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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 81 / 63 / 0 / 6 it is the complementary color CMYK 0 / 21 / 93 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 81 / 63 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 81 / 63 / 0 / 6: CMYK 78 / 62 / 0 / 8, CMYK 73 / 58 / 0 / 0, CMYK 67 / 51 / 0 / 0, CMYK 60 / 44 / 0 / 0 and CMYK 53 / 37 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 81 / 63 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 81 / 63 / 0 / 6: CMYK 81 / 63 / 0 / 6, CMYK 87 / 68 / 0 / 13, CMYK 94 / 74 / 0 / 21, CMYK 100 / 81 / 0 / 28 and CMYK 100 / 90 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

Complementary color

CMYK 0 / 21 / 93 / 18

HEX #D1A60F

RGB 209 166 15

HSL 46.7, 0.87%, 0.44%

LAB 70.08, 3.72, 71.34

 

CMYK 78 / 62 / 0 / 8

HEX #3359EB

RGB 51 89 235

HSL 227.61, 0.82%, 0.56%

LAB 44.01, 38.39, -77.17

 

CMYK 73 / 58 / 0 / 0

HEX #446BFE

RGB 68 107 254

HSL 227.42, 0.99%, 0.63%

LAB 50.57, 35.67, -77.05

 

CMYK 67 / 51 / 0 / 0

HEX #557DFF

RGB 85 125 255

HSL 225.88, 1%, 0.67%

LAB 55.91, 27.17, -68.91

 

CMYK 60 / 44 / 0 / 0

HEX #668FFF

RGB 102 143 255

HSL 223.92, 1%, 0.7%

LAB 61.39, 19.11, -60.06

 

CMYK 53 / 37 / 0 / 0

HEX #77A1FF

RGB 119 161 255

HSL 221.47, 1%, 0.73%

LAB 67, 11.88, -51.08

 

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

CMYK 87 / 68 / 0 / 13

HEX #1D47DD

RGB 29 71 221

HSL 226.88, 0.77%, 0.49%

LAB 37.82, 43, -79.41

 

CMYK 94 / 74 / 0 / 21

HEX #0C35CA

RGB 12 53 202

HSL 227.05, 0.89%, 0.42%

LAB 31.55, 46.46, -78.8

 

CMYK 100 / 81 / 0 / 28

HEX #0023B7

RGB 0 35 183

HSL 228.52, 1%, 0.36%

LAB 25.63, 49.72, -77.44

 

CMYK 100 / 90 / 0 / 36

HEX #0011A4

RGB 0 17 164

HSL 233.78, 1%, 0.32%

LAB 20.37, 51.84, -74.76

 

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

CMYK 81 / 76 / 0 / 6

HEX #2D3AF0

RGB 45 58 240

HSL 236, 0.87%, 0.56%

LAB 37.62, 57.73, -90.53

 

CMYK 73 / 81 / 0 / 6

HEX #402DF0

RGB 64 45 240

HSL 245.85, 0.87%, 0.56%

LAB 36.48, 65.03, -92.39

 

CMYK 60 / 81 / 0 / 6

HEX #612DF0

RGB 97 45 240

HSL 256, 0.87%, 0.56%

LAB 39.09, 67.66, -87.99

 

CMYK 46 / 81 / 0 / 6

HEX #812DF0

RGB 129 45 240

HSL 265.85, 0.87%, 0.56%

LAB 42.51, 71.19, -82.22

 

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

CMYK 81 / 64 / 0 / 86

HEX #070D24

RGB 7 13 36

HSL 227.59, 0.67%, 0.08%

LAB 4.16, 4.6, -15.51

 

CMYK 80 / 63 / 0 / 66

HEX #112057

RGB 17 32 87

HSL 227.14, 0.67%, 0.2%

LAB 14.63, 16.05, -35.09

 

CMYK 81 / 63 / 0 / 46

HEX #1A338A

RGB 26 51 138

HSL 226.61, 0.68%, 0.32%

LAB 25.02, 24.43, -51.04

 

CMYK 81 / 63 / 0 / 26

HEX #2446BD

RGB 36 70 189

HSL 226.67, 0.68%, 0.44%

LAB 34.86, 32.32, -65.71

 

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

CMYK 3 / 81 / 0 / 6

HEX #E92DF0

RGB 233 45 240

HSL 297.85, 0.87%, 0.56%

LAB 57.55, 87.32, -57.13

 

CMYK 30 / 0 / 81 / 6

HEX #A8F02D

RGB 168 240 45

HSL 82.15, 0.87%, 0.56%

LAB 87.4, -48.14, 78.22

 

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

CMYK 0 / 81 / 63 / 6

HEX #F02D5A

RGB 240 45 90

HSL 346.15, 0.87%, 0.56%

LAB 53.1, 72.8, 24.02

 

CMYK 63 / 0 / 81 / 6

HEX #5AF02D

RGB 90 240 45

HSL 106.15, 0.87%, 0.56%

LAB 84.32, -71.15, 74.29

 

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

CMYK 3 / 81 / 0 / 6

HEX #E92DF0

RGB 233 45 240

HSL 297.85, 0.87%, 0.56%

LAB 57.55, 87.32, -57.13

 

CMYK 0 / 19 / 81 / 6

HEX #F0C22D

RGB 240 194 45

HSL 45.85, 0.87%, 0.56%

LAB 80.35, 3.13, 74.09

 

CMYK 79 / 0 / 81 / 6

HEX #33F02D

RGB 51 240 45

HSL 118.15, 0.87%, 0.56%

LAB 83.55, -77.7, 73.3

 

CMYK 81 / 63 / 0 / 6

HEX #2E59F0

RGB 46 89 240

HSL 226.7, 0.87%, 0.56%

LAB 44.26, 39.77, -79.59

 

CMYK 0 / 81 / 22 / 6

HEX #F02DBC

RGB 240 45 188

HSL 316, 0.87%, 0.56%

LAB 56.12, 81.56, -29.74

 

CMYK 0 / 19 / 81 / 6

HEX #F0C22D

RGB 240 194 45

HSL 45.85, 0.87%, 0.56%

LAB 80.35, 3.13, 74.09

 

CMYK 81 / 0 / 60 / 6

HEX #2DF061

RGB 45 240 97

HSL 136, 0.87%, 0.56%

LAB 83.83, -73.98, 55.12

 

Description

Color code: CMYK 81 / 63 / 0 / 6 | qconv.com Color code: CMYK 81 / 63 / 0 / 6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 89 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 89 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 63 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 63% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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