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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FEE61 it is the complementary color #B0119E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FEE61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FEE61 shade: #54EE5C, #65FF6F, #76FF82, #87FF95 and #98FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FEE61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FEE61 shade: #4FEE61, #3EDC4E, #2DCA3B, #1CB828 and #0BA615

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FEE61 shade: #4FEE61, #68EE4F, #92EE4F, #BDEE4F and #E8EE4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FEE61 shade: #4FEE61, #4FEE8B, #4FEEB6, #4FEEE1 and #4FCFEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FEE61 shade matches the following richer shades: #4FEE61 and #3FFD54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FEE61 shade: #4FEE61, #5EDE6D, #6ECE79, #7EBF85 and #8DAF91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FEE61 shade: #94EE4F, #69EE4F, #4FEE5F, #4FEE89 and #4FEEB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FEE61 shade: #15D52B, #29EA3F, #4FEE61, #74F182 and #9AF5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FEE61 shade: #4FEE61, #4FBEEE and #EE4F7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FEE61 shade: #4FEE61, #5F4FEE and #EE5F4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FEE61 shade: #4FEE61, #4FBEEE, #EE4FDE and #EE7E4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FEE61 shade: #4FEE61, #4F8EEE, #EE4FDE and #EEAE4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

Complementary color

CMYK 0 / 90 / 10 / 31

HEX #B0119E

RGB 176 17 158

HSL 306.79, 0.82%, 0.38%

LAB 41.37, 69.94, -35.97

 

CMYK 65 / 0 / 61 / 7

HEX #54EE5C

RGB 84 238 92

HSL 123.12, 0.82%, 0.63%

LAB 83.86, -68.15, 57.49

 

CMYK 60 / 0 / 56 / 0

HEX #65FF6F

RGB 101 255 111

HSL 123.9, 1%, 0.7%

LAB 89.6, -68.38, 55.98

 

CMYK 54 / 0 / 49 / 0

HEX #76FF82

RGB 118 255 130

HSL 125.26, 1%, 0.73%

LAB 90.31, -62.13, 48.3

 

CMYK 47 / 0 / 42 / 0

HEX #87FF95

RGB 135 255 149

HSL 127, 1%, 0.76%

LAB 91.16, -55.14, 40.39

 

CMYK 40 / 0 / 34 / 0

HEX #98FFA8

RGB 152 255 168

HSL 129.32, 1%, 0.8%

LAB 92.14, -47.52, 32.41

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 72 / 0 / 65 / 14

HEX #3EDC4E

RGB 62 220 78

HSL 126.08, 0.69%, 0.55%

LAB 77.73, -67.59, 56.37

 

CMYK 78 / 0 / 71 / 21

HEX #2DCA3B

RGB 45 202 59

HSL 125.35, 0.64%, 0.48%

LAB 71.63, -66.19, 57.25

 

CMYK 85 / 0 / 78 / 28

HEX #1CB828

RGB 28 184 40

HSL 124.62, 0.74%, 0.42%

LAB 65.5, -64.15, 57.62

 

CMYK 93 / 0 / 87 / 35

HEX #0BA615

RGB 11 166 21

HSL 123.87, 0.88%, 0.35%

LAB 59.34, -61.26, 57.04

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 56 / 0 / 67 / 7

HEX #68EE4F

RGB 104 238 79

HSL 110.57, 0.82%, 0.62%

LAB 84.31, -65, 63.4

 

CMYK 39 / 0 / 67 / 7

HEX #92EE4F

RGB 146 238 79

HSL 94.72, 0.82%, 0.62%

LAB 85.92, -52.98, 65.6

 

CMYK 21 / 0 / 67 / 7

HEX #BDEE4F

RGB 189 238 79

HSL 78.49, 0.82%, 0.62%

LAB 88.22, -37.77, 68.71

 

CMYK 3 / 0 / 67 / 7

HEX #E8EE4F

RGB 232 238 79

HSL 62.26, 0.82%, 0.62%

LAB 91.18, -20.85, 72.67

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 67 / 0 / 42 / 7

HEX #4FEE8B

RGB 79 238 139

HSL 142.64, 0.82%, 0.62%

LAB 84.32, -62.58, 36.11

 

CMYK 67 / 0 / 24 / 7

HEX #4FEEB6

RGB 79 238 182

HSL 158.87, 0.82%, 0.62%

LAB 85.09, -54.17, 15.2

 

CMYK 67 / 0 / 5 / 7

HEX #4FEEE1

RGB 79 238 225

HSL 175.09, 0.82%, 0.62%

LAB 86.13, -43.74, -5.81

 

