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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFD74ACE it is the complementary color #1028B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFD74ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFD74ACE shade: #F4D745CE, #FFE958CE, #FFFB6BCE, #FFFF7ECE and #FFFF91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFD74ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFD74ACE shade: #EFD74ACE, #DEC537CE, #CDB324CE, #BCA111CE and #AB8F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFD74ACE shade: #EFD748, #EFAA48, #EF7D48, #EF5048 and #EF4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFD74ACE shade: #EFD748, #DAEF48, #ADEF48, #80EF48 and #53EF48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFD74ACE shade matches the following richer shades: #EFD748

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFD74ACE shade: #EFD748, #DFCB58, #CFC068, #BFB578 and #AFA988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFD74ACE shade: #EF7D48, #EFA948, #EFD648, #DCEF48 and #AFEF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFD74ACE shade: #D2B612, #ECCE22, #EFD748, #F2DF6E and #F6E794

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFD74ACE shade: #EFD74A, #48EF50 and #9348EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFD74ACE shade: #EFD74A, #48EFD6 and #D648EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFD74ACE shade: #EFD74A, #48EF50, #4861EF and #EF48E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFD74ACE shade: #EFD74A, #48EF82, #4861EF and #EF48B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 56 / 5

HEX #EFD74ACE

RGBA 239 215 74 0.81

HSLA 51.27, 0.84%, 0.61%, 0.81

LABA 85.73, -6.88, 69.25, 0.81

 

Complementary color

CMYK 74 / 63 / 0 / 24

HEX #1028B5CE

RGBA 16 40 181 0.81

HSLA 231.27, 0.84%, 0.39%, 0.81

LABA 26.63, 46.75, -74.57, 0.81

 

CMYK 0 / 10 / 58 / 3

HEX #F4D745CE

RGBA 244 215 69 0.81

HSLA 50.06, 0.89%, 0.61%, 0.81

LABA 86.14, -5.03, 71.67, 0.81

 

CMYK 0 / 7 / 53 / 0

HEX #FFE958CE

RGBA 255 233 88 0.81

HSLA 52.1, 1%, 0.67%, 0.81

LABA 91.79, -8.54, 70.45, 0.81

 

CMYK 0 / 1 / 47 / 0

HEX #FFFB6BCE

RGBA 255 251 107 0.81

HSLA 58.38, 1%, 0.71%, 0.81

LABA 96.54, -16.19, 67.76, 0.81

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF7ECE

RGBA 255 255 126 0.81

HSLA 60, 1%, 0.75%, 0.81

LABA 97.75, -16.7, 60.86, 0.81

 

CMYK 0 / 0 / 35 / 0

HEX #FFFF91CE

RGBA 255 255 145 0.81

HSLA 60, 1%, 0.78%, 0.81

LABA 97.96, -15.02, 52.34, 0.81

 

CMYK 0 / 8 / 56 / 5

HEX #EFD74ACE

RGBA 239 215 74 0.81

HSLA 51.27, 0.84%, 0.61%, 0.81

LABA 85.73, -6.88, 69.25, 0.81

 

CMYK 0 / 9 / 61 / 10

HEX #DEC537CE

RGBA 222 197 55 0.81

HSLA 51.02, 0.72%, 0.54%, 0.81

LABA 79.46, -5.77, 69.52, 0.81

 

CMYK 0 / 10 / 67 / 16

HEX #CDB324CE

RGBA 205 179 36 0.81

HSLA 50.77, 0.7%, 0.47%, 0.81

LABA 73.12, -4.46, 69.1, 0.81

 

CMYK 0 / 12 / 74 / 21

HEX #BCA111CE

RGBA 188 161 17 0.81

HSLA 50.53, 0.83%, 0.4%, 0.81

LABA 66.69, -2.93, 67.52, 0.81

 

