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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE392 it is the complementary color #101C6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE392. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EFE392: #F4E38D, #FFF5A0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE392. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EFE392: #EFE392, #DED17F, #CDBF6C, #BCAD59 and #AB9B46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

Complementary color

CMYK 85 / 74 / 0 / 57

HEX #101C6D

RGB 16 28 109

HSL 232.26, 0.74%, 0.25%

LAB 15.72, 27.85, -47.87

 

CMYK 0 / 7 / 42 / 4

HEX #F4E38D

RGB 244 227 141

HSL 50.1, 0.82%, 0.75%

LAB 89.9, -5.84, 44.01

 

CMYK 0 / 4 / 37 / 0

HEX #FFF5A0

RGB 255 245 160

HSL 53.68, 1%, 0.81%

LAB 95.62, -8.58, 42.14

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

CMYK 0 / 6 / 43 / 13

HEX #DED17F

RGB 222 209 127

HSL 51.79, 0.59%, 0.68%

LAB 83.26, -6.82, 42.2

 

CMYK 0 / 7 / 47 / 20

HEX #CDBF6C

RGB 205 191 108

HSL 51.34, 0.49%, 0.61%

LAB 76.87, -6.3, 43.41

 

CMYK 0 / 8 / 53 / 26

HEX #BCAD59

RGB 188 173 89

HSL 50.91, 0.42%, 0.54%

LAB 70.39, -5.68, 44.63

 

CMYK 0 / 9 / 59 / 33

HEX #AB9B46

RGB 171 155 70

HSL 50.5, 0.42%, 0.47%

LAB 63.79, -4.92, 45.81

 

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

CMYK 1 / 0 / 39 / 7

HEX #EBEE90

RGB 235 238 144

HSL 61.91, 0.73%, 0.75%

LAB 92.05, -14.5, 45.11

 

CMYK 8 / 0 / 39 / 7

HEX #DBEE90

RGB 219 238 144

HSL 72.13, 0.73%, 0.75%

LAB 90.88, -20.58, 43.38

 

CMYK 15 / 0 / 39 / 7

HEX #CBEE90

RGB 203 238 144

HSL 82.34, 0.73%, 0.75%

LAB 89.79, -26.53, 41.77

 

CMYK 21 / 0 / 39 / 7

HEX #BCEE90

RGB 188 238 144

HSL 91.91, 0.73%, 0.75%

LAB 88.85, -31.92, 40.38

 

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

CMYK 0 / 6 / 40 / 86

HEX #232115

RGB 35 33 21

HSL 51.43, 0.25%, 0.11%

LAB 12.6, -1.54, 8.48

 

CMYK 0 / 5 / 38 / 66

HEX #565235

RGB 86 82 53

HSL 52.73, 0.24%, 0.27%

LAB 34.54, -3.4, 17.64

 

CMYK 0 / 5 / 39 / 46

HEX #898254

RGB 137 130 84

HSL 52.08, 0.24%, 0.43%

LAB 53.95, -4.6, 25.87

 

CMYK 0 / 5 / 39 / 26

HEX #BCB373

RGB 188 179 115

HSL 52.6, 0.35%, 0.59%

LAB 72.34, -6.23, 33.83

 

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

CMYK 39 / 0 / 37 / 7

HEX #90EE96

RGB 144 238 150

HSL 123.83, 0.73%, 0.75%

LAB 86.64, -45.41, 34.07

 

CMYK 21 / 39 / 0 / 7

HEX #BC90EE

RGB 188 144 238

HSL 268.09, 0.73%, 0.75%

LAB 67.13, 34.63, -41.22

 

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

CMYK 39 / 0 / 5 / 7

HEX #90EEE1

RGB 144 238 225

HSL 171.7, 0.73%, 0.75%

LAB 88.22, -30.87, -2.5

 

CMYK 5 / 39 / 0 / 7

HEX #E190EE

RGB 225 144 238

HSL 291.7, 0.73%, 0.75%

LAB 70.96, 45.48, -34.98

 

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

CMYK 39 / 0 / 37 / 7

HEX #90EE96

RGB 144 238 150

HSL 123.83, 0.73%, 0.75%

LAB 86.64, -45.41, 34.07

 

CMYK 39 / 34 / 0 / 7

HEX #909CEE

RGB 144 156 238

HSL 232.34, 0.73%, 0.75%

LAB 66.43, 15.69, -42.59

 

CMYK 0 / 39 / 3 / 7

HEX #EE90E8

RGB 238 144 232

HSL 303.83, 0.73%, 0.75%

LAB 72.19, 48.29, -29.66

 

CMYK 0 / 5 / 39 / 6

HEX #EFE392

RGB 239 227 146

HSL 52.26, 0.74%, 0.75%

LAB 89.56, -7.27, 41.02

 

CMYK 39 / 0 / 25 / 7

HEX #90EEB2

RGB 144 238 178

HSL 141.7, 0.73%, 0.75%

LAB 87.14, -40.64, 20.46

 

CMYK 39 / 34 / 0 / 7

HEX #909CEE

RGB 144 156 238

HSL 232.34, 0.73%, 0.75%

LAB 66.43, 15.69, -42.59

 

CMYK 0 / 39 / 15 / 7

HEX #EE90CB

RGB 238 144 203

HSL 322.34, 0.73%, 0.75%

LAB 71.17, 43.46, -15.24

 

Description

Color code: HEX #EFE392 | qconv.com Color code: HEX #EFE392 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 227 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 227 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 39 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 39% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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