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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3DC5E it is the complementary color #1C23A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3DC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3DC5E shade: #E8DC59, #F9EE6C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3DC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3DC5E shade: #E3DC5E, #D2CA4B, #C1B838, #B0A625 and #9F9412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3DC5E shade: #E2DB5E, #E2B85E, #E2945E, #E2705E and #E25E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3DC5E shade: #E2DB5E, #C6E25E, #A2E25E, #7EE25E and #5EE262

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3DC5E shade matches the following richer shades: #E2DB5E and #F1E94F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3DC5E shade: #E2DB5E, #D3CE6D, #C4C07D, #B4B28C and #A5A59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3DC5E shade: #E2935E, #E2B65E, #E2D95E, #C8E25E and #A5E25E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3DC5E shade: #CAC223, #DCD43B, #E2DB5E, #E8E381 and #EFEBA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3DC5E shade: #E3DC5E, #5EE270 and #A55EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3DC5E shade: #E3DC5E, #5EE2D9 and #D95EE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3DC5E shade: #E3DC5E, #5EE270, #5E67E2 and #E25ED1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3DC5E shade: #E3DC5E, #5EE297, #5E67E2 and #E25EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 59 / 11

HEX #E3DC5E

RGB 227 220 94

HSL 56.84, 0.7%, 0.63%

LAB 86.17, -13.16, 61.24

 

Complementary color

CMYK 83 / 78 / 0 / 37

HEX #1C23A1

RGB 28 35 161

HSL 236.84, 0.7%, 0.37%

LAB 23.74, 43.27, -67.29

 

CMYK 0 / 5 / 62 / 9

HEX #E8DC59

RGB 232 220 89

HSL 54.97, 0.76%, 0.63%

LAB 86.54, -11.44, 63.89

 

CMYK 0 / 4 / 57 / 2

HEX #F9EE6C

RGB 249 238 108

HSL 55.32, 0.92%, 0.7%

LAB 92.74, -12.17, 62.97

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 3 / 59 / 11

HEX #E3DC5E

RGB 227 220 94

HSL 56.84, 0.7%, 0.63%

LAB 86.17, -13.16, 61.24

 

CMYK 0 / 4 / 64 / 18

HEX #D2CA4B

RGB 210 202 75

HSL 56.44, 0.6%, 0.56%

LAB 79.87, -12.4, 62.06

 

CMYK 0 / 5 / 71 / 24

HEX #C1B838

RGB 193 184 56

HSL 56.06, 0.55%, 0.49%

LAB 73.48, -11.49, 62.56

 

CMYK 0 / 6 / 79 / 31

HEX #B0A625

RGB 176 166 37

HSL 55.68, 0.65%, 0.42%

LAB 67, -10.39, 62.45

 

CMYK 0 / 7 / 89 / 38

HEX #9F9412

RGB 159 148 18

HSL 55.32, 0.8%, 0.35%

LAB 60.42, -9.06, 61.24

 

CMYK 0 / 3 / 58 / 11

HEX #E2DB5E

RGB 226 219 94

HSL 56.82, 0.69%, 0.63%

LAB 85.83, -13.07, 60.84

 

CMYK 0 / 19 / 58 / 11

HEX #E2B85E

RGB 226 184 94

HSL 40.91, 0.69%, 0.63%

LAB 76.83, 4.88, 50.66

 

CMYK 0 / 35 / 58 / 11

HEX #E2945E

RGB 226 148 94

HSL 24.55, 0.69%, 0.63%

LAB 68.14, 24.06, 40.33

 

CMYK 0 / 50 / 58 / 11

HEX #E2705E

RGB 226 112 94

HSL 8.18, 0.69%, 0.63%

LAB 60.4, 42.82, 30.68

 

CMYK 0 / 58 / 58 / 11

HEX #E25E5E

RGB 226 94 94

HSL 0, 0.69%, 0.63%

LAB 57.06, 51.45, 26.38

 

CMYK 0 / 3 / 58 / 11

HEX #E2DB5E

RGB 226 219 94

HSL 56.82, 0.69%, 0.63%

LAB 85.83, -13.07, 60.84

 

CMYK 12 / 0 / 58 / 11

HEX #C6E25E

RGB 198 226 94

HSL 72.73, 0.69%, 0.63%

LAB 85.61, -27.71, 60.01

 

CMYK 28 / 0 / 58 / 11

HEX #A2E25E

RGB 162 226 94

HSL 89.09, 0.69%, 0.63%

LAB 83.38, -41.23, 56.9

 

CMYK 44 / 0 / 58 / 11

HEX #7EE25E

RGB 126 226 94

HSL 105.45, 0.69%, 0.63%

LAB 81.64, -53.1, 54.45

 

CMYK 58 / 0 / 57 / 11

HEX #5EE262

RGB 94 226 98

HSL 121.82, 0.69%, 0.63%

LAB 80.55, -61.15, 51.11

 

CMYK 0 / 3 / 58 / 11

HEX #E2DB5E

RGB 226 219 94

HSL 56.82, 0.69%, 0.63%

LAB 85.83, -13.07, 60.84

 

CMYK 0 / 3 / 67 / 5

HEX #F1E94F

RGB 241 233 79

HSL 57.04, 0.85%, 0.63%

LAB 90.57, -14.76, 72.29

 

CMYK 0 / 3 / 58 / 11

HEX #E2DB5E

RGB 226 219 94

HSL 56.82, 0.69%, 0.63%

LAB 85.83, -13.07, 60.84

 

