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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE24F it is the complementary color #111DB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE24F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE24F shade: #F3E24A, #FFF45D, #FFFF70, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE24F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE24F shade: #EEE24F, #DDD03C, #CCBE29, #BBAC16 and #AA9A03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE24F shade: #EEE24F, #EEB74F, #EE8C4F, #EE614F and #EE4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE24F shade: #EEE24F, #CFEE4F, #A4EE4F, #79EE4F and #4FEE4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE24F shade matches the following richer shades: #EEE24F and #FDEF3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE24F shade: #EEE24F, #DED45E, #CEC76E, #BFBA7E and #AFAC8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE24F shade: #EE8C4F, #EEB64F, #EEE04F, #D0EE4F and #A6EE4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE24F shade: #D5C615, #EADB29, #EEE24F, #F1E874 and #F5EE9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE24F shade: #EEE24F, #4FEE61 and #A14FEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE24F shade: #EEE24F, #4FEEE0 and #E04FEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE24F shade: #EEE24F, #4FEE61, #4F5CEE and #EE4FDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE24F shade: #EEE24F, #4FEE91, #4F5CEE and #EE4FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

Complementary color

CMYK 90 / 84 / 0 / 31

HEX #111DB0

RGB 17 29 176

HSL 235.47, 0.82%, 0.38%

LAB 24.1, 50.79, -75.77

 

CMYK 0 / 7 / 70 / 5

HEX #F3E24A

RGB 243 226 74

HSL 53.96, 0.88%, 0.62%

LAB 88.89, -10.73, 72.52

 

CMYK 0 / 4 / 64 / 0

HEX #FFF45D

RGB 255 244 93

HSL 55.93, 1%, 0.68%

LAB 94.63, -13.67, 71.43

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 0 / 6 / 73 / 13

HEX #DDD03C

RGB 221 208 60

HSL 55.16, 0.7%, 0.55%

LAB 82.28, -11.57, 70.44

 

CMYK 0 / 7 / 80 / 20

HEX #CCBE29

RGB 204 190 41

HSL 54.85, 0.67%, 0.48%

LAB 75.96, -10.43, 70.13

 

CMYK 0 / 8 / 88 / 27

HEX #BBAC16

RGB 187 172 22

HSL 54.55, 0.79%, 0.41%

LAB 69.56, -9.08, 68.8

 

CMYK 0 / 9 / 98 / 33

HEX #AA9A03

RGB 170 154 3

HSL 54.25, 0.97%, 0.34%

LAB 63.06, -7.51, 66.09

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 0 / 23 / 67 / 7

HEX #EEB74F

RGB 238 183 79

HSL 39.25, 0.82%, 0.62%

LAB 77.64, 9.47, 58.79

 

CMYK 0 / 41 / 67 / 7

HEX #EE8C4F

RGB 238 140 79

HSL 23.02, 0.82%, 0.62%

LAB 67.65, 32.15, 47.78

 

CMYK 0 / 59 / 67 / 7

HEX #EE614F

RGB 238 97 79

HSL 6.79, 0.82%, 0.62%

LAB 59.24, 53.3, 37.99

 

CMYK 0 / 67 / 67 / 7

HEX #EE4F4F

RGB 238 79 79

HSL 0, 0.82%, 0.62%

LAB 56.42, 60.87, 34.59

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 13 / 0 / 67 / 7

HEX #CFEE4F

RGB 207 238 79

HSL 71.7, 0.82%, 0.62%

LAB 89.38, -30.83, 70.27

 

CMYK 31 / 0 / 67 / 7

HEX #A4EE4F

RGB 164 238 79

HSL 87.92, 0.82%, 0.62%

LAB 86.8, -46.9, 66.79

 

CMYK 49 / 0 / 67 / 7

HEX #79EE4F

RGB 121 238 79

HSL 104.15, 0.82%, 0.62%

LAB 84.88, -60.55, 64.19

 

CMYK 67 / 0 / 67 / 7

HEX #4FEE4F

RGB 79 238 79

HSL 120, 0.82%, 0.62%

LAB 83.64, -70.38, 62.49

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 0 / 6 / 75 / 1

HEX #FDEF3F

RGB 253 239 63

HSL 55.58, 0.98%, 0.62%

LAB 93, -13.48, 80.43

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 0 / 5 / 58 / 13

HEX #DED45E

RGB 222 212 94

HSL 55.31, 0.66%, 0.62%

LAB 83.67, -11.21, 58.34

 

