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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9A93 it is the complementary color #10656C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9A93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EF9A93: #F49A8E, #FFACA1, #FFBEB4, #FFD0C7 and #FFE2DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9A93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EF9A93: #EF9A93, #DE8880, #CD766D, #BC645A and #AB5247

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

Complementary color

CMYK 85 / 6 / 0 / 58

HEX #10656C

RGB 16 101 108

HSL 184.57, 0.74%, 0.24%

LAB 38.73, -20.72, -10.78

 

CMYK 0 / 37 / 42 / 4

HEX #F49A8E

RGB 244 154 142

HSL 7.06, 0.82%, 0.76%

LAB 72.43, 32.32, 20.45

 

CMYK 0 / 33 / 37 / 0

HEX #FFACA1

RGB 255 172 161

HSL 7.02, 1%, 0.82%

LAB 78.07, 29.13, 18.1

 

CMYK 0 / 25 / 29 / 0

HEX #FFBEB4

RGB 255 190 180

HSL 8, 1%, 0.85%

LAB 82.58, 22.02, 14.19

 

CMYK 0 / 18 / 22 / 0

HEX #FFD0C7

RGB 255 208 199

HSL 9.64, 1%, 0.89%

LAB 87.24, 15.2, 10.7

 

CMYK 0 / 11 / 15 / 0

HEX #FFE2DA

RGB 255 226 218

HSL 12.97, 1%, 0.93%

LAB 92, 8.69, 7.54

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

SW® 6873

CMYK 0 / 39 / 42 / 13

HEX #DE8880

RGB 222 136 128

HSL 5.11, 0.59%, 0.69%

LAB 65.51, 31.97, 18.29

 

CMYK 0 / 42 / 47 / 20

HEX #CD766D

RGB 205 118 109

HSL 5.63, 0.49%, 0.62%

LAB 59.01, 33.05, 19.82

 

CMYK 0 / 47 / 52 / 26

HEX #BC645A

RGB 188 100 90

HSL 6.12, 0.42%, 0.55%

LAB 52.45, 34.23, 21.57

 

CMYK 0 / 52 / 58 / 33

HEX #AB5247

RGB 171 82 71

HSL 6.6, 0.41%, 0.47%

LAB 45.84, 35.5, 23.62

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

SW® 6873

CMYK 0 / 29 / 38 / 6

HEX #EFA994

RGB 239 169 148

HSL 13.85, 0.74%, 0.76%

LAB 75.37, 23.16, 21.12

 

CMYK 0 / 23 / 38 / 6

HEX #EFB894

RGB 239 184 148

HSL 23.74, 0.74%, 0.76%

LAB 78.91, 15.21, 25.95

 

CMYK 0 / 17 / 38 / 6

HEX #EFC794

RGB 239 199 148

HSL 33.63, 0.74%, 0.76%

LAB 82.56, 7.32, 30.84

 

CMYK 0 / 10 / 38 / 6

HEX #EFD694

RGB 239 214 148

HSL 43.52, 0.74%, 0.76%

LAB 86.3, -0.44, 35.77

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

SW® 6873

CMYK 0 / 34 / 37 / 86

HEX #231716

RGB 35 23 22

HSL 4.62, 0.23%, 0.11%

LAB 9.22, 5.88, 3.07

 

CMYK 0 / 36 / 38 / 66

HEX #563735

RGB 86 55 53

HSL 3.64, 0.24%, 0.27%

LAB 26.64, 13.57, 6.93

 

CMYK 0 / 36 / 39 / 46

HEX #895854

RGB 137 88 84

HSL 4.53, 0.24%, 0.43%

LAB 42.67, 19.73, 10.7

 

CMYK 0 / 36 / 38 / 26

HEX #BC7974

RGB 188 121 116

HSL 4.17, 0.35%, 0.6%

LAB 57.68, 25.58, 13.63

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

SW® 6873

CMYK 10 / 0 / 38 / 6

HEX #D6EF94

RGB 214 239 148

HSL 76.48, 0.74%, 0.76%

LAB 90.86, -22.47, 41.31

 

CMYK 38 / 26 / 0 / 6

HEX #94B2EF

RGB 148 178 239

HSL 220.22, 0.74%, 0.76%

LAB 72.47, 4.59, -33.7

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

SW® 6873

CMYK 38 / 0 / 36 / 6

HEX #94EF9A

RGB 148 239 154

HSL 123.96, 0.74%, 0.76%

LAB 87.17, -44.04, 32.79

 

CMYK 36 / 38 / 0 / 6

HEX #9A94EF

RGB 154 148 239

HSL 243.96, 0.74%, 0.76%

LAB 65.19, 23.18, -45.04

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

SW® 6873

CMYK 10 / 0 / 38 / 6

HEX #D6EF94

RGB 214 239 148

HSL 76.48, 0.74%, 0.76%

LAB 90.86, -22.47, 41.31

 

CMYK 38 / 3 / 0 / 6

HEX #94E9EF

RGB 148 233 239

HSL 183.96, 0.74%, 0.76%

LAB 87.39, -24.17, -11.04

 

CMYK 28 / 38 / 0 / 6

HEX #AC94EF

RGB 172 148 239

HSL 255.82, 0.74%, 0.76%

LAB 66.66, 28.09, -42.62

 

CMYK 0 / 36 / 38 / 6

HEX #EF9A93

RGB 239 154 147

HSL 4.57, 0.74%, 0.76%

LAB 71.94, 30.99, 16.94

SW® 6873

CMYK 22 / 0 / 38 / 6

HEX #BBEF94

RGB 187 239 148

HSL 94.29, 0.74%, 0.76%

LAB 89.13, -32.22, 38.74

 

CMYK 38 / 3 / 0 / 6

HEX #94E9EF

RGB 148 233 239

HSL 183.96, 0.74%, 0.76%

LAB 87.39, -24.17, -11.04

 

CMYK 17 / 38 / 0 / 6

HEX #C794EF

RGB 199 148 239

HSL 273.63, 0.74%, 0.76%

LAB 69.15, 35.85, -38.55

 

Description

Color code: HEX #EF9A93 | qconv.com Color code: HEX #EF9A93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 154 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 154 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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