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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF2D54 it is the complementary color #10D2AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF2D54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF2D54 shade: #F42D4F, #FF3F62, #FF5175, #FF6388 and #FF759B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF2D54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF2D54 shade: #EF2D54, #DE1B41, #CD092E, #BC001B and #AB0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF2D54 shade: #EF2E55 and #EF2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF2D54 shade: #EF2E55, #EF2E89, #EF2EBD, #ED2EEF and #B92EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF2D54 shade matches the following richer shades: #EF2E55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF2D54 shade: #EF2E55, #DD405F, #CA526A, #B86475 and #A67680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF2D54 shade: #EF2EBF, #EF2E8B, #EF2E58, #EF372E and #EF6B2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF2D54 shade: #BC0E31, #E3113B, #EF2E55, #F25474 and #F57B93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF2D54 shade: #EF2D54, #EFEC2E and #2EA5EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF2D54 shade: #EF2D54, #58EF2E and #2E58EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF2D54 shade: #EF2D54, #EFEC2E, #2EEFC5 and #2E31EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF2D54 shade: #EF2D54, #B8EF2E, #2EEFC5 and #642EEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 65 / 6

HEX #EF2D54

RGB 239 45 84

HSL 347.94, 0.86%, 0.56%

LAB 52.8, 72.21, 27.19

 

Complementary color

CMYK 92 / 0 / 19 / 18

HEX #10D2AB

RGB 16 210 171

HSL 167.94, 0.86%, 0.44%

LAB 75.54, -51.84, 7.32

 

CMYK 0 / 82 / 68 / 4

HEX #F42D4F

RGB 244 45 79

HSL 349.75, 0.9%, 0.57%

LAB 53.68, 73.28, 31.46

 

CMYK 0 / 75 / 62 / 0

HEX #FF3F62

RGB 255 63 98

HSL 349.06, 1%, 0.62%

LAB 57.75, 72.46, 25.89

 

CMYK 0 / 68 / 54 / 0

HEX #FF5175

RGB 255 81 117

HSL 347.59, 1%, 0.66%

LAB 60.27, 67.72, 18.16

 

CMYK 0 / 61 / 47 / 0

HEX #FF6388

RGB 255 99 136

HSL 345.77, 1%, 0.69%

LAB 63.31, 62.16, 11.37

 

CMYK 0 / 54 / 39 / 0

HEX #FF759B

RGB 255 117 155

HSL 343.48, 1%, 0.73%

LAB 66.79, 56.04, 5.46

 

CMYK 0 / 81 / 65 / 6

HEX #EF2D54

RGB 239 45 84

HSL 347.94, 0.86%, 0.56%

LAB 52.8, 72.21, 27.19

 

CMYK 0 / 88 / 71 / 13

HEX #DE1B41

RGB 222 27 65

HSL 348.31, 0.78%, 0.49%

LAB 47.87, 70.59, 31.7

 

CMYK 0 / 96 / 78 / 20

HEX #CD092E

RGB 205 9 46

HSL 348.67, 0.92%, 0.42%

LAB 43.32, 67.92, 36.87

 

CMYK 0 / 100 / 86 / 26

HEX #BC001B

RGB 188 0 27

HSL 351.38, 1%, 0.37%

LAB 39.19, 64.07, 42.28

 

CMYK 0 / 100 / 95 / 33

HEX #AB0008

RGB 171 0 8

HSL 357.19, 1%, 0.34%

LAB 35.35, 59.47, 46.42

 

CMYK 0 / 81 / 64 / 6

HEX #EF2E55

RGB 239 46 85

HSL 347.88, 0.86%, 0.56%

LAB 52.91, 72.02, 26.72

 

CMYK 0 / 81 / 81 / 6

HEX #EF2E2E

RGB 239 46 46

HSL 0, 0.86%, 0.56%

LAB 52.4, 70.47, 48.33

 

CMYK 0 / 81 / 64 / 6

HEX #EF2E55

RGB 239 46 85

HSL 347.88, 0.86%, 0.56%

LAB 52.91, 72.02, 26.72

 

CMYK 0 / 81 / 43 / 6

HEX #EF2E89

RGB 239 46 137

HSL 331.71, 0.86%, 0.56%

LAB 54.14, 75.72, -2.77

 

CMYK 0 / 81 / 21 / 6

HEX #EF2EBD

RGB 239 46 189

HSL 315.54, 0.86%, 0.56%

LAB 56.07, 81.24, -30.42

 

CMYK 1 / 81 / 0 / 6

HEX #ED2EEF

RGB 237 46 239

HSL 299.38, 0.86%, 0.56%

LAB 58.22, 87.67, -55.47

 

CMYK 23 / 81 / 0 / 6

HEX #B92EEF

RGB 185 46 239

HSL 283.21, 0.86%, 0.56%

LAB 50.1, 78.74, -68.96

 

CMYK 0 / 81 / 64 / 6

HEX #EF2E55

RGB 239 46 85

HSL 347.88, 0.86%, 0.56%

LAB 52.91, 72.02, 26.72

 

CMYK 0 / 81 / 64 / 6

HEX #EF2E55

RGB 239 46 85

HSL 347.88, 0.86%, 0.56%

LAB 52.91, 72.02, 26.72

 

CMYK 0 / 71 / 57 / 13

HEX #DD405F

RGB 221 64 95

HSL 348.15, 0.7%, 0.56%

LAB 51.68, 62.21, 18.51

 