CMYK 0 / 13 / 81 / 27

HEX #AB8F00CE

RGBA 171 143 0 0.81

HSLA 50.18, 1%, 0.34%, 0.81

LABA 60.16, -1.16, 64.5, 0.81

 

CMYK 0 / 10 / 70 / 6

HEX #EFD748

RGB 239 215 72

HSL 51.38, 0.84%, 0.61%

LAB 85.72, -6.98, 70

 

CMYK 0 / 29 / 70 / 6

HEX #EFAA48

RGB 239 170 72

HSL 35.21, 0.84%, 0.61%

LAB 74.55, 16.37, 58.62

 

CMYK 0 / 48 / 70 / 6

HEX #EF7D48

RGB 239 125 72

HSL 19.04, 0.84%, 0.61%

LAB 64.55, 39.87, 47.84

 

CMYK 0 / 67 / 70 / 6

HEX #EF5048

RGB 239 80 72

HSL 2.87, 0.84%, 0.61%

LAB 56.64, 60.45, 38.83

 

CMYK 0 / 70 / 70 / 6

HEX #EF4848

RGB 239 72 72

HSL 0, 0.84%, 0.61%

LAB 55.54, 63.47, 37.53

 

CMYK 0 / 10 / 70 / 6

HEX #EFD748

RGB 239 215 72

HSL 51.38, 0.84%, 0.61%

LAB 85.72, -6.98, 70

 

CMYK 9 / 0 / 70 / 6

HEX #DAEF48

RGB 218 239 72

HSL 67.54, 0.84%, 0.61%

LAB 90.37, -27.32, 74.04

 

CMYK 28 / 0 / 70 / 6

HEX #ADEF48

RGB 173 239 72

HSL 83.71, 0.84%, 0.61%

LAB 87.53, -44.58, 70.26

 

CMYK 46 / 0 / 70 / 6

HEX #80EF48

RGB 128 239 72

HSL 99.88, 0.84%, 0.61%

LAB 85.4, -59.46, 67.42

 

CMYK 65 / 0 / 70 / 6

HEX #53EF48

RGB 83 239 72

HSL 116.05, 0.84%, 0.61%

LAB 83.99, -70.55, 65.51

 

CMYK 0 / 10 / 70 / 6

HEX #EFD748

RGB 239 215 72

HSL 51.38, 0.84%, 0.61%

LAB 85.72, -6.98, 70

 

CMYK 0 / 10 / 70 / 6

HEX #EFD748

RGB 239 215 72

HSL 51.38, 0.84%, 0.61%

LAB 85.72, -6.98, 70

 

CMYK 0 / 9 / 61 / 13

HEX #DFCB58

RGB 223 203 88

HSL 51.11, 0.68%, 0.61%

LAB 81.35, -6.65, 58.45

 

CMYK 0 / 7 / 50 / 19

HEX #CFC068

RGB 207 192 104

HSL 51.26, 0.52%, 0.61%

LAB 77.26, -6.37, 45.89

 

CMYK 0 / 5 / 37 / 25

HEX #BFB578

RGB 191 181 120

HSL 51.55, 0.36%, 0.61%

LAB 73.21, -5.5, 32.38

 

CMYK 0 / 3 / 22 / 31

HEX #AFA988

RGB 175 169 136

HSL 50.77, 0.2%, 0.61%

LAB 68.94, -3.34, 17.84

 

CMYK 0 / 48 / 70 / 6

HEX #EF7D48

RGB 239 125 72

HSL 19.04, 0.84%, 0.61%

LAB 64.55, 39.87, 47.84

 

CMYK 0 / 29 / 70 / 6

HEX #EFA948

RGB 239 169 72

HSL 34.85, 0.84%, 0.61%

LAB 74.31, 16.89, 58.37

 

CMYK 0 / 10 / 70 / 6

HEX #EFD648

RGB 239 214 72

HSL 51.02, 0.84%, 0.61%

LAB 85.46, -6.48, 69.74

 

