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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48EF50 it is the complementary color #B710AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48EF50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48EF50 shade: #4DEF4B, #5EFF5E, #6FFF71, #80FF84 and #91FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48EF50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48EF50 shade: #48EF50, #37DD3D, #26CB2A, #15B917 and #04A704

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48EF50 shade: #48EF50, #6DEF48, #9AEF48, #C7EF48 and #EFEA48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48EF50 shade: #48EF50, #48EF7D, #48EFAA, #48EFD7 and #48DAEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48EF50 shade matches the following richer shades: #48EF50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48EF50 shade: #48EF50, #58DF5F, #68CF6D, #78BF7C and #88AF8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48EF50 shade: #9CEF48, #6FEF48, #48EF4E, #48EF7A and #48EFA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48EF50 shade: #12D21B, #22EC2C, #48EF50, #6EF274 and #94F699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48EF50 shade: #48EF50, #48C8EF and #EF4885

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48EF50 shade: #48EF50, #4E48EF and #EF4E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48EF50 shade: #48EF50, #48C8EF, #EF48EA and #EF6F48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48EF50 shade: #48EF50, #4896EF, #EF48EA and #EFA148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

Complementary color

CMYK 0 / 91 / 4 / 28

HEX #B710AF

RGB 183 16 175

HSL 302.87, 0.84%, 0.39%

LAB 43.56, 73.8, -42.59

 

CMYK 68 / 0 / 69 / 6

HEX #4DEF4B

RGB 77 239 75

HSL 119.27, 0.84%, 0.62%

LAB 83.87, -71.43, 64.25

 

CMYK 63 / 0 / 63 / 0

HEX #5EFF5E

RGB 94 255 94

HSL 120, 1%, 0.68%

LAB 89.26, -71.66, 62.75

 

CMYK 56 / 0 / 56 / 0

HEX #6FFF71

RGB 111 255 113

HSL 120.83, 1%, 0.72%

LAB 89.9, -65.92, 55.52

 

CMYK 50 / 0 / 48 / 0

HEX #80FF84

RGB 128 255 132

HSL 121.89, 1%, 0.75%

LAB 90.68, -59.37, 47.88

 

CMYK 43 / 0 / 41 / 0

HEX #91FF97

RGB 145 255 151

HSL 123.27, 1%, 0.78%

LAB 91.58, -52.12, 40.04

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 75 / 0 / 72 / 13

HEX #37DD3D

RGB 55 221 61

HSL 122.17, 0.71%, 0.54%

LAB 77.79, -70.51, 62.91

 

CMYK 81 / 0 / 79 / 20

HEX #26CB2A

RGB 38 203 42

HSL 121.45, 0.68%, 0.47%

LAB 71.75, -68.6, 63.04

 

CMYK 89 / 0 / 88 / 27

HEX #15B917

RGB 21 185 23

HSL 120.73, 0.8%, 0.4%

LAB 65.69, -65.96, 62.23

 

CMYK 98 / 0 / 98 / 35

HEX #04A704

RGB 4 167 4

HSL 120, 0.95%, 0.34%

LAB 59.59, -62.46, 60.05

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 54 / 0 / 70 / 6

HEX #6DEF48

RGB 109 239 72

HSL 106.71, 0.84%, 0.61%

LAB 84.72, -64.67, 66.5

 

CMYK 36 / 0 / 70 / 6

HEX #9AEF48

RGB 154 239 72

HSL 90.54, 0.84%, 0.61%

LAB 86.54, -51.24, 68.95

 

CMYK 17 / 0 / 70 / 6

HEX #C7EF48

RGB 199 239 72

HSL 74.37, 0.84%, 0.61%

LAB 89.08, -34.81, 72.34

 

CMYK 0 / 2 / 70 / 6

HEX #EFEA48

RGB 239 234 72

HSL 58.2, 0.84%, 0.61%

LAB 90.63, -16.41, 74.82

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 70 / 0 / 48 / 6

HEX #48EF7D

RGB 72 239 125

HSL 139.04, 0.84%, 0.61%

LAB 84.27, -66.34, 42.88

 

CMYK 70 / 0 / 29 / 6

HEX #48EFAA

RGB 72 239 170

HSL 155.21, 0.84%, 0.61%

LAB 85, -58.2, 21.27

 

CMYK 70 / 0 / 10 / 6

HEX #48EFD7

RGB 72 239 215

HSL 171.38, 0.84%, 0.61%

LAB 86.01, -47.71, -0.75

 

CMYK 70 / 9 / 0 / 6

HEX #48DAEF

RGB 72 218 239

HSL 187.54, 0.84%, 0.61%

LAB 80.6, -31.59, -21.51

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 61 / 0 / 57 / 13

HEX #58DF5F

RGB 88 223 95

HSL 123.11, 0.68%, 0.61%

LAB 79.43, -61.77, 51.11

 

