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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF3ECE it is the complementary color #10C131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF3ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF3ECE shade: #F43EC9, #FF50DC, #FF62EF, #FF74FF and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF3ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF3ECE shade: #EF3ECE, #DE2CBB, #CD1AA8, #BC0895 and #AB0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF3ECE shade: #EF3DCE, #EF3D9E, #EF3D6E, #EF3D3E and #EF3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF3ECE shade: #EF3DCE, #E03DEF, #B03DEF, #803DEF and #503DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF3ECE shade matches the following richer shades: #EF3DCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF3ECE shade: #EF3DCE, #DE4EC3, #CD5FB8, #BC70AE and #AB81A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF3ECE shade: #B13DEF, #E03DEF, #EF3DCE, #EF3D9F and #EF3D6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF3ECE shade: #CA10A7, #EC17C4, #EF3DCE, #F263D7 and #F589E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF3ECE shade: #EF3ECE, #EF813D and #3DEFC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF3ECE shade: #EF3ECE, #CEEF3D and #3DCEEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF3ECE shade: #EF3ECE, #EF813D, #3DEF5E and #3DABEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF3ECE shade: #EF3ECE, #EFB73D, #3DEF5E and #3D75EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 14 / 6

HEX #EF3ECE

RGB 239 62 206

HSL 311.19, 0.85%, 0.59%

LAB 58.28, 79.29, -36.73

 

Complementary color

CMYK 92 / 0 / 75 / 24

HEX #10C131

RGB 16 193 49

HSL 131.19, 0.85%, 0.41%

LAB 68.37, -67.06, 57.43

 

CMYK 0 / 75 / 18 / 4

HEX #F43EC9

RGB 244 62 201

HSL 314.18, 0.89%, 0.6%

LAB 58.88, 79.73, -32.87

 

CMYK 0 / 69 / 14 / 0

HEX #FF50DC

RGB 255 80 220

HSL 312, 1%, 0.66%

LAB 63.48, 79.13, -36.33

 

CMYK 0 / 62 / 6 / 0

HEX #FF62EF

RGB 255 98 239

HSL 306.11, 1%, 0.69%

LAB 66.69, 75.29, -41.89

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 74 / 14 / 6

HEX #EF3ECE

RGB 239 62 206

HSL 311.19, 0.85%, 0.59%

LAB 58.28, 79.29, -36.73

 

CMYK 0 / 80 / 16 / 13

HEX #DE2CBB

RGB 222 44 187

HSL 311.8, 0.73%, 0.52%

LAB 52.86, 77.86, -34.48

 

CMYK 0 / 87 / 18 / 20

HEX #CD1AA8

RGB 205 26 168

HSL 312.4, 0.77%, 0.45%

LAB 47.68, 75.56, -31.66

 

CMYK 0 / 96 / 21 / 26

HEX #BC0895

RGB 188 8 149

HSL 313, 0.92%, 0.38%

LAB 42.82, 72.1, -28.1

 

CMYK 0 / 100 / 24 / 33

HEX #AB0082

RGB 171 0 130

HSL 314.39, 1%, 0.34%

LAB 38.32, 67.28, -23.71

 

CMYK 0 / 74 / 14 / 6

HEX #EF3DCE

RGB 239 61 206

HSL 311.12, 0.85%, 0.59%

LAB 58.17, 79.58, -36.89

 

CMYK 0 / 74 / 34 / 6

HEX #EF3D9E

RGB 239 61 158

HSL 327.3, 0.85%, 0.59%

LAB 56.24, 73.73, -12.08

 

CMYK 0 / 74 / 54 / 6

HEX #EF3D6E

RGB 239 61 110

HSL 343.48, 0.85%, 0.59%

LAB 54.88, 69.43, 14.42

 

CMYK 0 / 74 / 74 / 6

HEX #EF3D3E

RGB 239 61 62

HSL 359.66, 0.85%, 0.59%

LAB 54.07, 66.77, 41.45

 

CMYK 0 / 74 / 74 / 6

HEX #EF3D3D

RGB 239 61 61

HSL 0, 0.85%, 0.59%

LAB 54.05, 66.73, 41.99

 

CMYK 0 / 74 / 14 / 6

HEX #EF3DCE

RGB 239 61 206

HSL 311.12, 0.85%, 0.59%

LAB 58.17, 79.58, -36.89

 

CMYK 6 / 74 / 0 / 6

HEX #E03DEF

RGB 224 61 239

HSL 294.94, 0.85%, 0.59%

LAB 57.48, 81.42, -56.77

 

CMYK 26 / 74 / 0 / 6

HEX #B03DEF

RGB 176 61 239

HSL 278.76, 0.85%, 0.59%

LAB 50.45, 72.47, -68.45

 

CMYK 46 / 74 / 0 / 6

HEX #803DEF

RGB 128 61 239

HSL 262.58, 0.85%, 0.59%

LAB 44.46, 64.6, -78.47

 

CMYK 67 / 74 / 0 / 6

HEX #503DEF

RGB 80 61 239

HSL 246.4, 0.85%, 0.59%

LAB 40.04, 58.58, -85.9

 

CMYK 0 / 74 / 14 / 6

HEX #EF3DCE

RGB 239 61 206

HSL 311.12, 0.85%, 0.59%

LAB 58.17, 79.58, -36.89

 

CMYK 0 / 74 / 14 / 6

HEX #EF3DCE

RGB 239 61 206

HSL 311.12, 0.85%, 0.59%

LAB 58.17, 79.58, -36.89

 