CMYK 0 / 3 / 47 / 19

HEX #CEC76E

RGB 206 199 110

HSL 55.63, 0.49%, 0.62%

LAB 79.1, -9.82, 45.16

 

CMYK 0 / 3 / 34 / 25

HEX #BFBA7E

RGB 191 186 126

HSL 55.38, 0.34%, 0.62%

LAB 74.64, -7.4, 31.1

 

CMYK 0 / 2 / 19 / 31

HEX #AFAC8D

RGB 175 172 141

HSL 54.71, 0.18%, 0.62%

LAB 69.85, -4.19, 16.36

 

CMYK 0 / 41 / 67 / 7

HEX #EE8C4F

RGB 238 140 79

HSL 23.02, 0.82%, 0.62%

LAB 67.65, 32.15, 47.78

 

CMYK 0 / 24 / 67 / 7

HEX #EEB64F

RGB 238 182 79

HSL 38.87, 0.82%, 0.62%

LAB 77.4, 9.99, 58.53

 

CMYK 0 / 6 / 67 / 7

HEX #EEE04F

RGB 238 224 79

HSL 54.72, 0.82%, 0.62%

LAB 87.99, -11.55, 69.6

 

CMYK 13 / 0 / 67 / 7

HEX #D0EE4F

RGB 208 238 79

HSL 71.32, 0.82%, 0.62%

LAB 89.45, -30.44, 70.36

 

CMYK 30 / 0 / 67 / 7

HEX #A6EE4F

RGB 166 238 79

HSL 87.17, 0.82%, 0.62%

LAB 86.91, -46.2, 66.94

 

CMYK 0 / 7 / 90 / 16

HEX #D5C615

RGB 213 198 21

HSL 55.31, 0.82%, 0.46%

LAB 78.8, -11.1, 77.22

 

CMYK 0 / 6 / 82 / 8

HEX #EADB29

RGB 234 219 41

HSL 55.34, 0.82%, 0.54%

LAB 86.16, -12.25, 79.89

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 0 / 4 / 52 / 5

HEX #F1E874

RGB 241 232 116

HSL 55.68, 0.82%, 0.7%

LAB 90.63, -11.8, 56.79

 

CMYK 0 / 3 / 37 / 4

HEX #F5EE9A

RGB 245 238 154

HSL 55.38, 0.82%, 0.78%

LAB 92.97, -9.58, 41.52

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 32 / 67 / 0 / 7

HEX #A14FEE

RGB 161 79 238

HSL 270.94, 0.82%, 0.62%

LAB 51.09, 62, -66.95

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 67 / 0 / 6 / 7

HEX #4FEEE0

RGB 79 238 224

HSL 174.72, 0.82%, 0.62%

LAB 86.1, -44, -5.32

 

CMYK 6 / 67 / 0 / 7

HEX #E04FEE

RGB 224 79 238

HSL 294.72, 0.82%, 0.62%

LAB 59.54, 75.24, -52.93

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 67 / 61 / 0 / 7

HEX #4F5CEE

RGB 79 92 238

HSL 235.09, 0.82%, 0.62%

LAB 46.3, 40.71, -75.06

 

CMYK 0 / 67 / 8 / 7

HEX #EE4FDB

RGB 238 79 219

HSL 307.17, 0.82%, 0.62%

LAB 60.68, 75.37, -40.34

 

CMYK 0 / 5 / 67 / 7

HEX #EEE24F

RGB 238 226 79

HSL 55.47, 0.82%, 0.62%

LAB 88.51, -12.54, 70.13

 

CMYK 67 / 0 / 39 / 7

HEX #4FEE91

RGB 79 238 145

HSL 144.91, 0.82%, 0.62%

LAB 84.41, -61.54, 33.23

 

CMYK 67 / 61 / 0 / 7

HEX #4F5CEE

RGB 79 92 238

HSL 235.09, 0.82%, 0.62%

LAB 46.3, 40.71, -75.06

 

CMYK 0 / 67 / 28 / 7

HEX #EE4FAB

RGB 238 79 171

HSL 325.28, 0.82%, 0.62%

LAB 58.7, 68.87, -15.96

 

Description

Color code: HEX #EEE24F | qconv.com Color code: HEX #EEE24F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 226 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 226 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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