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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA2AD it is the complementary color #115D52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA2AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EEA2AD: #F3A2A8, #FFB4BB, #FFC6CE, #FFD8E1 and #FFEAF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA2AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EEA2AD: #EEA2AD, #DD909A, #CC7E87, #BB6C74 and #AA5A61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

Complementary color

CMYK 82 / 0 / 12 / 64

HEX #115D52

RGB 17 93 82

HSL 171.32, 0.69%, 0.22%

LAB 35.12, -24.98, -0.06

 

CMYK 0 / 33 / 31 / 5

HEX #F3A2A8

RGB 243 162 168

HSL 355.56, 0.77%, 0.79%

LAB 74.65, 30.79, 9.27

 

CMYK 0 / 29 / 27 / 0

HEX #FFB4BB

RGB 255 180 187

HSL 354.4, 1%, 0.85%

LAB 80.45, 28.19, 7.4

 

CMYK 0 / 22 / 19 / 0

HEX #FFC6CE

RGB 255 198 206

HSL 351.58, 1%, 0.89%

LAB 85.05, 21.44, 3.84

 

CMYK 0 / 15 / 12 / 0

HEX #FFD8E1

RGB 255 216 225

HSL 346.15, 1%, 0.92%

LAB 89.77, 14.97, 0.64

 

CMYK 0 / 8 / 4 / 0

HEX #FFEAF4

RGB 255 234 244

HSL 331.43, 1%, 0.96%

LAB 94.58, 8.8, -2.26

 

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

CMYK 0 / 35 / 30 / 13

HEX #DD909A

RGB 221 144 154

HSL 352.21, 0.53%, 0.72%

LAB 67.76, 30.44, 6.85

 

CMYK 0 / 38 / 34 / 20

HEX #CC7E87

RGB 204 126 135

HSL 353.08, 0.43%, 0.65%

LAB 61.23, 31.33, 8

 

CMYK 0 / 42 / 38 / 27

HEX #BB6C74

RGB 187 108 116

HSL 353.92, 0.37%, 0.58%

LAB 54.61, 32.3, 9.3

 

CMYK 0 / 47 / 43 / 33

HEX #AA5A61

RGB 170 90 97

HSL 354.75, 0.32%, 0.51%

LAB 47.91, 33.34, 10.81

 

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

CMYK 0 / 32 / 32 / 7

HEX #EDA1A0

RGB 237 161 160

HSL 0.78, 0.68%, 0.78%

LAB 73.57, 28.09, 12.03

 

CMYK 0 / 27 / 32 / 7

HEX #EDAEA0

RGB 237 174 160

HSL 10.91, 0.68%, 0.78%

LAB 76.57, 21.18, 16.25

 

CMYK 0 / 21 / 32 / 7

HEX #EDBBA0

RGB 237 187 160

HSL 21.04, 0.68%, 0.78%

LAB 79.66, 14.29, 20.54

 

CMYK 0 / 16 / 32 / 7

HEX #EDC8A0

RGB 237 200 160

HSL 31.17, 0.68%, 0.78%

LAB 82.83, 7.45, 24.89

 

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

CMYK 0 / 32 / 26 / 87

HEX #221719

RGB 34 23 25

HSL 349.09, 0.19%, 0.11%

LAB 9.18, 5.96, 0.75

 

CMYK 0 / 32 / 27 / 67

HEX #553A3E

RGB 85 58 62

HSL 351.11, 0.19%, 0.28%

LAB 27.59, 12.63, 2.32

 

CMYK 0 / 32 / 27 / 47

HEX #885D63

RGB 136 93 99

HSL 351.63, 0.19%, 0.45%

LAB 44.18, 18.5, 3.69

 

CMYK 0 / 32 / 27 / 27

HEX #BB7F88

RGB 187 127 136

HSL 351, 0.31%, 0.62%

LAB 59.45, 24.5, 4.61

 

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

CMYK 2 / 0 / 32 / 7

HEX #E9EDA0

RGB 233 237 160

HSL 63.12, 0.68%, 0.78%

LAB 91.88, -12.95, 36.93

 

CMYK 32 / 15 / 0 / 7

HEX #A0CAED

RGB 160 202 237

HSL 207.27, 0.68%, 0.78%

LAB 79.52, -5.66, -21.76

 

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

CMYK 28 / 0 / 32 / 7

HEX #ABEDA0

RGB 171 237 160

HSL 111.43, 0.68%, 0.78%

LAB 87.86, -35.01, 30.87

 

CMYK 32 / 28 / 0 / 7

HEX #A0ABED

RGB 160 171 237

HSL 231.43, 0.68%, 0.78%

LAB 71.36, 11.25, -34.27

 

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

CMYK 2 / 0 / 32 / 7

HEX #E9EDA0

RGB 233 237 160

HSL 63.12, 0.68%, 0.78%

LAB 91.88, -12.95, 36.93

 

CMYK 32 / 0 / 5 / 7

HEX #A0EDE1

RGB 160 237 225

HSL 170.65, 0.68%, 0.78%

LAB 88.68, -26.18, -1.74

 

CMYK 31 / 32 / 0 / 7

HEX #A4A0ED

RGB 164 160 237

HSL 243.12, 0.68%, 0.78%

LAB 68.86, 18.56, -38.14

 

CMYK 0 / 32 / 27 / 7

HEX #EEA2AD

RGB 238 162 173

HSL 351.32, 0.69%, 0.78%

LAB 74.21, 29.63, 5.82

 

CMYK 11 / 0 / 32 / 7

HEX #D2EDA0

RGB 210 237 160

HSL 81.04, 0.68%, 0.78%

LAB 90.23, -21.47, 34.46

 

CMYK 32 / 0 / 5 / 7

HEX #A0EDE1

RGB 160 237 225

HSL 170.65, 0.68%, 0.78%

LAB 88.68, -26.18, -1.74

 

CMYK 21 / 32 / 0 / 7

HEX #BBA0ED

RGB 187 160 237

HSL 261.04, 0.68%, 0.78%

LAB 70.75, 25.23, -35.05

 

Description

Color code: HEX #EEA2AD | qconv.com Color code: HEX #EEA2AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as LightPink2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 162 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 162 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 27% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - educadores
Link: http://educadores.educacao.ba.gov.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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