CMYK 0 / 65 / 12 / 13

HEX #DE4EC3

RGB 222 78 195

HSL 311.25, 0.69%, 0.59%

LAB 57, 68.3, -32.64

 

CMYK 0 / 54 / 10 / 20

HEX #CD5FB8

RGB 205 95 184

HSL 311.45, 0.52%, 0.59%

LAB 56.71, 54.69, -26.96

 

CMYK 0 / 40 / 7 / 26

HEX #BC70AE

RGB 188 112 174

HSL 311.05, 0.36%, 0.59%

LAB 57.4, 39.15, -20.33

 

CMYK 0 / 25 / 5 / 33

HEX #AB81A3

RGB 171 129 163

HSL 311.43, 0.2%, 0.59%

LAB 58.98, 21.94, -11.81

 

CMYK 26 / 74 / 0 / 6

HEX #B13DEF

RGB 177 61 239

HSL 279.1, 0.85%, 0.59%

LAB 50.59, 72.65, -68.22

 

CMYK 6 / 74 / 0 / 6

HEX #E03DEF

RGB 224 61 239

HSL 294.94, 0.85%, 0.59%

LAB 57.48, 81.42, -56.77

 

CMYK 0 / 74 / 14 / 6

HEX #EF3DCE

RGB 239 61 206

HSL 311.12, 0.85%, 0.59%

LAB 58.17, 79.58, -36.89

 

CMYK 0 / 74 / 33 / 6

HEX #EF3D9F

RGB 239 61 159

HSL 326.97, 0.85%, 0.59%

LAB 56.28, 73.84, -12.61

 

CMYK 0 / 74 / 54 / 6

HEX #EF3D6F

RGB 239 61 111

HSL 343.15, 0.85%, 0.59%

LAB 54.9, 69.5, 13.86

 

CMYK 0 / 92 / 17 / 21

HEX #CA10A7

RGB 202 16 167

HSL 311.29, 0.85%, 0.43%

LAB 46.6, 76.25, -32.79

 

CMYK 0 / 90 / 17 / 7

HEX #EC17C4

RGB 236 23 196

HSL 311.27, 0.85%, 0.51%

LAB 54.48, 85.5, -36.98

 

CMYK 0 / 74 / 14 / 6

HEX #EF3DCE

RGB 239 61 206

HSL 311.12, 0.85%, 0.59%

LAB 58.17, 79.58, -36.89

 

CMYK 0 / 59 / 11 / 5

HEX #F263D7

RGB 242 99 215

HSL 311.33, 0.85%, 0.67%

LAB 63.92, 67.94, -32.98

 

CMYK 0 / 44 / 8 / 4

HEX #F589E1

RGB 245 137 225

HSL 311.11, 0.84%, 0.75%

LAB 71.38, 52.75, -27

 

CMYK 0 / 74 / 14 / 6

HEX #EF3ECE

RGB 239 62 206

HSL 311.19, 0.85%, 0.59%

LAB 58.28, 79.29, -36.73

 

CMYK 0 / 46 / 74 / 6

HEX #EF813D

RGB 239 129 61

HSL 22.92, 0.85%, 0.59%

LAB 65.27, 37.34, 53.92

 

CMYK 74 / 0 / 16 / 6

HEX #3DEFC8

RGB 61 239 200

HSL 166.85, 0.85%, 0.59%

LAB 85.45, -52.81, 6.27

 

CMYK 0 / 74 / 14 / 6

HEX #EF3ECE

RGB 239 62 206

HSL 311.19, 0.85%, 0.59%

LAB 58.28, 79.29, -36.73

 

CMYK 14 / 0 / 74 / 6

HEX #CEEF3D

RGB 206 239 61

HSL 71.12, 0.85%, 0.59%

LAB 89.48, -32.62, 76.51

 

CMYK 74 / 14 / 0 / 6

HEX #3DCEEF

RGB 61 206 239

HSL 191.12, 0.85%, 0.59%

LAB 76.9, -27.07, -27.17

 

CMYK 0 / 74 / 14 / 6

HEX #EF3ECE

RGB 239 62 206

HSL 311.19, 0.85%, 0.59%

LAB 58.28, 79.29, -36.73

 

CMYK 0 / 46 / 74 / 6

HEX #EF813D

RGB 239 129 61

HSL 22.92, 0.85%, 0.59%

LAB 65.27, 37.34, 53.92

 

CMYK 74 / 0 / 61 / 6

HEX #3DEF5E

RGB 61 239 94

HSL 131.12, 0.85%, 0.59%

LAB 83.72, -72.1, 56.35

 

CMYK 74 / 28 / 0 / 6

HEX #3DABEF

RGB 61 171 239

HSL 202.92, 0.85%, 0.59%

LAB 66.79, -8.76, -42.84

 

CMYK 0 / 74 / 14 / 6

HEX #EF3ECE

RGB 239 62 206

HSL 311.19, 0.85%, 0.59%

LAB 58.28, 79.29, -36.73

 

CMYK 0 / 23 / 74 / 6

HEX #EFB73D

RGB 239 183 61

HSL 41.12, 0.85%, 0.59%

LAB 77.61, 9.01, 66.19

 

CMYK 74 / 0 / 61 / 6

HEX #3DEF5E

RGB 61 239 94

HSL 131.12, 0.85%, 0.59%

LAB 83.72, -72.1, 56.35

 

CMYK 74 / 51 / 0 / 6

HEX #3D75EF

RGB 61 117 239

HSL 221.12, 0.85%, 0.59%

LAB 51.78, 23.3, -66.76

 

Description

Color code: HEX #EF3ECE | qconv.com Color code: HEX #EF3ECE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 62 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 62 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 14 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 14% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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