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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFCA7B it is the complementary color #103584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFCA7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFCA7B shade: #F4CA76, #FFDC89, #FFEE9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFCA7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFCA7B shade: #EFCA7B, #DEB868, #CDA655, #BC9442 and #AB822F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFCA7B shade: #EFCA7B, #EFAB7B, #EF8C7B and #EF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFCA7B shade: #EFCA7B, #EFE97B, #D5EF7B, #B6EF7B and #97EF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFCA7B shade matches the following richer shades: #EFCA7B and #FBCE6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFCA7B shade: #EFCA7B, #E3C687, #D7C193, #CBBD9F and #BFB9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFCA7B shade: #EF8B7B, #EFAA7B, #EFC87B, #EFE77B and #D8EF7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFCA7B shade: #E6AC32, #EABB57, #EFCA7B, #F3D9A0 and #F8E8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFCA7B shade: #EFCA7B, #8BEF7B and #9A7BEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFCA7B shade: #EFCA7B, #7BEFC8 and #C87BEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFCA7B shade: #EFCA7B, #8BEF7B, #7BA2EF and #DF7BEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFCA7B shade: #EFCA7B, #7BEF8F, #7BA2EF and #EF7BDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

Complementary color

CMYK 88 / 60 / 0 / 48

HEX #103584

RGB 16 53 132

HSL 220.86, 0.78%, 0.29%

LAB 24.71, 19.68, -47.82

 

CMYK 0 / 17 / 52 / 4

HEX #F4CA76

RGB 244 202 118

HSL 40, 0.85%, 0.71%

LAB 83.33, 4.79, 47.17

 

CMYK 0 / 14 / 46 / 0

HEX #FFDC89

RGB 255 220 137

HSL 42.2, 1%, 0.77%

LAB 89.04, 1.65, 45.1

 

CMYK 0 / 7 / 39 / 0

HEX #FFEE9C

RGB 255 238 156

HSL 49.7, 1%, 0.81%

LAB 93.8, -5.53, 41.76

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 0 / 19 / 59 / 20

HEX #CDA655

RGB 205 166 85

HSL 40.5, 0.55%, 0.57%

LAB 70.11, 4.93, 46.67

 

CMYK 0 / 21 / 65 / 26

HEX #BC9442

RGB 188 148 66

HSL 40.33, 0.48%, 0.5%

LAB 63.56, 6.03, 47.92

 

CMYK 0 / 24 / 73 / 33

HEX #AB822F

RGB 171 130 47

HSL 40.16, 0.57%, 0.43%

LAB 56.91, 7.34, 48.97

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 0 / 28 / 49 / 6

HEX #EFAB7B

RGB 239 171 123

HSL 24.83, 0.78%, 0.71%

LAB 75.39, 19.5, 34.54

 

CMYK 0 / 41 / 49 / 6

HEX #EF8C7B

RGB 239 140 123

HSL 8.79, 0.78%, 0.71%

LAB 68.41, 35.83, 25.37

 

CMYK 0 / 49 / 49 / 6

HEX #EF7B7B

RGB 239 123 123

HSL 0, 0.78%, 0.71%

LAB 64.92, 44.49, 20.66

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 0 / 3 / 49 / 6

HEX #EFE97B

RGB 239 233 123

HSL 56.9, 0.78%, 0.71%

LAB 90.81, -12.5, 53.71

 

CMYK 11 / 0 / 49 / 6

HEX #D5EF7B

RGB 213 239 123

HSL 73.45, 0.78%, 0.71%

LAB 90.46, -25.54, 52.84

 

CMYK 24 / 0 / 49 / 6

HEX #B6EF7B

RGB 182 239 123

HSL 89.48, 0.78%, 0.71%

LAB 88.5, -37, 50

 

CMYK 37 / 0 / 49 / 6

HEX #97EF7B

RGB 151 239 123

HSL 105.52, 0.78%, 0.71%

LAB 86.87, -47.45, 47.64

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 0 / 18 / 56 / 2

HEX #FBCE6F

RGB 251 206 111

HSL 40.71, 0.95%, 0.71%

LAB 84.89, 5, 52.59

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 0 / 13 / 41 / 11

HEX #E3C687

RGB 227 198 135

HSL 41.09, 0.62%, 0.71%

LAB 81, 1.68, 35.32

 

CMYK 0 / 10 / 32 / 16

HEX #D7C193

RGB 215 193 147

HSL 40.59, 0.46%, 0.71%

LAB 78.86, 0.98, 26.03

 

