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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB868 it is the complementary color #214797. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB868. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DEB868: #E3B863, #F4CA76, #FFDC89, #FFEE9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB868. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DEB868: #DEB868, #CDA655, #BC9442, #AB822F and #9A701C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

Complementary color

CMYK 78 / 53 / 0 / 41

HEX #214797

RGB 33 71 151

HSL 220.68, 0.64%, 0.36%

LAB 31.95, 16.61, -47.75

 

CMYK 0 / 19 / 56 / 11

HEX #E3B863

RGB 227 184 99

HSL 39.84, 0.7%, 0.64%

LAB 76.99, 5.68, 48.45

 

CMYK 0 / 17 / 52 / 4

HEX #F4CA76

RGB 244 202 118

HSL 40, 0.85%, 0.71%

LAB 83.33, 4.79, 47.17

 

CMYK 0 / 14 / 46 / 0

HEX #FFDC89

RGB 255 220 137

HSL 42.2, 1%, 0.77%

LAB 89.04, 1.65, 45.1

 

CMYK 0 / 7 / 39 / 0

HEX #FFEE9C

RGB 255 238 156

HSL 49.7, 1%, 0.81%

LAB 93.8, -5.53, 41.76

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 0 / 19 / 59 / 20

HEX #CDA655

RGB 205 166 85

HSL 40.5, 0.55%, 0.57%

LAB 70.11, 4.93, 46.67

 

CMYK 0 / 21 / 65 / 26

HEX #BC9442

RGB 188 148 66

HSL 40.33, 0.48%, 0.5%

LAB 63.56, 6.03, 47.92

 

CMYK 0 / 24 / 73 / 33

HEX #AB822F

RGB 171 130 47

HSL 40.16, 0.57%, 0.43%

LAB 56.91, 7.34, 48.97

 

CMYK 0 / 27 / 82 / 40

HEX #9A701C

RGB 154 112 28

HSL 40, 0.69%, 0.36%

LAB 50.15, 8.92, 49.51

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 0 / 9 / 53 / 13

HEX #DDCA68

RGB 221 202 104

HSL 50.26, 0.63%, 0.64%

LAB 81.08, -5.77, 50.74

 

CMYK 0 / 0 / 53 / 13

HEX #DDDD68

RGB 221 221 104

HSL 60, 0.63%, 0.64%

LAB 86.05, -15.34, 56.54

 

CMYK 9 / 0 / 53 / 13

HEX #CADD68

RGB 202 221 104

HSL 69.74, 0.63%, 0.64%

LAB 84.62, -22.92, 54.52

 

CMYK 18 / 0 / 53 / 13

HEX #B6DD68

RGB 182 221 104

HSL 80, 0.63%, 0.64%

LAB 83.26, -30.66, 52.59

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 0 / 17 / 56 / 93

HEX #120F08

RGB 18 15 8

HSL 42, 0.38%, 0.05%

LAB 4.41, 0.02, 3.31

 

CMYK 0 / 17 / 54 / 73

HEX #453920

RGB 69 57 32

HSL 40.54, 0.37%, 0.2%

LAB 24.63, 1.35, 17.49

 

CMYK 0 / 18 / 53 / 53

HEX #786338

RGB 120 99 56

HSL 40.31, 0.36%, 0.35%

LAB 43.07, 2.5, 27.42

 

CMYK 0 / 17 / 53 / 33

HEX #AB8E50

RGB 171 142 80

HSL 40.88, 0.36%, 0.49%

LAB 60.41, 3, 36.84

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 46 / 0 / 53 / 13

HEX #78DD68

RGB 120 221 104

HSL 111.79, 0.63%, 0.64%

LAB 80.01, -51.75, 47.93

 

CMYK 39 / 53 / 0 / 13

HEX #8768DD

RGB 135 104 221

HSL 255.9, 0.63%, 0.64%

LAB 52.14, 38.94, -55.82

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 53 / 0 / 18 / 13

HEX #68DDB6

RGB 104 221 182

HSL 160, 0.63%, 0.64%

LAB 80.76, -42.34, 9.15

 

CMYK 18 / 53 / 0 / 13

HEX #B668DD

RGB 182 104 221

HSL 280, 0.63%, 0.64%

LAB 57.14, 50.79, -47.56

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 46 / 0 / 53 / 13

HEX #78DD68

RGB 120 221 104

HSL 111.79, 0.63%, 0.64%

LAB 80.01, -51.75, 47.93

 

CMYK 53 / 35 / 0 / 13

HEX #688FDD

RGB 104 143 221

HSL 220, 0.63%, 0.64%

LAB 59.72, 8.63, -43.91

 

CMYK 7 / 53 / 0 / 13

HEX #CE68DD

RGB 206 104 221

HSL 292.31, 0.63%, 0.64%

LAB 60.11, 57.14, -42.67

 

CMYK 0 / 17 / 53 / 13

HEX #DEB868

RGB 222 184 104

HSL 40.68, 0.64%, 0.64%

LAB 76.56, 4.01, 45.37

 

CMYK 53 / 0 / 44 / 13

HEX #68DD7C

RGB 104 221 124

HSL 130.26, 0.63%, 0.64%

LAB 79.68, -53.33, 37.71

 

CMYK 53 / 35 / 0 / 13

HEX #688FDD

RGB 104 143 221

HSL 220, 0.63%, 0.64%

LAB 59.72, 8.63, -43.91

 

CMYK 0 / 53 / 9 / 13

HEX #DD68CA

RGB 221 104 202

HSL 309.74, 0.63%, 0.64%

LAB 61.25, 57.95, -30.03

 

Description

Color code: HEX #DEB868 | qconv.com Color code: HEX #DEB868 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 184 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 184 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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