.78, 11.3

 

CMYK 0 / 2 / 32 / 7

HEX #EEEAA3

RGB 238 234 163

HSL 56.8, 0.69%, 0.79%

LAB 91.54, -9.22, 35.04

 

CMYK 7 / 0 / 32 / 7

HEX #DEEEA3

RGB 222 238 163

HSL 72.8, 0.69%, 0.79%

LAB 91.38, -17.17, 34.62

 

CMYK 15 / 0 / 32 / 7

HEX #CAEEA3

RGB 202 238 163

HSL 88.8, 0.69%, 0.79%

LAB 90.02, -24.43, 32.57

 

CMYK 24 / 0 / 32 / 7

HEX #B6EEA3

RGB 182 238 163

HSL 104.8, 0.69%, 0.79%

LAB 88.8, -31.37, 30.72

 

CMYK 32 / 0 / 31 / 7

HEX #A3EEA5

RGB 163 238 165

HSL 121.6, 0.69%, 0.79%

LAB 87.8, -37.25, 28.18

 

CMYK 0 / 2 / 32 / 7

HEX #EEEAA3

RGB 238 234 163

HSL 56.8, 0.69%, 0.79%

LAB 91.54, -9.22, 35.04

 

CMYK 0 / 2 / 37 / 3

HEX #F7F29B

RGB 247 242 155

HSL 56.74, 0.85%, 0.79%

LAB 94.16, -10.69, 42.59

 

CMYK 0 / 2 / 32 / 7

HEX #EEEAA3

RGB 238 234 163

HSL 56.8, 0.69%, 0.79%

LAB 91.54, -9.22, 35.04

 

CMYK 0 / 1 / 25 / 10

HEX #E6E3AC

RGB 230 227 172

HSL 56.9, 0.54%, 0.79%

LAB 89.27, -7.55, 27.31

 

CMYK 0 / 1 / 18 / 13

HEX #DDDBB5

RGB 221 219 181

HSL 57, 0.37%, 0.79%

LAB 86.69, -5.54, 18.97

 

CMYK 0 / 0 / 11 / 17

HEX #D4D3BD

RGB 212 211 189

HSL 57.39, 0.21%, 0.79%

LAB 84.1, -3.43, 11.02

 

CMYK 0 / 0 / 3 / 20

HEX #CCCBC6

RGB 204 203 198

HSL 50, 0.06%, 0.79%

LAB 81.63, -0.55, 2.6

 

CMYK 0 / 19 / 32 / 7

HEX #EEC1A3

RGB 238 193 163

HSL 24, 0.69%, 0.79%

LAB 81.27, 11.88, 21.18

 

CMYK 0 / 11 / 32 / 7

HEX #EED5A3

RGB 238 213 163

HSL 40, 0.69%, 0.79%

LAB 86.21, 1.45, 27.92

 

CMYK 0 / 2 / 32 / 7

HEX #EEE9A3

RGB 238 233 163

HSL 56, 0.69%, 0.79%

LAB 91.28, -8.72, 34.7

 

CMYK 6 / 0 / 32 / 7

HEX #DFEEA3

RGB 223 238 163

HSL 72, 0.69%, 0.79%

LAB 91.45, -16.8, 34.73

 

CMYK 15 / 0 / 32 / 7

HEX #CBEEA3

RGB 203 238 163

HSL 88, 0.69%, 0.79%

LAB 90.09, -24.07, 32.67

 

CMYK 0 / 3 / 59 / 11

HEX #E2DB5D

RGB 226 219 93

HSL 56.84, 0.7%, 0.63%

LAB 85.82, -13.14, 61.26

 

CMYK 0 / 2 / 45 / 9

HEX #E8E380

RGB 232 227 128

HSL 57.12, 0.69%, 0.71%

LAB 88.76, -11.83, 48.72

 

CMYK 0 / 2 / 32 / 7

HEX #EEEAA3

RGB 238 234 163

HSL 56.8, 0.69%, 0.79%

LAB 91.54, -9.22, 35.04

 

CMYK 0 / 1 / 19 / 4

HEX #F5F2C7

RGB 245 242 199

HSL 56.09, 0.7%, 0.87%

LAB 94.76, -5.87, 21.16

 

CMYK 0 / 0 / 7 / 2

HEX #FBFAEA

RGB 251 250 234

HSL 56.47, 0.68%, 0.95%

LAB 97.96, -2.38, 7.78

 

CMYK 0 / 2 / 32 / 6

HEX #EFEBA3

RGB 239 235 163

HSL 56.84, 0.7%, 0.79%

LAB 91.87, -9.34, 35.5

 

CMYK 32 / 0 / 27 / 7

HEX #A3EEAD

RGB 163 238 173

HSL 128, 0.69%, 0.79%

LAB 87.95, -35.93, 24.28

 

CMYK 15 / 32 / 0 / 7

HEX #CBA3EE

RGB 203 163 238

HSL 272, 0.69%, 0.79%

LAB 72.93, 28.62, -32.1

 

CMYK 0 / 2 / 32 / 6

HEX #EFEBA3

RGB 239 235 163

HSL 56.84, 0.7%, 0.79%

LAB 91.87, -9.34, 35.5

 

CMYK 32 / 0 / 2 / 7

HEX #A3EEE9

RGB 163 238 233

HSL 176, 0.69%, 0.79%

LAB 89.31, -24.08, -4.98

 

CMYK 2 / 32 / 0 / 7

HEX #E9A3EE

RGB 233 163 238

HSL 296, 0.69%, 0.79%

LAB 75.88, 37.91, -27.32

 

CMYK 0 / 2 / 32 / 6

HEX #EFEBA3

RGB 239 235 163

HSL 56.84, 0.7%, 0.79%

LAB 91.87, -9.34, 35.5

 

CMYK 32 / 0 / 27 / 7

HEX #A3EEAD

RGB 163 238 173

HSL 128, 0.69%, 0.79%

LAB 87.95, -35.93, 24.28

 

CMYK 32 / 29 / 0 / 7

HEX #A3A8EE

RGB 163 168 238

HSL 236, 0.69%, 0.79%

LAB 70.85, 14.02, -35.6

 

CMYK 0 / 32 / 4 / 7

HEX #EEA3E4

RGB 238 163 228

HSL 308, 0.69%, 0.79%

LAB 76.05, 37.69, -21.58

 

CMYK 0 / 2 / 32 / 6

HEX #EFEBA3

RGB 239 235 163

HSL 56.84, 0.7%, 0.79%

LAB 91.87, -9.34, 35.5

 

CMYK 32 / 0 / 18 / 7

HEX #A3EEC4

RGB 163 238 196

HSL 146.4, 0.69%, 0.79%

LAB 88.41, -31.77, 13.04

 

CMYK 32 / 29 / 0 / 7

HEX #A3A8EE

RGB 163 168 238

HSL 236, 0.69%, 0.79%

LAB 70.85, 14.02, -35.6

 

CMYK 0 / 32 / 13 / 7

HEX #EEA3CE

RGB 238 163 206

HSL 325.6, 0.69%, 0.79%

LAB 75.34, 33.99, -10.64

 

Description

Color code: HEX #EFEBA3 | qconv.com Color code: HEX #EFEBA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 235 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 235 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 32 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 32% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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