CMYK 0 / 7 / 22 / 20

HEX #CBBD9F

RGB 203 189 159

HSL 40.91, 0.3%, 0.71%

LAB 77.04, 0.12, 16.96

 

CMYK 0 / 3 / 10 / 25

HEX #BFB9AB

RGB 191 185 171

HSL 42, 0.14%, 0.71%

LAB 75.27, -0.33, 7.85

 

CMYK 0 / 42 / 49 / 6

HEX #EF8B7B

RGB 239 139 123

HSL 8.28, 0.78%, 0.71%

LAB 68.2, 36.35, 25.09

 

CMYK 0 / 29 / 49 / 6

HEX #EFAA7B

RGB 239 170 123

HSL 24.31, 0.78%, 0.71%

LAB 75.16, 20.03, 34.24

 

CMYK 0 / 16 / 49 / 6

HEX #EFC87B

RGB 239 200 123

HSL 39.83, 0.78%, 0.71%

LAB 82.43, 4.25, 43.47

 

CMYK 0 / 3 / 49 / 6

HEX #EFE77B

RGB 239 231 123

HSL 55.86, 0.78%, 0.71%

LAB 90.29, -11.51, 53.09

 

CMYK 10 / 0 / 49 / 6

HEX #D8EF7B

RGB 216 239 123

HSL 71.9, 0.78%, 0.71%

LAB 90.67, -24.39, 53.14

 

CMYK 0 / 25 / 78 / 10

HEX #E6AC32

RGB 230 172 50

HSL 40.67, 0.78%, 0.55%

LAB 73.91, 10.54, 66.38

 

CMYK 0 / 20 / 63 / 8

HEX #EABB57

RGB 234 187 87

HSL 40.82, 0.78%, 0.63%

LAB 78.3, 6.17, 55.8

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 0 / 11 / 34 / 5

HEX #F3D9A0

RGB 243 217 160

HSL 41.2, 0.78%, 0.79%

LAB 87.59, 0.94, 31.4

 

CMYK 0 / 6 / 21 / 3

HEX #F8E8C5

RGB 248 232 197

HSL 41.18, 0.78%, 0.87%

LAB 92.44, -0.02, 19

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 42 / 0 / 49 / 6

HEX #8BEF7B

RGB 139 239 123

HSL 111.72, 0.78%, 0.71%

LAB 86.33, -51.13, 46.85

 

CMYK 36 / 49 / 0 / 6

HEX #9A7BEF

RGB 154 123 239

HSL 256.03, 0.78%, 0.71%

LAB 59.22, 37.5, -54.48

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 49 / 0 / 16 / 6

HEX #7BEFC8

RGB 123 239 200

HSL 159.83, 0.78%, 0.71%

LAB 87.05, -42.02, 8.78

 

CMYK 16 / 49 / 0 / 6

HEX #C87BEF

RGB 200 123 239

HSL 279.83, 0.78%, 0.71%

LAB 63.9, 49.54, -46.77

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 42 / 0 / 49 / 6

HEX #8BEF7B

RGB 139 239 123

HSL 111.72, 0.78%, 0.71%

LAB 86.33, -51.13, 46.85

 

CMYK 49 / 32 / 0 / 6

HEX #7BA2EF

RGB 123 162 239

HSL 219.83, 0.78%, 0.71%

LAB 66.74, 7.37, -42.75

 

CMYK 7 / 49 / 0 / 6

HEX #DF7BEF

RGB 223 123 239

HSL 291.72, 0.78%, 0.71%

LAB 66.59, 55.82, -42.36

 

CMYK 0 / 15 / 49 / 6

HEX #EFCA7B

RGB 239 202 123

HSL 40.86, 0.78%, 0.71%

LAB 82.93, 3.21, 44.09

 

CMYK 49 / 0 / 40 / 6

HEX #7BEF8F

RGB 123 239 143

HSL 130.34, 0.78%, 0.71%

LAB 85.97, -52.76, 36.52

 

CMYK 49 / 32 / 0 / 6

HEX #7BA2EF

RGB 123 162 239

HSL 219.83, 0.78%, 0.71%

LAB 66.74, 7.37, -42.75

 

CMYK 0 / 49 / 8 / 6

HEX #EF7BDC

RGB 239 123 220

HSL 309.83, 0.78%, 0.71%

LAB 67.79, 57.01, -29.83

 

Description

Color code: HEX #EFCA7B | qconv.com Color code: HEX #EFCA7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 202 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 202 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 49 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 49% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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