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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFBCB9 it is the complementary color #104346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFBCB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFBCB9 shade: #F4BCB4, #FFCEC7, #FFE0DA, #FFF2ED and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFBCB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFBCB9 shade: #EFBCB9, #DEAAA6, #CD9893, #BC8680 and #AB746D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFBCB9 shade: #EFBBB8 and #EFB8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFBCB9 shade: #EFBBB8, #EFCAB8, #EFD9B8, #EFE8B8 and #E8EFB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFBCB9 shade matches the following richer shades: #EFBBB8, #F6B5B1 and #FDAFAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFBCB9 shade: #EFBBB8, #E8C2BF, #E1C8C6, #DACECD and #D3D4D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFBCB9 shade: #EFB8D3, #EFB8C4, #EFBBB8, #EFCAB8 and #EFD8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFBCB9 shade: #E07B75, #E79B97, #EFBBB8, #F7DCDA and #FEFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFBCB9 shade: #EFBCB9, #E1EFB8 and #B8CBEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFBCB9 shade: #EFBCB9, #B8EFBB and #BBB8EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFBCB9 shade: #EFBCB9, #E1EFB8, #B8ECEF and #C6B8EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFBCB9 shade: #EFBCB9, #D1EFB8, #B8ECEF and #D6B8EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 23 / 6

HEX #EFBCB9

RGB 239 188 185

HSL 3.33, 0.63%, 0.83%

LAB 80.64, 17.87, 8.53

 

Complementary color

CMYK 77 / 4 / 0 / 73

HEX #104346

RGB 16 67 70

HSL 183.33, 0.63%, 0.17%

LAB 25.46, -15.17, -6.68

 

CMYK 0 / 23 / 26 / 4

HEX #F4BCB4

RGB 244 188 180

HSL 7.5, 0.74%, 0.83%

LAB 81.01, 19.01, 11.82

 

CMYK 0 / 19 / 22 / 0

HEX #FFCEC7

RGB 255 206 199

HSL 7.5, 1%, 0.89%

LAB 86.76, 16.24, 10.02

 

CMYK 0 / 12 / 15 / 0

HEX #FFE0DA

RGB 255 224 218

HSL 9.73, 1%, 0.93%

LAB 91.52, 9.72, 6.84

 

CMYK 0 / 5 / 7 / 0

HEX #FFF2ED

RGB 255 242 237

HSL 16.67, 1%, 0.96%

LAB 96.36, 3.53, 3.96

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 21 / 23 / 6

HEX #EFBCB9

RGB 239 188 185

HSL 3.33, 0.63%, 0.83%

LAB 80.64, 17.87, 8.53

 

CMYK 0 / 23 / 25 / 13

HEX #DEAAA6

RGB 222 170 166

HSL 4.29, 0.46%, 0.76%

LAB 74.21, 18.47, 9.43

 

CMYK 0 / 26 / 28 / 20

HEX #CD9893

RGB 205 152 147

HSL 5.17, 0.37%, 0.69%

LAB 67.68, 19.15, 10.41

 

CMYK 0 / 29 / 32 / 26

HEX #BC8680

RGB 188 134 128

HSL 6, 0.31%, 0.62%

LAB 61.05, 19.9, 11.47

 

CMYK 0 / 32 / 36 / 33

HEX #AB746D

RGB 171 116 109

HSL 6.77, 0.27%, 0.55%

LAB 54.29, 20.75, 12.66

 

CMYK 0 / 22 / 23 / 6

HEX #EFBBB8

RGB 239 187 184

HSL 3.27, 0.63%, 0.83%

LAB 80.38, 18.26, 8.69

 

CMYK 0 / 23 / 23 / 6

HEX #EFB8B8

RGB 239 184 184

HSL 0, 0.63%, 0.83%

LAB 79.67, 19.85, 7.68

 

CMYK 0 / 22 / 23 / 6

HEX #EFBBB8

RGB 239 187 184

HSL 3.27, 0.63%, 0.83%

LAB 80.38, 18.26, 8.69

 

CMYK 0 / 15 / 23 / 6

HEX #EFCAB8

RGB 239 202 184

HSL 19.64, 0.63%, 0.83%

LAB 83.99, 10.34, 13.83

 

CMYK 0 / 9 / 23 / 6

HEX #EFD9B8

RGB 239 217 184

HSL 36, 0.63%, 0.83%

LAB 87.7, 2.54, 19.03

 

CMYK 0 / 3 / 23 / 6

HEX #EFE8B8

RGB 239 232 184

HSL 52.36, 0.63%, 0.83%

LAB 91.47, -5.12, 24.25

 

CMYK 3 / 0 / 23 / 6

HEX #E8EFB8

RGB 232 239 184

HSL 67.64, 0.63%, 0.83%

LAB 92.73, -11.19, 25.89

 

CMYK 0 / 22 / 23 / 6

HEX #EFBBB8

RGB 239 187 184

HSL 3.27, 0.63%, 0.83%

LAB 80.38, 18.26, 8.69

 

CMYK 0 / 26 / 28 / 4

HEX #F6B5B1

RGB 246 181 177

HSL 3.48, 0.79%, 0.83%

LAB 79.51, 23.04, 11.33

 

CMYK 0 / 31 / 33 / 1

HEX #FDAFAA

RGB 253 175 170

HSL 3.61, 0.95%, 0.83%

LAB 78.72, 27.89, 14.1

 

CMYK 0 / 22 / 23 / 6

HEX #EFBBB8

RGB 239 187 184

HSL 3.27, 0.63%, 0.83%

LAB 80.38, 18.26, 8.69

 

