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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFA5E5 it is the complementary color #105A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFA5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFA5E5 shade: #F4A5E0, #FFB7F3, #FFC9FF, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFA5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFA5E5 shade: #EFA5E5, #DE93D2, #CD81BF, #BC6FAC and #AB5D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFA5E5 shade: #EFA4E5, #EFA4D1, #EFA4BC, #EFA4A8 and #EFA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFA5E5 shade: #EFA4E5, #E5A4EF, #D1A4EF, #BCA4EF and #A8A4EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFA5E5 shade matches the following richer shades: #EFA4E5 and #F89BEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFA5E5 shade: #EFA4E5, #E6ADDE, #DEB5D8, #D5BED2 and #CCC7CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFA5E5 shade: #D1A4EF, #E5A4EF, #EFA4E5, #EFA4D1 and #EFA4BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFA5E5 shade: #E35ED1, #E981DB, #EFA4E5, #F5C7EF and #FBEAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFA5E5 shade: #EFA5E5, #EFBDA4 and #A4EFDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFA5E5 shade: #EFA5E5, #E5EFA4 and #A4E5EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFA5E5 shade: #EFA5E5, #EFBDA4, #A4EFAE and #A4D6EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFA5E5 shade: #EFA5E5, #EFD3A4, #A4EFAE and #A4BFEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 4 / 6

HEX #EFA5E5

RGB 239 165 229

HSL 308.11, 0.7%, 0.79%

LAB 76.63, 37.13, -21.23

 

Complementary color

CMYK 82 / 0 / 71 / 65

HEX #105A1A

RGB 16 90 26

HSL 128.11, 0.7%, 0.21%

LAB 32.91, -36.1, 29.77

 

CMYK 0 / 32 / 8 / 4

HEX #F4A5E0

RGB 244 165 224

HSL 315.19, 0.78%, 0.8%

LAB 77, 37.9, -17.91

 

CMYK 0 / 28 / 5 / 0

HEX #FFB7F3

RGB 255 183 243

HSL 310, 1%, 0.86%

LAB 82.7, 35.27, -19.43

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 31 / 4 / 6

HEX #EFA5E5

RGB 239 165 229

HSL 308.11, 0.7%, 0.79%

LAB 76.63, 37.13, -21.23

 

CMYK 0 / 34 / 5 / 13

HEX #DE93D2

RGB 222 147 210

HSL 309.6, 0.53%, 0.72%

LAB 70.21, 37.84, -20.75

 

CMYK 0 / 37 / 7 / 20

HEX #CD81BF

RGB 205 129 191

HSL 311.05, 0.43%, 0.65%

LAB 63.71, 38.58, -20.21

 

CMYK 0 / 41 / 9 / 26

HEX #BC6FAC

RGB 188 111 172

HSL 312.47, 0.36%, 0.59%

LAB 57.11, 39.34, -19.62

 

CMYK 0 / 46 / 11 / 33

HEX #AB5D99

RGB 171 93 153

HSL 313.85, 0.32%, 0.52%

LAB 50.44, 40.11, -18.93

 

CMYK 0 / 31 / 4 / 6

HEX #EFA4E5

RGB 239 164 229

HSL 308, 0.7%, 0.79%

LAB 76.41, 37.66, -21.57

 

CMYK 0 / 31 / 13 / 6

HEX #EFA4D1

RGB 239 164 209

HSL 324, 0.7%, 0.79%

LAB 75.76, 34.29, -11.64

 

CMYK 0 / 31 / 21 / 6

HEX #EFA4BC

RGB 239 164 188

HSL 340.8, 0.7%, 0.79%

LAB 75.16, 31.05, -1.03

 

CMYK 0 / 31 / 30 / 6

HEX #EFA4A8

RGB 239 164 168

HSL 356.8, 0.7%, 0.79%

LAB 74.65, 28.27, 9.21

 

CMYK 0 / 31 / 31 / 6

HEX #EFA4A4

RGB 239 164 164

HSL 0, 0.7%, 0.79%

LAB 74.56, 27.75, 11.27

 

CMYK 0 / 31 / 4 / 6

HEX #EFA4E5

RGB 239 164 229

HSL 308, 0.7%, 0.79%

LAB 76.41, 37.66, -21.57

 

CMYK 4 / 31 / 0 / 6

HEX #E5A4EF

RGB 229 164 239

HSL 292, 0.7%, 0.79%

LAB 75.72, 36.32, -28.14

 

CMYK 13 / 31 / 0 / 6

HEX #D1A4EF

RGB 209 164 239

HSL 276, 0.7%, 0.79%

LAB 73.76, 30.12, -31.32

 

CMYK 21 / 31 / 0 / 6

HEX #BCA4EF

RGB 188 164 239

HSL 259.2, 0.7%, 0.79%

LAB 71.88, 23.76, -34.39

 

CMYK 30 / 31 / 0 / 6

HEX #A8A4EF

RGB 168 164 239

HSL 243.2, 0.7%, 0.79%

LAB 70.25, 17.94, -37.04

 

CMYK 0 / 31 / 4 / 6

HEX #EFA4E5

RGB 239 164 229

HSL 308, 0.7%, 0.79%

LAB 76.41, 37.66, -21.57

 

CMYK 0 / 38 / 5 / 3

HEX #F89BEB

RGB 248 155 235

HSL 308.39, 0.87%, 0.79%

LAB 75.7, 46.23, -25.83

 

CMYK 0 / 31 / 4 / 6

HEX #EFA4E5

RGB 239 164 229

HSL 308, 0.7%, 0.79%

LAB 76.41, 37.66, -21.57

 