CMYK 8 / 0 / 70 / 6

HEX #DCEF48

RGB 220 239 72

HSL 66.83, 0.84%, 0.61%

LAB 90.51, -26.52, 74.22

 

CMYK 27 / 0 / 70 / 6

HEX #AFEF48

RGB 175 239 72

HSL 82.99, 0.84%, 0.61%

LAB 87.64, -43.85, 70.41

 

CMYK 0 / 13 / 91 / 18

HEX #D2B612

RGB 210 182 18

HSL 51.25, 0.84%, 0.45%

LAB 74.32, -4.23, 74.12

 

CMYK 0 / 13 / 86 / 7

HEX #ECCE22

RGB 236 206 34

HSL 51.09, 0.84%, 0.53%

LAB 82.96, -5.03, 78.92

 

CMYK 0 / 10 / 70 / 6

HEX #EFD748

RGB 239 215 72

HSL 51.38, 0.84%, 0.61%

LAB 85.72, -6.98, 70

 

CMYK 0 / 8 / 55 / 5

HEX #F2DF6E

RGB 242 223 110

HSL 51.36, 0.84%, 0.69%

LAB 88.34, -7.39, 56.89

 

CMYK 0 / 6 / 40 / 4

HEX #F6E794

RGB 246 231 148

HSL 50.82, 0.84%, 0.77%

LAB 91.18, -6.35, 42.21

 

CMYK 0 / 10 / 69 / 6

HEX #EFD74A

RGB 239 215 74

HSL 51.27, 0.84%, 0.61%

LAB 85.73, -6.88, 69.25

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 38 / 70 / 0 / 6

HEX #9348EF

RGB 147 72 239

HSL 266.95, 0.84%, 0.61%

LAB 48.35, 62.81, -72.03

 

CMYK 0 / 10 / 69 / 6

HEX #EFD74A

RGB 239 215 74

HSL 51.27, 0.84%, 0.61%

LAB 85.73, -6.88, 69.25

 

CMYK 70 / 0 / 10 / 6

HEX #48EFD6

RGB 72 239 214

HSL 171.02, 0.84%, 0.61%

LAB 85.99, -47.97, -0.26

 

CMYK 10 / 70 / 0 / 6

HEX #D648EF

RGB 214 72 239

HSL 291.02, 0.84%, 0.61%

LAB 57.23, 75.84, -57.25

 

CMYK 0 / 10 / 69 / 6

HEX #EFD74A

RGB 239 215 74

HSL 51.27, 0.84%, 0.61%

LAB 85.73, -6.88, 69.25

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 70 / 59 / 0 / 6

HEX #4861EF

RGB 72 97 239

HSL 231.02, 0.84%, 0.61%

LAB 47.18, 37.09, -74.2

 

CMYK 0 / 70 / 3 / 6

HEX #EF48E7

RGB 239 72 231

HSL 302.87, 0.84%, 0.61%

LAB 60.56, 79.8, -47.25

 

CMYK 0 / 10 / 69 / 6

HEX #EFD74A

RGB 239 215 74

HSL 51.27, 0.84%, 0.61%

LAB 85.73, -6.88, 69.25

 

CMYK 70 / 0 / 46 / 6

HEX #48EF82

RGB 72 239 130

HSL 140.84, 0.84%, 0.61%

LAB 84.34, -65.56, 40.54

 

CMYK 70 / 59 / 0 / 6

HEX #4861EF

RGB 72 97 239

HSL 231.02, 0.84%, 0.61%

LAB 47.18, 37.09, -74.2

 

CMYK 0 / 70 / 24 / 6

HEX #EF48B5

RGB 239 72 181

HSL 320.84, 0.84%, 0.61%

LAB 58.34, 72.85, -22.29

 

Description

Color code: HEX #EFD74ACE | qconv.com Color code: HEX #EFD74ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 215 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 215 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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