CMYK 0 / 16 / 18 / 9

HEX #E8C2BF

RGB 232 194 191

HSL 4.39, 0.47%, 0.83%

LAB 81.57, 13.03, 6.55

 

CMYK 0 / 11 / 12 / 12

HEX #E1C8C6

RGB 225 200 198

HSL 4.44, 0.31%, 0.83%

LAB 82.59, 8.44, 4.2

 

CMYK 0 / 6 / 6 / 15

HEX #DACECD

RGB 218 206 205

HSL 4.62, 0.15%, 0.83%

LAB 83.68, 3.98, 1.98

 

CMYK 0 / 0 / 0 / 17

HEX #D3D4D4

RGB 211 212 212

HSL 180, 0.01%, 0.83%

LAB 84.84, -0.34, -0.13

 

CMYK 0 / 23 / 12 / 6

HEX #EFB8D3

RGB 239 184 211

HSL 330.55, 0.63%, 0.83%

LAB 80.37, 23.99, -5.88

 

CMYK 0 / 23 / 18 / 6

HEX #EFB8C4

RGB 239 184 196

HSL 346.91, 0.63%, 0.83%

LAB 79.96, 21.62, 1.62

 

CMYK 0 / 22 / 23 / 6

HEX #EFBBB8

RGB 239 187 184

HSL 3.27, 0.63%, 0.83%

LAB 80.38, 18.26, 8.69

 

CMYK 0 / 15 / 23 / 6

HEX #EFCAB8

RGB 239 202 184

HSL 19.64, 0.63%, 0.83%

LAB 83.99, 10.34, 13.83

 

CMYK 0 / 10 / 23 / 6

HEX #EFD8B8

RGB 239 216 184

HSL 34.91, 0.63%, 0.83%

LAB 87.45, 3.05, 18.68

 

CMYK 0 / 45 / 48 / 12

HEX #E07B75

RGB 224 123 117

HSL 3.36, 0.63%, 0.67%

LAB 62.76, 38.42, 20.77

 

CMYK 0 / 33 / 35 / 9

HEX #E79B97

RGB 231 155 151

HSL 3, 0.63%, 0.75%

LAB 71.33, 27.92, 13.74

 

CMYK 0 / 22 / 23 / 6

HEX #EFBBB8

RGB 239 187 184

HSL 3.27, 0.63%, 0.83%

LAB 80.38, 18.26, 8.69

 

CMYK 0 / 11 / 12 / 3

HEX #F7DCDA

RGB 247 220 218

HSL 4.14, 0.64%, 0.91%

LAB 89.87, 8.98, 4.37

 

CMYK 0 / 1 / 1 / 0

HEX #FEFCFC

RGB 254 252 252

HSL 0, 0.5%, 0.99%

LAB 99.11, 0.67, 0.22

 

CMYK 0 / 21 / 23 / 6

HEX #EFBCB9

RGB 239 188 185

HSL 3.33, 0.63%, 0.83%

LAB 80.64, 17.87, 8.53

 

CMYK 6 / 0 / 23 / 6

HEX #E1EFB8

RGB 225 239 184

HSL 75.27, 0.63%, 0.83%

LAB 92.22, -13.72, 25.12

 

CMYK 23 / 15 / 0 / 6

HEX #B8CBEF

RGB 184 203 239

HSL 219.27, 0.63%, 0.83%

LAB 81.37, 1.24, -19.89

 

CMYK 0 / 21 / 23 / 6

HEX #EFBCB9

RGB 239 188 185

HSL 3.33, 0.63%, 0.83%

LAB 80.64, 17.87, 8.53

 

CMYK 23 / 0 / 22 / 6

HEX #B8EFBB

RGB 184 239 187

HSL 123.27, 0.63%, 0.83%

LAB 89.63, -27.34, 19.58

 

CMYK 22 / 23 / 0 / 6

HEX #BBB8EF

RGB 187 184 239

HSL 243.27, 0.63%, 0.83%

LAB 76.73, 12.42, -26.93

 

CMYK 0 / 21 / 23 / 6

HEX #EFBCB9

RGB 239 188 185

HSL 3.33, 0.63%, 0.83%

LAB 80.64, 17.87, 8.53

 

CMYK 6 / 0 / 23 / 6

HEX #E1EFB8

RGB 225 239 184

HSL 75.27, 0.63%, 0.83%

LAB 92.22, -13.72, 25.12

 

CMYK 23 / 1 / 0 / 6

HEX #B8ECEF

RGB 184 236 239

HSL 183.27, 0.63%, 0.83%

LAB 90.05, -15.83, -6.89

 

CMYK 17 / 23 / 0 / 6

HEX #C6B8EF

RGB 198 184 239

HSL 255.27, 0.63%, 0.83%

LAB 77.59, 15.78, -25.53

 

CMYK 0 / 21 / 23 / 6

HEX #EFBCB9

RGB 239 188 185

HSL 3.33, 0.63%, 0.83%

LAB 80.64, 17.87, 8.53

 

CMYK 13 / 0 / 23 / 6

HEX #D1EFB8

RGB 209 239 184

HSL 92.73, 0.63%, 0.83%

LAB 91.12, -19.38, 23.43

 

CMYK 23 / 1 / 0 / 6

HEX #B8ECEF

RGB 184 236 239

HSL 183.27, 0.63%, 0.83%

LAB 90.05, -15.83, -6.89

 

CMYK 10 / 23 / 0 / 6

HEX #D6B8EF

RGB 214 184 239

HSL 272.73, 0.63%, 0.83%

LAB 78.93, 20.81, -23.36

 

Description

Color code: HEX #EFBCB9 | qconv.com Color code: HEX #EFBCB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 188 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 188 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 23 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 23% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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