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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE640 it is the complementary color #1019BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE640. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFE640 shade: #F4E63B, #FFF84E, #FFFF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE640. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFE640 shade: #EFE640, #DED42D, #CDC21A, #BCB007 and #AB9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFE640 shade: #EFE63E, #EFB63E, #EF863E, #EF563E and #EF3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFE640 shade: #EFE63E, #C9EF3E, #99EF3E, #69EF3E and #3EEF42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFE640 shade matches the following richer shades: #EFE63E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFE640 shade: #EFE63E, #DED74E, #CDC85F, #BDB970 and #ACA981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFE640 shade: #EF853E, #EFB43E, #EFE33E, #CCEF3E and #9CEF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFE640 shade: #CAC010, #ECE117, #EFE63E, #F2EB64 and #F6F08A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFE640 shade: #EFE640, #3EEF55 and #9C3EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFE640 shade: #EFE640, #3EEFE3 and #E33EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFE640 shade: #EFE640, #3EEF55, #3E49EF and #EF3ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFE640 shade: #EFE640, #3EEF8B, #3E49EF and #EF3EA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 73 / 6

HEX #EFE640

RGB 239 230 64

HSL 56.91, 0.85%, 0.59%

LAB 89.54, -14.81, 76.49

 

Complementary color

CMYK 92 / 87 / 0 / 25

HEX #1019BF

RGB 16 25 191

HSL 236.91, 0.85%, 0.41%

LAB 25.46, 57.05, -82.45

 

CMYK 0 / 6 / 76 / 4

HEX #F4E63B

RGB 244 230 59

HSL 55.46, 0.89%, 0.59%

LAB 89.93, -12.93, 78.57

 

CMYK 0 / 3 / 69 / 0

HEX #FFF84E

RGB 255 248 78

HSL 57.63, 1%, 0.65%

LAB 95.56, -16.4, 77.97

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 4 / 73 / 6

HEX #EFE640

RGB 239 230 64

HSL 56.91, 0.85%, 0.59%

LAB 89.54, -14.81, 76.49

 

CMYK 0 / 5 / 80 / 13

HEX #DED42D

RGB 222 212 45

HSL 56.61, 0.73%, 0.52%

LAB 83.34, -13.71, 76.05

 

CMYK 0 / 5 / 87 / 20

HEX #CDC21A

RGB 205 194 26

HSL 56.31, 0.77%, 0.45%

LAB 77.06, -12.44, 74.67

 

CMYK 0 / 6 / 96 / 26

HEX #BCB007

RGB 188 176 7

HSL 56.02, 0.93%, 0.38%

LAB 70.7, -10.95, 71.94

 

CMYK 0 / 8 / 100 / 33

HEX #AB9E00

RGB 171 158 0

HSL 55.44, 1%, 0.34%

LAB 64.25, -9.22, 67.41

 

CMYK 0 / 4 / 74 / 6

HEX #EFE63E

RGB 239 230 62

HSL 56.95, 0.85%, 0.59%

LAB 89.53, -14.89, 77.12

 

CMYK 0 / 24 / 74 / 6

HEX #EFB63E

RGB 239 182 62

HSL 40.68, 0.85%, 0.59%

LAB 77.37, 9.58, 65.58

 

CMYK 0 / 44 / 74 / 6

HEX #EF863E

RGB 239 134 62

HSL 24.41, 0.85%, 0.59%

LAB 66.33, 34.81, 54.55

 

CMYK 0 / 64 / 74 / 6

HEX #EF563E

RGB 239 86 62

HSL 8.14, 0.85%, 0.59%

LAB 57.42, 57.59, 45.14

 

CMYK 0 / 74 / 74 / 6

HEX #EF3E3E

RGB 239 62 62

HSL 0, 0.85%, 0.59%

LAB 54.18, 66.45, 41.58

 

CMYK 0 / 4 / 74 / 6

HEX #EFE63E

RGB 239 230 62

HSL 56.95, 0.85%, 0.59%

LAB 89.53, -14.89, 77.12

 

CMYK 16 / 0 / 74 / 6

HEX #C9EF3E

RGB 201 239 62

HSL 72.88, 0.85%, 0.59%

LAB 89.16, -34.54, 75.78

 

CMYK 36 / 0 / 74 / 6

HEX #99EF3E

RGB 153 239 62

HSL 89.15, 0.85%, 0.59%

LAB 86.43, -52.18, 72.22

 

CMYK 56 / 0 / 74 / 6

HEX #69EF3E

RGB 105 239 62

HSL 105.42, 0.85%, 0.59%

LAB 84.53, -66.39, 69.71

 

CMYK 74 / 0 / 72 / 6

HEX #3EEF42

RGB 62 239 66

HSL 121.36, 0.85%, 0.59%

LAB 83.52, -74.61, 67.02

 

CMYK 0 / 4 / 74 / 6

HEX #EFE63E

RGB 239 230 62

HSL 56.95, 0.85%, 0.59%

LAB 89.53, -14.89, 77.12

 

CMYK 0 / 4 / 74 / 6

HEX #EFE63E

RGB 239 230 62

HSL 56.95, 0.85%, 0.59%

LAB 89.53, -14.89, 77.12

 

CMYK 0 / 3 / 65 / 13

HEX #DED74E

RGB 222 215 78

HSL 57.08, 0.69%, 0.59%

LAB 84.32, -13.74, 65.8

 