CMYK 50 / 0 / 47 / 19

HEX #68CF6D

RGB 104 207 109

HSL 122.91, 0.52%, 0.61%

LAB 75.25, -49.94, 39.54

 

CMYK 37 / 0 / 35 / 25

HEX #78BF7C

RGB 120 191 124

HSL 123.38, 0.36%, 0.61%

LAB 71.36, -36.05, 26.97

 

CMYK 22 / 0 / 21 / 31

HEX #88AF8A

RGB 136 175 138

HSL 123.08, 0.2%, 0.61%

LAB 67.82, -20.6, 14.75

 

CMYK 35 / 0 / 70 / 6

HEX #9CEF48

RGB 156 239 72

HSL 89.82, 0.84%, 0.61%

LAB 86.64, -50.56, 69.08

 

CMYK 54 / 0 / 70 / 6

HEX #6FEF48

RGB 111 239 72

HSL 105.99, 0.84%, 0.61%

LAB 84.78, -64.16, 66.59

 

CMYK 70 / 0 / 67 / 6

HEX #48EF4E

RGB 72 239 78

HSL 122.16, 0.84%, 0.61%

LAB 83.79, -72.04, 62.99

 

CMYK 70 / 0 / 49 / 6

HEX #48EF7A

RGB 72 239 122

HSL 137.96, 0.84%, 0.61%

LAB 84.23, -66.79, 44.27

 

CMYK 70 / 0 / 30 / 6

HEX #48EFA7

RGB 72 239 167

HSL 154.13, 0.84%, 0.61%

LAB 84.95, -58.82, 22.74

 

CMYK 91 / 0 / 87 / 18

HEX #12D21B

RGB 18 210 27

HSL 122.81, 0.84%, 0.45%

LAB 73.74, -73.02, 68.47

 

CMYK 86 / 0 / 81 / 7

HEX #22EC2C

RGB 34 236 44

HSL 122.97, 0.84%, 0.53%

LAB 82.12, -78.33, 72.16

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 55 / 0 / 52 / 5

HEX #6EF274

RGB 110 242 116

HSL 122.73, 0.84%, 0.69%

LAB 86.05, -61.04, 49.54

 

CMYK 40 / 0 / 38 / 4

HEX #94F699

RGB 148 246 153

HSL 123.06, 0.84%, 0.77%

LAB 89.16, -47.2, 35.92

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 70 / 16 / 0 / 6

HEX #48C8EF

RGB 72 200 239

HSL 194.01, 0.84%, 0.61%

LAB 75.4, -22.72, -29.45

 

CMYK 0 / 70 / 44 / 6

HEX #EF4885

RGB 239 72 133

HSL 338.08, 0.84%, 0.61%

LAB 56.76, 67.66, 3.42

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 67 / 70 / 0 / 6

HEX #4E48EF

RGB 78 72 239

HSL 242.16, 0.84%, 0.61%

LAB 41.98, 52.55, -82.71

 

CMYK 0 / 67 / 70 / 6

HEX #EF4E48

RGB 239 78 72

HSL 2.16, 0.84%, 0.61%

LAB 56.35, 61.22, 38.5

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 70 / 16 / 0 / 6

HEX #48C8EF

RGB 72 200 239

HSL 194.01, 0.84%, 0.61%

LAB 75.4, -22.72, -29.45

 

CMYK 0 / 70 / 2 / 6

HEX #EF48EA

RGB 239 72 234

HSL 301.8, 0.84%, 0.61%

LAB 60.72, 80.26, -48.68

 

CMYK 0 / 54 / 70 / 6

HEX #EF6F48

RGB 239 111 72

HSL 14.01, 0.84%, 0.61%

LAB 61.82, 46.78, 44.78

 

CMYK 70 / 0 / 67 / 6

HEX #48EF50

RGB 72 239 80

HSL 122.87, 0.84%, 0.61%

LAB 83.8, -71.85, 62.23

 

CMYK 70 / 37 / 0 / 6

HEX #4896EF

RGB 72 150 239

HSL 211.98, 0.84%, 0.61%

LAB 61.15, 4.67, -51.71

 

CMYK 0 / 70 / 2 / 6

HEX #EF48EA

RGB 239 72 234

HSL 301.8, 0.84%, 0.61%

LAB 60.72, 80.26, -48.68

 

CMYK 0 / 33 / 70 / 6

HEX #EFA148

RGB 239 161 72

HSL 31.98, 0.84%, 0.61%

LAB 72.43, 21.13, 56.39

 

Description

Color code: HEX #48EF50 | qconv.com Color code: HEX #48EF50 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 239 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 239 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 67 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 67% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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