CMYK 0 / 25 / 3 / 10

HEX #E6ADDE

RGB 230 173 222

HSL 308.42, 0.53%, 0.79%

LAB 77.27, 28.69, -16.55

 

CMYK 0 / 18 / 3 / 13

HEX #DEB5D8

RGB 222 181 216

HSL 308.78, 0.38%, 0.79%

LAB 78.19, 20.63, -12

 

CMYK 0 / 11 / 1 / 16

HEX #D5BED2

RGB 213 190 210

HSL 307.83, 0.21%, 0.79%

LAB 79.4, 11.63, -7.04

 

CMYK 0 / 2 / 0 / 20

HEX #CCC7CC

RGB 204 199 204

HSL 300, 0.05%, 0.79%

LAB 80.76, 2.64, -1.89

 

CMYK 13 / 31 / 0 / 6

HEX #D1A4EF

RGB 209 164 239

HSL 276, 0.7%, 0.79%

LAB 73.76, 30.12, -31.32

 

CMYK 4 / 31 / 0 / 6

HEX #E5A4EF

RGB 229 164 239

HSL 292, 0.7%, 0.79%

LAB 75.72, 36.32, -28.14

 

CMYK 0 / 31 / 4 / 6

HEX #EFA4E5

RGB 239 164 229

HSL 308, 0.7%, 0.79%

LAB 76.41, 37.66, -21.57

 

CMYK 0 / 31 / 13 / 6

HEX #EFA4D1

RGB 239 164 209

HSL 324, 0.7%, 0.79%

LAB 75.76, 34.29, -11.64

 

CMYK 0 / 31 / 21 / 6

HEX #EFA4BD

RGB 239 164 189

HSL 340, 0.7%, 0.79%

LAB 75.19, 31.19, -1.54

 

CMYK 0 / 59 / 8 / 11

HEX #E35ED1

RGB 227 94 209

HSL 308.12, 0.7%, 0.63%

LAB 60.73, 65.19, -34.74

 

CMYK 0 / 45 / 6 / 9

HEX #E981DB

RGB 233 129 219

HSL 308.08, 0.7%, 0.71%

LAB 68.12, 52.13, -28.82

 

CMYK 0 / 31 / 4 / 6

HEX #EFA4E5

RGB 239 164 229

HSL 308, 0.7%, 0.79%

LAB 76.41, 37.66, -21.57

 

CMYK 0 / 19 / 2 / 4

HEX #F5C7EF

RGB 245 199 239

HSL 307.83, 0.7%, 0.87%

LAB 85.25, 22.86, -13.56

 

CMYK 0 / 7 / 1 / 2

HEX #FBEAF9

RGB 251 234 249

HSL 307.06, 0.68%, 0.95%

LAB 94.4, 8.33, -5.17

 

CMYK 0 / 31 / 4 / 6

HEX #EFA5E5

RGB 239 165 229

HSL 308.11, 0.7%, 0.79%

LAB 76.63, 37.13, -21.23

 

CMYK 0 / 21 / 31 / 6

HEX #EFBDA4

RGB 239 189 164

HSL 20, 0.7%, 0.79%

LAB 80.42, 14.5, 19.48

 

CMYK 31 / 0 / 8 / 6

HEX #A4EFDB

RGB 164 239 219

HSL 164, 0.7%, 0.79%

LAB 89.27, -27.32, 2.29

 

CMYK 0 / 31 / 4 / 6

HEX #EFA5E5

RGB 239 165 229

HSL 308.11, 0.7%, 0.79%

LAB 76.63, 37.13, -21.23

 

CMYK 4 / 0 / 31 / 6

HEX #E5EFA4

RGB 229 239 164

HSL 68, 0.7%, 0.79%

LAB 92.16, -14.95, 35.24

 

CMYK 31 / 4 / 0 / 6

HEX #A4E5EF

RGB 164 229 239

HSL 188, 0.7%, 0.79%

LAB 87.08, -17.99, -11.43

 

CMYK 0 / 31 / 4 / 6

HEX #EFA5E5

RGB 239 165 229

HSL 308.11, 0.7%, 0.79%

LAB 76.63, 37.13, -21.23

 

CMYK 0 / 21 / 31 / 6

HEX #EFBDA4

RGB 239 189 164

HSL 20, 0.7%, 0.79%

LAB 80.42, 14.5, 19.48

 

CMYK 31 / 0 / 27 / 6

HEX #A4EFAE

RGB 164 239 174

HSL 128, 0.7%, 0.79%

LAB 88.3, -35.9, 24.26

 

CMYK 31 / 10 / 0 / 6

HEX #A4D6EF

RGB 164 214 239

HSL 200, 0.7%, 0.79%

LAB 83.03, -10.35, -17.49

 

CMYK 0 / 31 / 4 / 6

HEX #EFA5E5

RGB 239 165 229

HSL 308.11, 0.7%, 0.79%

LAB 76.63, 37.13, -21.23

 

CMYK 0 / 12 / 31 / 6

HEX #EFD3A4

RGB 239 211 164

HSL 37.6, 0.7%, 0.79%

LAB 85.82, 2.99, 26.88

 

CMYK 31 / 0 / 27 / 6

HEX #A4EFAE

RGB 164 239 174

HSL 128, 0.7%, 0.79%

LAB 88.3, -35.9, 24.26

 

CMYK 31 / 20 / 0 / 6

HEX #A4BFEF

RGB 164 191 239

HSL 218.4, 0.7%, 0.79%

LAB 76.91, 1.85, -26.78

 

Description

Color code: HEX #EFA5E5 | qconv.com Color code: HEX #EFA5E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 165 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 165 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 4 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 4% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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