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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEB0D1 it is the complementary color #114F2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEB0D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EEB0D1: #F3B0CC, #FFC2DF, #FFD4F2, #FFE6FF and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEB0D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EEB0D1: #EEB0D1, #DD9EBE, #CC8CAB, #BB7A98 and #AA6885

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

Complementary color

CMYK 78 / 0 / 42 / 69

HEX #114F2E

RGB 17 79 46

HSL 148.06, 0.65%, 0.19%

LAB 29.18, -28.07, 14.07

 

CMYK 0 / 28 / 16 / 5

HEX #F3B0CC

RGB 243 176 204

HSL 334.93, 0.74%, 0.82%

LAB 78.73, 28.51, -4.46

 

CMYK 0 / 24 / 13 / 0

HEX #FFC2DF

RGB 255 194 223

HSL 331.48, 1%, 0.88%

LAB 84.57, 26.17, -5.93

 

CMYK 0 / 17 / 5 / 0

HEX #FFD4F2

RGB 255 212 242

HSL 318.14, 1%, 0.92%

LAB 89.28, 19.88, -9.04

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

CMYK 0 / 29 / 14 / 13

HEX #DD9EBE

RGB 221 158 190

HSL 329.52, 0.48%, 0.74%

LAB 71.92, 28.23, -7.12

 

CMYK 0 / 31 / 16 / 20

HEX #CC8CAB

RGB 204 140 171

HSL 330.94, 0.39%, 0.67%

LAB 65.38, 28.92, -6.42

 

CMYK 0 / 35 / 19 / 27

HEX #BB7A98

RGB 187 122 152

HSL 332.31, 0.32%, 0.61%

LAB 58.74, 29.68, -5.64

 

CMYK 0 / 39 / 22 / 33

HEX #AA6885

RGB 170 104 133

HSL 333.64, 0.28%, 0.54%

LAB 52, 30.5, -4.78

 

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

CMYK 0 / 26 / 17 / 7

HEX #EEAFC6

RGB 238 175 198

HSL 338.1, 0.65%, 0.81%

LAB 77.82, 26.36, -2.6

 

CMYK 0 / 26 / 21 / 7

HEX #EEAFBB

RGB 238 175 187

HSL 348.57, 0.65%, 0.81%

LAB 77.53, 24.7, 2.96

 

CMYK 0 / 26 / 26 / 7

HEX #EEAFB1

RGB 238 175 177

HSL 358.1, 0.65%, 0.81%

LAB 77.29, 23.27, 8.05

 

CMYK 0 / 23 / 26 / 7

HEX #EEB7AF

RGB 238 183 175

HSL 7.62, 0.65%, 0.81%

LAB 79.12, 18.75, 11.74

 

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

CMYK 0 / 26 / 12 / 87

HEX #22191E

RGB 34 25 30

HSL 326.67, 0.15%, 0.12%

LAB 10.02, 5.59, -1.77

 

CMYK 0 / 26 / 12 / 67

HEX #553F4B

RGB 85 63 75

HSL 327.27, 0.15%, 0.29%

LAB 29.4, 11.82, -3.55

 

CMYK 0 / 26 / 13 / 47

HEX #886577

RGB 136 101 119

HSL 329.14, 0.15%, 0.46%

LAB 46.81, 17.13, -4.56

 

CMYK 0 / 26 / 12 / 27

HEX #BB8AA4

RGB 187 138 164

HSL 328.16, 0.26%, 0.64%

LAB 62.86, 22.78, -6.4

 

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

CMYK 0 / 9 / 26 / 7

HEX #EED9AF

RGB 238 217 175

HSL 40, 0.65%, 0.81%

LAB 87.44, 0.93, 23.35

 

CMYK 26 / 2 / 0 / 7

HEX #AFE9EE

RGB 175 233 238

HSL 184.76, 0.65%, 0.81%

LAB 88.72, -17.15, -8.4

 

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

CMYK 13 / 0 / 26 / 7

HEX #D0EEAF

RGB 208 238 175

HSL 88.57, 0.65%, 0.81%

LAB 90.62, -20.59, 27.34

 

CMYK 26 / 13 / 0 / 7

HEX #AFD0EE

RGB 175 208 238

HSL 208.57, 0.65%, 0.81%

LAB 82.05, -4.31, -18.37

 

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

CMYK 0 / 9 / 26 / 7

HEX #EED9AF

RGB 238 217 175

HSL 40, 0.65%, 0.81%

LAB 87.44, 0.93, 23.35

 

CMYK 26 / 0 / 14 / 7

HEX #AFEECC

RGB 175 238 204

HSL 147.62, 0.65%, 0.81%

LAB 89.22, -26.63, 10.11

 

CMYK 26 / 18 / 0 / 7

HEX #AFC4EE

RGB 175 196 238

HSL 220, 0.65%, 0.81%

LAB 78.91, 2.08, -23.14

 

CMYK 0 / 26 / 12 / 7

HEX #EEB0D1

RGB 238 176 209

HSL 328.06, 0.65%, 0.81%

LAB 78.36, 27.58, -7.78

 

CMYK 0 / 1 / 26 / 7

HEX #EEEBAF

RGB 238 235 175

HSL 57.14, 0.65%, 0.81%

LAB 91.99, -8.21, 29.56

 

CMYK 26 / 0 / 14 / 7

HEX #AFEECC

RGB 175 238 204

HSL 147.62, 0.65%, 0.81%

LAB 89.22, -26.63, 10.11

 

CMYK 26 / 26 / 0 / 7

HEX #AFB1EE

RGB 175 177 238

HSL 238.1, 0.65%, 0.81%

LAB 74.02, 12.46, -30.62

 

Description

Color code: HEX #EEB0D1 | qconv.com Color code: HEX #EEB0D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 176 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 176 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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