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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF72A7 it is the complementary color #108D58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF72A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF72A7 shade: #F472A2, #FF84B5, #FF96C8, #FFA8DB and #FFBAEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF72A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF72A7 shade: #EF72A7, #DE6094, #CD4E81, #BC3C6E and #AB2A5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF72A7 shade: #EF71A6, #EF7184 and #EF7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF72A7 shade: #EF71A6, #EF71C8, #EF71EB, #D271EF and #B071EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF72A7 shade matches the following richer shades: #EF71A6 and #FC64A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF72A7 shade: #EF71A6, #E27EA8, #D68AAA, #C997AC and #BCA4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF72A7 shade: #EF71EB, #EF71C9, #EF71A8, #EF7186 and #EF7D71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF72A7 shade: #E72678, #EB4C8F, #EF71A6, #F396BD and #F7BBD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF72A7 shade: #EF72A7, #EFD271 and #71DAEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF72A7 shade: #EF72A7, #A8EF71 and #71A8EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF72A7 shade: #EF72A7, #EFD271, #71EFB8 and #718EEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF72A7 shade: #EF72A7, #E7EF71, #71EFB8 and #7971EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 30 / 6

HEX #EF72A7

RGB 239 114 167

HSL 334.56, 0.8%, 0.69%

LAB 64.3, 53.66, -5.26

 

Complementary color

CMYK 89 / 0 / 38 / 45

HEX #108D58

RGB 16 141 88

HSL 154.56, 0.8%, 0.31%

LAB 51.68, -44.44, 19.6

 

CMYK 0 / 53 / 34 / 4

HEX #F472A2

RGB 244 114 162

HSL 337.85, 0.86%, 0.7%

LAB 64.86, 54.66, -1.51

 

CMYK 0 / 48 / 29 / 0

HEX #FF84B5

RGB 255 132 181

HSL 336.1, 1%, 0.76%

LAB 70.25, 51.94, -4.15

 

CMYK 0 / 41 / 22 / 0

HEX #FF96C8

RGB 255 150 200

HSL 331.43, 1%, 0.79%

LAB 74.34, 45.54, -8.62

 

CMYK 0 / 34 / 14 / 0

HEX #FFA8DB

RGB 255 168 219

HSL 324.83, 1%, 0.83%

LAB 78.68, 39.14, -12.54

 

CMYK 0 / 27 / 7 / 0

HEX #FFBAEE

RGB 255 186 238

HSL 314.78, 1%, 0.86%

LAB 83.21, 32.84, -15.99

 

CMYK 0 / 52 / 30 / 6

HEX #EF72A7

RGB 239 114 167

HSL 334.56, 0.8%, 0.69%

LAB 64.3, 53.66, -5.26

 

CMYK 0 / 57 / 33 / 13

HEX #DE6094

RGB 222 96 148

HSL 335.24, 0.66%, 0.62%

LAB 58.07, 54.34, -3.8

 

CMYK 0 / 62 / 37 / 20

HEX #CD4E81

RGB 205 78 129

HSL 335.91, 0.56%, 0.55%

LAB 51.85, 54.88, -2.04

 

CMYK 0 / 68 / 41 / 26

HEX #BC3C6E

RGB 188 60 110

HSL 336.56, 0.52%, 0.49%

LAB 45.7, 55.13, 0.12

 

CMYK 0 / 75 / 47 / 33

HEX #AB2A5B

RGB 171 42 91

HSL 337.21, 0.61%, 0.42%

LAB 39.7, 54.88, 2.86

 

CMYK 0 / 53 / 31 / 6

HEX #EF71A6

RGB 239 113 166

HSL 334.76, 0.8%, 0.69%

LAB 64.09, 54.01, -5.01

 

CMYK 0 / 53 / 45 / 6

HEX #EF7184

RGB 239 113 132

HSL 350.95, 0.8%, 0.69%

LAB 63.2, 50.24, 13.17

 

CMYK 0 / 53 / 53 / 6

HEX #EF7171

RGB 239 113 113

HSL 0, 0.8%, 0.69%

LAB 62.8, 48.52, 23.46

 

CMYK 0 / 53 / 31 / 6

HEX #EF71A6

RGB 239 113 166

HSL 334.76, 0.8%, 0.69%

LAB 64.09, 54.01, -5.01

 

CMYK 0 / 53 / 16 / 6

HEX #EF71C8

RGB 239 113 200

HSL 318.57, 0.8%, 0.69%

LAB 65.22, 58.64, -22.58

 

CMYK 0 / 53 / 2 / 6

HEX #EF71EB

RGB 239 113 235

HSL 301.9, 0.8%, 0.69%

LAB 66.64, 64.19, -39.92

 

CMYK 12 / 53 / 0 / 6

HEX #D271EF

RGB 210 113 239

HSL 286.19, 0.8%, 0.69%

LAB 63.13, 57.27, -47.91

 

CMYK 26 / 53 / 0 / 6

HEX #B071EF

RGB 176 113 239

HSL 270, 0.8%, 0.69%

LAB 59.23, 48.53, -54.35

 

CMYK 0 / 53 / 31 / 6

HEX #EF71A6

RGB 239 113 166

HSL 334.76, 0.8%, 0.69%

LAB 64.09, 54.01, -5.01

 

CMYK 0 / 60 / 35 / 1

HEX #FC64A4

RGB 252 100 164

HSL 334.74, 0.96%, 0.69%

LAB 63.75, 63.64, -4.16

 

