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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 57 / 33 / 13 it is the complementary color CMYK 79 / 0 / 34 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 57 / 33 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 57 / 33 / 13: CMYK 0 / 58 / 37 / 11, CMYK 0 / 54 / 33 / 4, CMYK 0 / 49 / 29 / 0, CMYK 0 / 42 / 21 / 0 and CMYK 0 / 35 / 14 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 57 / 33 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 57 / 33 / 13: CMYK 0 / 57 / 33 / 13, CMYK 0 / 62 / 37 / 20, CMYK 0 / 69 / 41 / 26, CMYK 0 / 76 / 46 / 33 and CMYK 0 / 85 / 53 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

Complementary color

CMYK 79 / 0 / 34 / 37

HEX #21A06A

RGB 33 160 106

HSL 154.49, 0.66%, 0.38%

LAB 58.51, -46.26, 18.87

 

CMYK 0 / 58 / 37 / 11

HEX #E35F90

RGB 227 95 144

HSL 337.73, 0.7%, 0.63%

LAB 58.54, 55.92, -0.69

 

CMYK 0 / 54 / 33 / 4

HEX #F471A3

RGB 244 113 163

HSL 337.1, 0.86%, 0.7%

LAB 64.71, 55.25, -2.3

 

CMYK 0 / 49 / 29 / 0

HEX #FF83B6

RGB 255 131 182

HSL 335.32, 1%, 0.76%

LAB 70.08, 52.55, -4.95

 

CMYK 0 / 42 / 21 / 0

HEX #FF95C9

RGB 255 149 201

HSL 330.57, 1%, 0.79%

LAB 74.17, 46.19, -9.43

 

CMYK 0 / 35 / 14 / 0

HEX #FFA7DC

RGB 255 167 220

HSL 323.86, 1%, 0.83%

LAB 78.5, 39.82, -13.36

 

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

CMYK 0 / 62 / 37 / 20

HEX #CD4D82

RGB 205 77 130

HSL 335.16, 0.56%, 0.55%

LAB 51.72, 55.42, -2.83

 

CMYK 0 / 69 / 41 / 26

HEX #BC3B6F

RGB 188 59 111

HSL 335.81, 0.52%, 0.48%

LAB 45.59, 55.62, -0.66

 

CMYK 0 / 76 / 46 / 33

HEX #AB295C

RGB 171 41 92

HSL 336.46, 0.61%, 0.42%

LAB 39.61, 55.3, 2.1

 

CMYK 0 / 85 / 53 / 40

HEX #9A1749

RGB 154 23 73

HSL 337.1, 0.74%, 0.35%

LAB 33.91, 54.09, 5.7

 

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

CMYK 0 / 58 / 42 / 13

HEX #DE5E80

RGB 222 94 128

HSL 344.06, 0.66%, 0.62%

LAB 57.17, 53.04, 6.59

 

CMYK 0 / 58 / 52 / 13

HEX #DE5E6A

RGB 222 94 106

HSL 354.38, 0.66%, 0.62%

LAB 56.66, 51, 18.77

 

CMYK 0 / 54 / 58 / 13

HEX #DE665E

RGB 222 102 94

HSL 3.75, 0.66%, 0.62%

LAB 57.89, 46.27, 27.33

 

CMYK 0 / 45 / 58 / 13

HEX #DE7B5E

RGB 222 123 94

HSL 13.59, 0.66%, 0.62%

LAB 62.09, 35.69, 32.71

 

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

CMYK 0 / 56 / 33 / 93

HEX #12080C

RGB 18 8 12

HSL 336, 0.38%, 0.05%

LAB 2.97, 3.69, -0.46

 

CMYK 0 / 57 / 33 / 73

HEX #451E2E

RGB 69 30 46

HSL 335.38, 0.39%, 0.19%

LAB 17.42, 20.89, -1.88

 

CMYK 0 / 58 / 33 / 53

HEX #783351

RGB 120 51 81

HSL 333.91, 0.4%, 0.34%

LAB 31.7, 33.64, -3.49

 

CMYK 0 / 57 / 33 / 33

HEX #AB4973

RGB 171 73 115

HSL 334.29, 0.4%, 0.48%

LAB 45.17, 44.61, -4.05

 

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

CMYK 0 / 14 / 58 / 13

HEX #DEC05E

RGB 222 192 94

HSL 45.94, 0.66%, 0.62%

LAB 78.48, -0.97, 52.47

 

CMYK 58 / 10 / 0 / 13

HEX #5EC8DE

RGB 94 200 222

HSL 190.31, 0.66%, 0.62%

LAB 75.43, -24.28, -20.19

 

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

CMYK 33 / 0 / 58 / 13

HEX #95DE5E

RGB 149 222 94

HSL 94.22, 0.66%, 0.62%

LAB 81.53, -44.04, 54.61

 

CMYK 58 / 33 / 0 / 13

HEX #5E95DE

RGB 94 149 222

HSL 214.22, 0.66%, 0.62%

LAB 60.91, 3.33, -42.62

 

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

CMYK 0 / 14 / 58 / 13

HEX #DEC05E

RGB 222 192 94

HSL 45.94, 0.66%, 0.62%

LAB 78.48, -0.97, 52.47

 

CMYK 58 / 0 / 25 / 13

HEX #5EDEA6

RGB 94 222 166

HSL 153.75, 0.66%, 0.62%

LAB 80.39, -48.36, 17.03

 

CMYK 58 / 45 / 0 / 13

HEX #5E7BDE

RGB 94 123 222

HSL 226.41, 0.66%, 0.62%

LAB 53.83, 18.85, -53.84

 

CMYK 0 / 57 / 33 / 13

HEX #DE5F95

RGB 222 95 149

HSL 334.49, 0.66%, 0.62%

LAB 57.93, 54.92, -4.59

 

CMYK 4 / 0 / 58 / 13

HEX #D5DE5E

RGB 213 222 94

HSL 64.22, 0.66%, 0.62%

LAB 85.6, -19.82, 60.31

 

CMYK 58 / 0 / 25 / 13

HEX #5EDEA6

RGB 94 222 166

HSL 153.75, 0.66%, 0.62%

LAB 80.39, -48.36, 17.03

 

CMYK 54 / 58 / 0 / 13

HEX #665EDE

RGB 102 94 222

HSL 243.75, 0.66%, 0.62%

LAB 47.11, 38.04, -64.64

 

Description

Color code: CMYK 0 / 57 / 33 / 13 | qconv.com Color code: CMYK 0 / 57 / 33 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 95 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 95 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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