CMYK 67 / 13 / 0 / 7

HEX #4FCFEE

RGB 79 207 238

HSL 191.7, 0.82%, 0.62%

LAB 77.56, -25.56, -25.6

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 75 / 0 / 67 / 1

HEX #3FFD54

RGB 63 253 84

HSL 126.63, 0.98%, 0.62%

LAB 87.94, -77.2, 65.09

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 58 / 0 / 51 / 13

HEX #5EDE6D

RGB 94 222 109

HSL 127.03, 0.66%, 0.62%

LAB 79.46, -58.28, 44.68

 

CMYK 47 / 0 / 41 / 19

HEX #6ECE79

RGB 110 206 121

HSL 126.88, 0.49%, 0.62%

LAB 75.35, -46.09, 33.69

 

CMYK 34 / 0 / 30 / 25

HEX #7EBF85

RGB 126 191 133

HSL 126.46, 0.34%, 0.62%

LAB 71.82, -32.63, 22.87

 

CMYK 19 / 0 / 17 / 31

HEX #8DAF91

RGB 141 175 145

HSL 127.06, 0.18%, 0.62%

LAB 68.29, -17.58, 11.62

 

CMYK 38 / 0 / 67 / 7

HEX #94EE4F

RGB 148 238 79

HSL 93.96, 0.82%, 0.62%

LAB 86.01, -52.33, 65.72

 

CMYK 56 / 0 / 67 / 7

HEX #69EE4F

RGB 105 238 79

HSL 110.19, 0.82%, 0.62%

LAB 84.34, -64.76, 63.44

 

CMYK 67 / 0 / 60 / 7

HEX #4FEE5F

RGB 79 238 95

HSL 126.04, 0.82%, 0.62%

LAB 83.78, -68.76, 56.07

 

CMYK 67 / 0 / 42 / 7

HEX #4FEE89

RGB 79 238 137

HSL 141.89, 0.82%, 0.62%

LAB 84.29, -62.91, 37.06

 

CMYK 67 / 0 / 25 / 7

HEX #4FEEB3

RGB 79 238 179

HSL 157.74, 0.82%, 0.62%

LAB 85.03, -54.83, 16.68

 

CMYK 90 / 0 / 80 / 16

HEX #15D52B

RGB 21 213 43

HSL 126.88, 0.82%, 0.46%

LAB 74.78, -72.9, 65.55

 

CMYK 82 / 0 / 73 / 8

HEX #29EA3F

RGB 41 234 63

HSL 126.84, 0.82%, 0.54%

LAB 81.66, -75.92, 66.07

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 52 / 0 / 46 / 5

HEX #74F182

RGB 116 241 130

HSL 126.72, 0.82%, 0.7%

LAB 86.12, -57.29, 43.05

 

CMYK 37 / 0 / 33 / 4

HEX #9AF5A4

RGB 154 245 164

HSL 126.59, 0.82%, 0.78%

LAB 89.33, -43.27, 30.67

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 67 / 20 / 0 / 7

HEX #4FBEEE

RGB 79 190 238

HSL 198.11, 0.82%, 0.62%

LAB 72.67, -16.88, -33.1

 

CMYK 0 / 67 / 47 / 7

HEX #EE4F7E

RGB 238 79 126

HSL 342.26, 0.82%, 0.62%

LAB 57.34, 64.17, 8.36

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 60 / 67 / 0 / 7

HEX #5F4FEE

RGB 95 79 238

HSL 246.04, 0.82%, 0.62%

LAB 44.52, 50.5, -77.94

 

CMYK 0 / 60 / 67 / 7

HEX #EE5F4F

RGB 238 95 79

HSL 6.04, 0.82%, 0.62%

LAB 58.91, 54.19, 37.59

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 67 / 20 / 0 / 7

HEX #4FBEEE

RGB 79 190 238

HSL 198.11, 0.82%, 0.62%

LAB 72.67, -16.88, -33.1

 

CMYK 0 / 67 / 7 / 7

HEX #EE4FDE

RGB 238 79 222

HSL 306.04, 0.82%, 0.62%

LAB 60.82, 75.82, -41.8

 

CMYK 0 / 47 / 67 / 7

HEX #EE7E4F

RGB 238 126 79

HSL 17.74, 0.82%, 0.62%

LAB 64.69, 39.36, 44.4

 

CMYK 67 / 0 / 59 / 7

HEX #4FEE61

RGB 79 238 97

HSL 126.79, 0.82%, 0.62%

LAB 83.8, -68.54, 55.23

 

CMYK 67 / 40 / 0 / 7

HEX #4F8EEE

RGB 79 142 238

HSL 216.23, 0.82%, 0.62%

LAB 59.14, 10.11, -54.34

 

CMYK 0 / 67 / 7 / 7

HEX #EE4FDE

RGB 238 79 222

HSL 306.04, 0.82%, 0.62%

LAB 60.82, 75.82, -41.8

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

Description

Color code: HEX #4FEE61 | qconv.com Color code: HEX #4FEE61 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 238 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 238 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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