CMYK 0 / 53 / 31 / 6

HEX #EF71A6

RGB 239 113 166

HSL 334.76, 0.8%, 0.69%

LAB 64.09, 54.01, -5.01

 

CMYK 0 / 44 / 26 / 11

HEX #E27EA8

RGB 226 126 168

HSL 334.8, 0.63%, 0.69%

LAB 64.9, 43.56, -5.15

 

CMYK 0 / 36 / 21 / 16

HEX #D68AAA

RGB 214 138 170

HSL 334.74, 0.48%, 0.69%

LAB 66.04, 33.39, -4.76

 

CMYK 0 / 25 / 14 / 21

HEX #C997AC

RGB 201 151 172

HSL 334.8, 0.32%, 0.69%

LAB 67.67, 21.99, -3.63

 

CMYK 0 / 13 / 7 / 26

HEX #BCA4AE

RGB 188 164 174

HSL 335, 0.15%, 0.69%

LAB 69.68, 10.47, -1.94

 

CMYK 0 / 53 / 2 / 6

HEX #EF71EB

RGB 239 113 235

HSL 301.9, 0.8%, 0.69%

LAB 66.64, 64.19, -39.92

 

CMYK 0 / 53 / 16 / 6

HEX #EF71C9

RGB 239 113 201

HSL 318.1, 0.8%, 0.69%

LAB 65.26, 58.79, -23.09

 

CMYK 0 / 53 / 30 / 6

HEX #EF71A8

RGB 239 113 168

HSL 333.81, 0.8%, 0.69%

LAB 64.15, 54.26, -6.06

 

CMYK 0 / 53 / 44 / 6

HEX #EF7186

RGB 239 113 134

HSL 350, 0.8%, 0.69%

LAB 63.25, 50.43, 12.08

 

CMYK 0 / 48 / 53 / 6

HEX #EF7D71

RGB 239 125 113

HSL 5.71, 0.8%, 0.69%

LAB 65.13, 42.62, 26.56

 

CMYK 0 / 84 / 48 / 9

HEX #E72678

RGB 231 38 120

HSL 334.51, 0.8%, 0.53%

LAB 51.53, 74.12, 3.46

 

CMYK 0 / 68 / 39 / 8

HEX #EB4C8F

RGB 235 76 143

HSL 334.72, 0.8%, 0.61%

LAB 56.89, 66.04, -2.37

 

CMYK 0 / 53 / 31 / 6

HEX #EF71A6

RGB 239 113 166

HSL 334.76, 0.8%, 0.69%

LAB 64.09, 54.01, -5.01

 

CMYK 0 / 38 / 22 / 5

HEX #F396BD

RGB 243 150 189

HSL 334.84, 0.79%, 0.77%

LAB 72.59, 39.93, -5.31

 

CMYK 0 / 24 / 14 / 3

HEX #F7BBD5

RGB 247 187 213

HSL 334, 0.79%, 0.85%

LAB 81.9, 25.5, -4.6

 

CMYK 0 / 52 / 30 / 6

HEX #EF72A7

RGB 239 114 167

HSL 334.56, 0.8%, 0.69%

LAB 64.3, 53.66, -5.26

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 53 / 9 / 0 / 6

HEX #71DAEF

RGB 113 218 239

HSL 190, 0.8%, 0.69%

LAB 81.78, -24.77, -19.62

 

CMYK 0 / 52 / 30 / 6

HEX #EF72A7

RGB 239 114 167

HSL 334.56, 0.8%, 0.69%

LAB 64.3, 53.66, -5.26

 

CMYK 30 / 0 / 53 / 6

HEX #A8EF71

RGB 168 239 113

HSL 93.81, 0.8%, 0.69%

LAB 87.61, -42.96, 53.39

 

CMYK 53 / 30 / 0 / 6

HEX #71A8EF

RGB 113 168 239

HSL 213.81, 0.8%, 0.69%

LAB 67.83, 1.72, -41.07

 

CMYK 0 / 52 / 30 / 6

HEX #EF72A7

RGB 239 114 167

HSL 334.56, 0.8%, 0.69%

LAB 64.3, 53.66, -5.26

 

CMYK 0 / 12 / 53 / 6

HEX #EFD271

RGB 239 210 113

HSL 46.19, 0.8%, 0.69%

LAB 84.81, -1.77, 51.27

 

CMYK 53 / 0 / 23 / 6

HEX #71EFB8

RGB 113 239 184

HSL 153.81, 0.8%, 0.69%

LAB 86.36, -47.7, 16.08

 

CMYK 53 / 41 / 0 / 6

HEX #718EEF

RGB 113 142 239

HSL 226.19, 0.8%, 0.69%

LAB 60.86, 16.77, -52.06

 

CMYK 0 / 52 / 30 / 6

HEX #EF72A7

RGB 239 114 167

HSL 334.56, 0.8%, 0.69%

LAB 64.3, 53.66, -5.26

 

CMYK 3 / 0 / 53 / 6

HEX #E7EF71

RGB 231 239 113

HSL 63.81, 0.8%, 0.69%

LAB 91.65, -19.44, 59.13

 

CMYK 53 / 0 / 23 / 6

HEX #71EFB8

RGB 113 239 184

HSL 153.81, 0.8%, 0.69%

LAB 86.36, -47.7, 16.08

 

CMYK 49 / 53 / 0 / 6

HEX #7971EF

RGB 121 113 239

HSL 243.81, 0.8%, 0.69%

LAB 54.14, 35.7, -62.77

 

Description

Color code: HEX #EF72A7 | qconv.com Color code: HEX #EF72A7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 114 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 114 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 30% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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