CMYK 0 / 59 / 48 / 21

HEX #CA526A

RGB 202 82 106

HSL 348, 0.53%, 0.56%

LAB 51.42, 49.75, 11.04

 

CMYK 0 / 46 / 36 / 28

HEX #B86475

RGB 184 100 117

HSL 347.86, 0.37%, 0.56%

LAB 52.5, 35.6, 5.65

 

CMYK 0 / 29 / 23 / 35

HEX #A67680

RGB 166 118 128

HSL 347.5, 0.21%, 0.56%

LAB 54.68, 20.33, 2.04

 

CMYK 0 / 81 / 20 / 6

HEX #EF2EBF

RGB 239 46 191

HSL 314.92, 0.86%, 0.56%

LAB 56.15, 81.49, -31.44

 

CMYK 0 / 81 / 42 / 6

HEX #EF2E8B

RGB 239 46 139

HSL 331.09, 0.86%, 0.56%

LAB 54.21, 75.9, -3.88

 

CMYK 0 / 81 / 63 / 6

HEX #EF2E58

RGB 239 46 88

HSL 346.94, 0.86%, 0.56%

LAB 52.96, 72.18, 25

 

CMYK 0 / 77 / 81 / 6

HEX #EF372E

RGB 239 55 46

HSL 2.8, 0.86%, 0.56%

LAB 53.25, 68.06, 49.16

 

CMYK 0 / 55 / 81 / 6

HEX #EF6B2E

RGB 239 107 46

HSL 18.96, 0.86%, 0.56%

LAB 60.84, 47.66, 56.31

 

CMYK 0 / 93 / 74 / 26

HEX #BC0E31

RGB 188 14 49

HSL 347.93, 0.86%, 0.4%

LAB 39.96, 63.21, 30.32

 

CMYK 0 / 93 / 74 / 11

HEX #E3113B

RGB 227 17 59

HSL 348, 0.86%, 0.48%

LAB 48.32, 73, 36.05

 

CMYK 0 / 81 / 64 / 6

HEX #EF2E55

RGB 239 46 85

HSL 347.88, 0.86%, 0.56%

LAB 52.91, 72.02, 26.72

 

CMYK 0 / 65 / 52 / 5

HEX #F25474

RGB 242 84 116

HSL 347.85, 0.86%, 0.64%

LAB 58.49, 62.59, 15.94

 

CMYK 0 / 50 / 40 / 4

HEX #F57B93

RGB 245 123 147

HSL 348.2, 0.86%, 0.72%

LAB 66.28, 48.99, 9.09

 

CMYK 0 / 81 / 65 / 6

HEX #EF2D54

RGB 239 45 84

HSL 347.94, 0.86%, 0.56%

LAB 52.8, 72.21, 27.19

 

CMYK 0 / 1 / 81 / 6

HEX #EFEC2E

RGB 239 236 46

HSL 59.07, 0.86%, 0.56%

LAB 91.03, -18.36, 82.96

 

CMYK 81 / 31 / 0 / 6

HEX #2EA5EF

RGB 46 165 239

HSL 203.01, 0.86%, 0.56%

LAB 64.74, -6.98, -46.08

 

CMYK 0 / 81 / 65 / 6

HEX #EF2D54

RGB 239 45 84

HSL 347.94, 0.86%, 0.56%

LAB 52.8, 72.21, 27.19

 

CMYK 63 / 0 / 81 / 6

HEX #58EF2E

RGB 88 239 46

HSL 106.94, 0.86%, 0.56%

LAB 83.97, -71.21, 73.69

 

CMYK 81 / 63 / 0 / 6

HEX #2E58EF

RGB 46 88 239

HSL 226.94, 0.86%, 0.56%

LAB 43.93, 40.03, -79.56

 

CMYK 0 / 81 / 65 / 6

HEX #EF2D54

RGB 239 45 84

HSL 347.94, 0.86%, 0.56%

LAB 52.8, 72.21, 27.19

 

CMYK 0 / 1 / 81 / 6

HEX #EFEC2E

RGB 239 236 46

HSL 59.07, 0.86%, 0.56%

LAB 91.03, -18.36, 82.96

 

CMYK 81 / 0 / 18 / 6

HEX #2EEFC5

RGB 46 239 197

HSL 166.94, 0.86%, 0.56%

LAB 85.17, -55.03, 7.42

 

CMYK 81 / 79 / 0 / 6

HEX #2E31EF

RGB 46 49 239

HSL 239.07, 0.86%, 0.56%

LAB 36, 61.94, -92.64

 

CMYK 0 / 81 / 65 / 6

HEX #EF2D54

RGB 239 45 84

HSL 347.94, 0.86%, 0.56%

LAB 52.8, 72.21, 27.19

 

CMYK 23 / 0 / 81 / 6

HEX #B8EF2E

RGB 184 239 46

HSL 77.1, 0.86%, 0.56%

LAB 88.03, -41.75, 78.87

 

CMYK 81 / 0 / 18 / 6

HEX #2EEFC5

RGB 46 239 197

HSL 166.94, 0.86%, 0.56%

LAB 85.17, -55.03, 7.42

 

CMYK 58 / 81 / 0 / 6

HEX #642EEF

RGB 100 46 239

HSL 256.79, 0.86%, 0.56%

LAB 39.4, 67.31, -86.89

 

Description

Color code: HEX #EF2D54 | qconv.com Color code: HEX #EF2D54 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 45 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 45 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 65 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 65% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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