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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 20 / 0 / 6 it is the complementary color CMYK 0 / 30 / 83 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 20 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 20 / 0 / 6: CMYK 28 / 18 / 0 / 8, CMYK 26 / 17 / 0 / 0, CMYK 20 / 11 / 0 / 0, CMYK 13 / 4 / 0 / 0 and CMYK 7 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 20 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 20 / 0 / 6: CMYK 31 / 20 / 0 / 6, CMYK 33 / 21 / 0 / 13, CMYK 35 / 23 / 0 / 21, CMYK 38 / 25 / 0 / 28 and CMYK 41 / 27 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

Complementary color

CMYK 0 / 30 / 83 / 65

HEX #5A3F0F

RGB 90 63 15

HSL 38.4, 0.71%, 0.21%

LAB 28.81, 6.84, 32.21

 

CMYK 28 / 18 / 0 / 8

HEX #AAC0EB

RGB 170 192 235

HSL 219.69, 0.62%, 0.79%

LAB 77.43, 2.06, -23.81

 

CMYK 26 / 17 / 0 / 0

HEX #BBD2FE

RGB 187 210 254

HSL 219.4, 0.97%, 0.86%

LAB 83.87, 1.83, -24.05

 

CMYK 20 / 11 / 0 / 0

HEX #CCE4FF

RGB 204 228 255

HSL 211.76, 1%, 0.9%

LAB 89.65, -2.35, -15.73

 

CMYK 13 / 4 / 0 / 0

HEX #DDF6FF

RGB 221 246 255

HSL 195.88, 1%, 0.93%

LAB 95.37, -6.35, -7.09

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

CMYK 33 / 21 / 0 / 13

HEX #94AEDD

RGB 148 174 221

HSL 218.63, 0.52%, 0.72%

LAB 70.72, 2.13, -26.59

 

CMYK 35 / 23 / 0 / 21

HEX #839CCA

RGB 131 156 202

HSL 218.87, 0.4%, 0.65%

LAB 64.05, 2.45, -26.44

 

CMYK 38 / 25 / 0 / 28

HEX #728AB7

RGB 114 138 183

HSL 219.13, 0.32%, 0.58%

LAB 57.24, 2.83, -26.32

 

CMYK 41 / 27 / 0 / 36

HEX #6178A4

RGB 97 120 164

HSL 219.4, 0.27%, 0.51%

LAB 50.28, 3.27, -26.23

 

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

CMYK 32 / 26 / 0 / 6

HEX #A3B2EF

RGB 163 178 239

HSL 228.16, 0.7%, 0.79%

LAB 73.45, 8.7, -32.11

 

CMYK 32 / 31 / 0 / 6

HEX #A3A5EF

RGB 163 165 239

HSL 238.42, 0.7%, 0.79%

LAB 70.13, 15.96, -37.26

 

CMYK 28 / 32 / 0 / 6

HEX #ADA3EF

RGB 173 163 239

HSL 247.89, 0.7%, 0.79%

LAB 70.39, 19.93, -36.79

 

CMYK 22 / 32 / 0 / 6

HEX #BAA3EF

RGB 186 163 239

HSL 258.16, 0.7%, 0.79%

LAB 71.46, 23.72, -35.04

 

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

CMYK 31 / 19 / 0 / 86

HEX #191D24

RGB 25 29 36

HSL 218.18, 0.18%, 0.12%

LAB 10.65, 0.2, -5.39

 

CMYK 31 / 20 / 0 / 66

HEX #3C4657

RGB 60 70 87

HSL 217.78, 0.18%, 0.29%

LAB 29.49, 0.49, -11.44

 

CMYK 31 / 20 / 0 / 46

HEX #5F6E8A

RGB 95 110 138

HSL 219.07, 0.18%, 0.46%

LAB 46.2, 1.38, -17.21

 

CMYK 31 / 20 / 0 / 26

HEX #8297BD

RGB 130 151 189

HSL 218.64, 0.31%, 0.63%

LAB 62.13, 1.61, -22.11

 

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

CMYK 5 / 32 / 0 / 6

HEX #E2A3EF

RGB 226 163 239

HSL 289.74, 0.7%, 0.79%

LAB 75.2, 35.92, -28.97

 

CMYK 8 / 0 / 32 / 6

HEX #DDEFA3

RGB 221 239 163

HSL 74.21, 0.7%, 0.79%

LAB 91.57, -18.03, 34.86

 

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

CMYK 0 / 32 / 20 / 6

HEX #EFA3BF

RGB 239 163 191

HSL 337.89, 0.7%, 0.79%

LAB 75.02, 32.02, -2.88

 

CMYK 20 / 0 / 32 / 6

HEX #BFEFA3

RGB 191 239 163

HSL 97.89, 0.7%, 0.79%

LAB 89.61, -28.76, 31.89

 

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

CMYK 5 / 32 / 0 / 6

HEX #E2A3EF

RGB 226 163 239

HSL 289.74, 0.7%, 0.79%

LAB 75.2, 35.92, -28.97

 

CMYK 0 / 12 / 32 / 6

HEX #EFD3A3

RGB 239 211 163

HSL 37.89, 0.7%, 0.79%

LAB 85.8, 2.86, 27.38

 

CMYK 26 / 0 / 32 / 6

HEX #B0EFA3

RGB 176 239 163

HSL 109.74, 0.7%, 0.79%

LAB 88.74, -33.83, 30.58

 

CMYK 31 / 20 / 0 / 6

HEX #A5C0F0

RGB 165 192 240

HSL 218.4, 0.71%, 0.79%

LAB 77.27, 1.84, -26.76

 

CMYK 0 / 32 / 4 / 6

HEX #EFA3E5

RGB 239 163 229

HSL 307.89, 0.7%, 0.79%

LAB 76.19, 38.19, -21.9

 

CMYK 0 / 12 / 32 / 6

HEX #EFD3A3

RGB 239 211 163

HSL 37.89, 0.7%, 0.79%

LAB 85.8, 2.86, 27.38

 

CMYK 32 / 0 / 28 / 6

HEX #A3EFAD

RGB 163 239 173

HSL 127.89, 0.7%, 0.79%

LAB 88.23, -36.38, 24.67

 

Description

Color code: CMYK 31 / 20 / 0 / 6 | qconv.com Color code: CMYK 31 / 20 / 0 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 192 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 192 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 20 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 20% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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