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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA4A8 it is the complementary color #115B57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA4A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EEA4A8: #F3A4A3, #FFB6B6, #FFC8C9, #FFDADC and #FFECEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA4A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EEA4A8: #EEA4A8, #DD9295, #CC8082, #BB6E6F and #AA5C5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

Complementary color

CMYK 81 / 0 / 4 / 64

HEX #115B57

RGB 17 91 87

HSL 176.76, 0.69%, 0.21%

LAB 34.58, -22.39, -3.97

 

CMYK 0 / 33 / 33 / 5

HEX #F3A4A3

RGB 243 164 163

HSL 0.75, 0.77%, 0.8%

LAB 74.98, 29.11, 12.48

 

CMYK 0 / 29 / 29 / 0

HEX #FFB6B6

RGB 255 182 182

HSL 0, 1%, 0.86%

LAB 80.79, 26.48, 10.58

 

CMYK 0 / 22 / 21 / 0

HEX #FFC8C9

RGB 255 200 201

HSL 358.91, 1%, 0.89%

LAB 85.4, 19.66, 7

 

CMYK 0 / 15 / 14 / 0

HEX #FFDADC

RGB 255 218 220

HSL 356.76, 1%, 0.93%

LAB 90.12, 13.14, 3.78

 

CMYK 0 / 7 / 6 / 0

HEX #FFECEF

RGB 255 236 239

HSL 350.53, 1%, 0.96%

LAB 94.94, 6.93, 0.86

 

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

CMYK 0 / 34 / 33 / 13

HEX #DD9295

RGB 221 146 149

HSL 357.6, 0.52%, 0.72%

LAB 68.09, 28.73, 10.12

 

CMYK 0 / 37 / 36 / 20

HEX #CC8082

RGB 204 128 130

HSL 358.42, 0.43%, 0.65%

LAB 61.56, 29.63, 11.32

 

CMYK 0 / 41 / 41 / 27

HEX #BB6E6F

RGB 187 110 111

HSL 359.22, 0.36%, 0.58%

LAB 54.93, 30.63, 12.68

 

CMYK 0 / 46 / 46 / 33

HEX #AA5C5C

RGB 170 92 92

HSL 0, 0.31%, 0.51%

LAB 48.23, 31.72, 14.25

 

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

CMYK 0 / 28 / 31 / 7

HEX #EEABA4

RGB 238 171 164

HSL 5.68, 0.69%, 0.79%

LAB 76.06, 23.66, 13.38

 

CMYK 0 / 23 / 31 / 7

HEX #EEB8A4

RGB 238 184 164

HSL 16.22, 0.69%, 0.79%

LAB 79.12, 16.76, 17.67

 

CMYK 0 / 18 / 31 / 7

HEX #EEC4A4

RGB 238 196 164

HSL 25.95, 0.69%, 0.79%

LAB 82.02, 10.43, 21.68

 

CMYK 0 / 13 / 31 / 7

HEX #EED0A4

RGB 238 208 164

HSL 35.68, 0.69%, 0.79%

LAB 84.98, 4.16, 25.73

 

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

CMYK 0 / 32 / 29 / 87

HEX #221718

RGB 34 23 24

HSL 354.55, 0.19%, 0.11%

LAB 9.15, 5.76, 1.46

 

CMYK 0 / 31 / 29 / 67

HEX #553B3C

RGB 85 59 60

HSL 357.69, 0.18%, 0.28%

LAB 27.81, 11.65, 3.95

 

CMYK 0 / 31 / 29 / 47

HEX #885E60

RGB 136 94 96

HSL 357.14, 0.18%, 0.45%

LAB 44.35, 17.46, 5.76

 

CMYK 0 / 31 / 29 / 27

HEX #BB8184

RGB 187 129 132

HSL 356.9, 0.3%, 0.62%

LAB 59.83, 22.83, 7.44

 

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

CMYK 4 / 0 / 31 / 7

HEX #E4EEA4

RGB 228 238 164

HSL 68.11, 0.69%, 0.79%

LAB 91.83, -14.82, 34.79

 

CMYK 31 / 17 / 0 / 7

HEX #A4C6EE

RGB 164 198 238

HSL 212.43, 0.69%, 0.79%

LAB 78.73, -2.17, -23.48

 

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

CMYK 29 / 0 / 31 / 7

HEX #A9EEA4

RGB 169 238 164

HSL 115.95, 0.69%, 0.79%

LAB 88.1, -35.5, 29.14

 

CMYK 31 / 29 / 0 / 7

HEX #A4A9EE

RGB 164 169 238

HSL 235.95, 0.69%, 0.79%

LAB 71.17, 13.75, -35.08

 

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

CMYK 4 / 0 / 31 / 7

HEX #E4EEA4

RGB 228 238 164

HSL 68.11, 0.69%, 0.79%

LAB 91.83, -14.82, 34.79

 

CMYK 31 / 0 / 2 / 7

HEX #A4EEE9

RGB 164 238 233

HSL 175.95, 0.69%, 0.79%

LAB 89.36, -23.8, -4.9

 

CMYK 27 / 31 / 0 / 7

HEX #AEA4EE

RGB 174 164 238

HSL 248.11, 0.69%, 0.79%

LAB 70.68, 19.41, -35.79

 

CMYK 0 / 31 / 29 / 7

HEX #EEA4A8

RGB 238 164 168

HSL 356.76, 0.69%, 0.79%

LAB 74.54, 27.9, 9.04

 

CMYK 13 / 0 / 31 / 7

HEX #CEEEA4

RGB 206 238 164

HSL 85.95, 0.69%, 0.79%

LAB 90.3, -22.86, 32.48

 

CMYK 31 / 0 / 2 / 7

HEX #A4EEE9

RGB 164 238 233

HSL 175.95, 0.69%, 0.79%

LAB 89.36, -23.8, -4.9

 

CMYK 18 / 31 / 0 / 7

HEX #C4A4EE

RGB 196 164 238

HSL 265.95, 0.69%, 0.79%

LAB 72.53, 25.94, -32.77

 

Description

Color code: HEX #EEA4A8 | qconv.com Color code: HEX #EEA4A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 164 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 164 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 29 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 29% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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