CMYK 0 / 2 / 54 / 20

HEX #CDC85F

RGB 205 200 95

HSL 57.27, 0.52%, 0.59%

LAB 79.11, -12.06, 52.33

 

CMYK 0 / 2 / 41 / 26

HEX #BDB970

RGB 189 185 112

HSL 56.88, 0.37%, 0.59%

LAB 73.99, -9.3, 37.5

 

CMYK 0 / 2 / 25 / 33

HEX #ACA981

RGB 172 169 129

HSL 55.81, 0.21%, 0.59%

LAB 68.56, -5.53, 21.09

 

CMYK 0 / 44 / 74 / 6

HEX #EF853E

RGB 239 133 62

HSL 24.07, 0.85%, 0.59%

LAB 66.12, 35.33, 54.33

 

CMYK 0 / 25 / 74 / 6

HEX #EFB43E

RGB 239 180 62

HSL 40, 0.85%, 0.59%

LAB 76.89, 10.63, 65.1

 

CMYK 0 / 5 / 74 / 6

HEX #EFE33E

RGB 239 227 62

HSL 55.93, 0.85%, 0.59%

LAB 88.75, -13.41, 76.4

 

CMYK 15 / 0 / 74 / 6

HEX #CCEF3E

RGB 204 239 62

HSL 71.86, 0.85%, 0.59%

LAB 89.35, -33.36, 76.03

 

CMYK 35 / 0 / 74 / 6

HEX #9CEF3E

RGB 156 239 62

HSL 88.14, 0.85%, 0.59%

LAB 86.58, -51.16, 72.41

 

CMYK 0 / 5 / 92 / 21

HEX #CAC010

RGB 202 192 16

HSL 56.77, 0.85%, 0.43%

LAB 76.25, -12.9, 75.58

 

CMYK 0 / 5 / 90 / 7

HEX #ECE117

RGB 236 225 23

HSL 56.9, 0.85%, 0.51%

LAB 87.85, -14.75, 84.76

 

CMYK 0 / 4 / 74 / 6

HEX #EFE63E

RGB 239 230 62

HSL 56.95, 0.85%, 0.59%

LAB 89.53, -14.89, 77.12

 

CMYK 0 / 3 / 59 / 5

HEX #F2EB64

RGB 242 235 100

HSL 57.04, 0.85%, 0.67%

LAB 91.33, -14.07, 64.7

 

CMYK 0 / 2 / 44 / 4

HEX #F6F08A

RGB 246 240 138

HSL 56.67, 0.86%, 0.75%

LAB 93.34, -11.83, 49.81

 

CMYK 0 / 4 / 73 / 6

HEX #EFE640

RGB 239 230 64

HSL 56.91, 0.85%, 0.59%

LAB 89.54, -14.81, 76.49

 

CMYK 74 / 0 / 64 / 6

HEX #3EEF55

RGB 62 239 85

HSL 127.8, 0.85%, 0.59%

LAB 83.66, -72.92, 60.03

 

CMYK 35 / 74 / 0 / 6

HEX #9C3EEF

RGB 156 62 239

HSL 271.86, 0.85%, 0.59%

LAB 47.94, 68.63, -72.65

 

CMYK 0 / 4 / 73 / 6

HEX #EFE640

RGB 239 230 64

HSL 56.91, 0.85%, 0.59%

LAB 89.54, -14.81, 76.49

 

CMYK 74 / 0 / 5 / 6

HEX #3EEFE3

RGB 62 239 227

HSL 175.93, 0.85%, 0.59%

LAB 86.16, -45.74, -6.85

 

CMYK 5 / 74 / 0 / 6

HEX #E33EEF

RGB 227 62 239

HSL 295.93, 0.85%, 0.59%

LAB 58.04, 81.71, -55.84

 

CMYK 0 / 4 / 73 / 6

HEX #EFE640

RGB 239 230 64

HSL 56.91, 0.85%, 0.59%

LAB 89.54, -14.81, 76.49

 

CMYK 74 / 0 / 64 / 6

HEX #3EEF55

RGB 62 239 85

HSL 127.8, 0.85%, 0.59%

LAB 83.66, -72.92, 60.03

 

CMYK 74 / 69 / 0 / 6

HEX #3E49EF

RGB 62 73 239

HSL 236.27, 0.85%, 0.59%

LAB 41.25, 50.38, -83.94

 

CMYK 0 / 74 / 10 / 6

HEX #EF3ED8

RGB 239 62 216

HSL 307.8, 0.85%, 0.59%

LAB 58.75, 80.68, -41.67

 

CMYK 0 / 4 / 73 / 6

HEX #EFE640

RGB 239 230 64

HSL 56.91, 0.85%, 0.59%

LAB 89.54, -14.81, 76.49

 

CMYK 74 / 0 / 42 / 6

HEX #3EEF8B

RGB 62 239 139

HSL 146.1, 0.85%, 0.59%

LAB 84.29, -65.51, 36.01

 

CMYK 74 / 69 / 0 / 6

HEX #3E49EF

RGB 62 73 239

HSL 236.27, 0.85%, 0.59%

LAB 41.25, 50.38, -83.94

 

CMYK 0 / 74 / 32 / 6

HEX #EF3EA2

RGB 239 62 162

HSL 326.1, 0.85%, 0.59%

LAB 56.49, 73.86, -14.05

 

Description

Color code: HEX #EFE640 | qconv.com Color code: HEX #EFE640 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 230 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 230 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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