CMYK 0 / 2 / 48 / 17

HEX #D3CE6D

RGB 211 206 109

HSL 57.06, 0.54%, 0.63%

LAB 81.34, -11.45, 48.47

 

CMYK 0 / 2 / 36 / 23

HEX #C4C07D

RGB 196 192 125

HSL 56.62, 0.38%, 0.63%

LAB 76.63, -8.65, 34.3

 

CMYK 0 / 1 / 22 / 29

HEX #B4B28C

RGB 180 178 140

HSL 57, 0.21%, 0.63%

LAB 71.85, -5.62, 19.73

 

CMYK 0 / 0 / 6 / 35

HEX #A5A59B

RGB 165 165 155

HSL 60, 0.05%, 0.63%

LAB 67.48, -1.84, 5.17

 

CMYK 0 / 35 / 58 / 11

HEX #E2935E

RGB 226 147 94

HSL 24.09, 0.69%, 0.63%

LAB 67.91, 24.59, 40.05

 

CMYK 0 / 19 / 58 / 11

HEX #E2B65E

RGB 226 182 94

HSL 40, 0.69%, 0.63%

LAB 76.33, 5.94, 50.08

 

CMYK 0 / 4 / 58 / 11

HEX #E2D95E

RGB 226 217 94

HSL 55.91, 0.69%, 0.63%

LAB 85.3, -12.07, 60.26

 

CMYK 12 / 0 / 58 / 11

HEX #C8E25E

RGB 200 226 94

HSL 71.82, 0.69%, 0.63%

LAB 85.75, -26.92, 60.2

 

CMYK 27 / 0 / 58 / 11

HEX #A5E25E

RGB 165 226 94

HSL 87.73, 0.69%, 0.63%

LAB 83.55, -40.16, 57.13

 

CMYK 0 / 4 / 83 / 21

HEX #CAC223

RGB 202 194 35

HSL 57.13, 0.7%, 0.46%

LAB 76.84, -13.51, 72.4

 

CMYK 0 / 4 / 73 / 14

HEX #DCD43B

RGB 220 212 59

HSL 57.02, 0.7%, 0.55%

LAB 83.24, -14.04, 71.66

 

CMYK 0 / 3 / 58 / 11

HEX #E2DB5E

RGB 226 219 94

HSL 56.82, 0.69%, 0.63%

LAB 85.83, -13.07, 60.84

 

CMYK 0 / 2 / 44 / 9

HEX #E8E381

RGB 232 227 129

HSL 57.09, 0.69%, 0.71%

LAB 88.77, -11.74, 48.25

 

CMYK 0 / 2 / 31 / 6

HEX #EFEBA4

RGB 239 235 164

HSL 56.8, 0.7%, 0.79%

LAB 91.89, -9.22, 35.01

 

CMYK 0 / 3 / 59 / 11

HEX #E3DC5E

RGB 227 220 94

HSL 56.84, 0.7%, 0.63%

LAB 86.17, -13.16, 61.24

 

CMYK 58 / 0 / 50 / 11

HEX #5EE270

RGB 94 226 112

HSL 128.18, 0.69%, 0.63%

LAB 80.71, -59.36, 44.79

 

CMYK 27 / 58 / 0 / 11

HEX #A55EE2

RGB 165 94 226

HSL 272.27, 0.69%, 0.63%

LAB 53.49, 52.78, -56.31

 

CMYK 0 / 3 / 59 / 11

HEX #E3DC5E

RGB 227 220 94

HSL 56.84, 0.7%, 0.63%

LAB 86.17, -13.16, 61.24

 

CMYK 58 / 0 / 4 / 11

HEX #5EE2D9

RGB 94 226 217

HSL 175.91, 0.69%, 0.63%

LAB 82.8, -38.08, -6.47

 

CMYK 4 / 58 / 0 / 11

HEX #D95EE2

RGB 217 94 226

HSL 295.91, 0.69%, 0.63%

LAB 60.11, 65.47, -45.37

 

CMYK 0 / 3 / 59 / 11

HEX #E3DC5E

RGB 227 220 94

HSL 56.84, 0.7%, 0.63%

LAB 86.17, -13.16, 61.24

 

CMYK 58 / 0 / 50 / 11

HEX #5EE270

RGB 94 226 112

HSL 128.18, 0.69%, 0.63%

LAB 80.71, -59.36, 44.79

 

CMYK 58 / 54 / 0 / 11

HEX #5E67E2

RGB 94 103 226

HSL 235.91, 0.69%, 0.63%

LAB 48.97, 32.4, -63.92

 

CMYK 0 / 58 / 8 / 11

HEX #E25ED1

RGB 226 94 209

HSL 307.73, 0.69%, 0.63%

LAB 60.58, 64.93, -34.97

 

CMYK 0 / 3 / 59 / 11

HEX #E3DC5E

RGB 227 220 94

HSL 56.84, 0.7%, 0.63%

LAB 86.17, -13.16, 61.24

 

CMYK 58 / 0 / 33 / 11

HEX #5EE297

RGB 94 226 151

HSL 145.91, 0.69%, 0.63%

LAB 81.3, -52.99, 26.08

 

CMYK 58 / 54 / 0 / 11

HEX #5E67E2

RGB 94 103 226

HSL 235.91, 0.69%, 0.63%

LAB 48.97, 32.4, -63.92

 

CMYK 0 / 58 / 25 / 11

HEX #E25EA9

RGB 226 94 169

HSL 325.91, 0.69%, 0.63%

LAB 59.01, 59.11, -14.52

 

Description

Color code: HEX #E3DC5E | qconv.com Color code: HEX #E3DC5E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 220 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 220 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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