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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE933C it is the complementary color #116CC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE933C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EE933C: #F39337, #FFA54A, #FFB75D, #FFC970 and #FFDB83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE933C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EE933C: #EE933C, #DD8129, #CC6F16, #BB5D03 and #AA4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

Complementary color

CMYK 91 / 45 / 0 / 24

HEX #116CC3

RGB 17 108 195

HSL 209.33, 0.84%, 0.42%

LAB 45.34, 8.46, -52.23

 

CMYK 0 / 40 / 77 / 5

HEX #F39337

RGB 243 147 55

HSL 29.36, 0.89%, 0.58%

LAB 69.61, 29.4, 61.01

 

CMYK 0 / 35 / 71 / 0

HEX #FFA54A

RGB 255 165 74

HSL 30.17, 1%, 0.65%

LAB 75.24, 25.71, 59.02

 

CMYK 0 / 28 / 64 / 0

HEX #FFB75D

RGB 255 183 93

HSL 33.33, 1%, 0.68%

LAB 79.57, 17.35, 55.05

 

CMYK 0 / 21 / 56 / 0

HEX #FFC970

RGB 255 201 112

HSL 37.34, 1%, 0.72%

LAB 84.07, 9.29, 51.23

 

CMYK 0 / 14 / 49 / 0

HEX #FFDB83

RGB 255 219 131

HSL 42.58, 1%, 0.76%

LAB 88.71, 1.61, 47.64

 

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

CMYK 0 / 42 / 81 / 13

HEX #DD8129

RGB 221 129 41

HSL 29.33, 0.73%, 0.51%

LAB 62.7, 29.33, 59.08

 

CMYK 0 / 46 / 89 / 20

HEX #CC6F16

RGB 204 111 22

HSL 29.34, 0.81%, 0.44%

LAB 56.35, 31.32, 59.25

 

CMYK 0 / 50 / 98 / 27

HEX #BB5D03

RGB 187 93 3

HSL 29.35, 0.97%, 0.37%

LAB 49.98, 33.49, 58.07

 

CMYK 0 / 56 / 100 / 33

HEX #AA4B00

RGB 170 75 0

HSL 26.47, 1%, 0.33%

LAB 43.62, 35.84, 53.66

 

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

CMYK 0 / 27 / 76 / 7

HEX #EDAE39

RGB 237 174 57

HSL 39, 0.83%, 0.58%

LAB 75.18, 12.73, 65.3

 

CMYK 0 / 14 / 76 / 7

HEX #EDCC39

RGB 237 204 57

HSL 49, 0.83%, 0.58%

LAB 82.64, -2.89, 72.29

 

CMYK 0 / 1 / 76 / 7

HEX #EDEA39

RGB 237 234 57

HSL 59, 0.83%, 0.58%

LAB 90.39, -17.86, 79.38

 

CMYK 11 / 0 / 76 / 7

HEX #D2ED39

RGB 210 237 57

HSL 69, 0.83%, 0.58%

LAB 89.19, -30.28, 77.55

 

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

CMYK 0 / 38 / 74 / 87

HEX #221509

RGB 34 21 9

HSL 28.8, 0.58%, 0.08%

LAB 8.09, 4.87, 8.52

 

CMYK 0 / 38 / 75 / 67

HEX #553515

RGB 85 53 21

HSL 30, 0.6%, 0.21%

LAB 25.36, 11, 25.45

 

CMYK 0 / 38 / 75 / 47

HEX #885422

RGB 136 84 34

HSL 29.41, 0.6%, 0.33%

LAB 40.72, 17.12, 37.04

 

CMYK 0 / 38 / 75 / 27

HEX #BB742F

RGB 187 116 47

HSL 29.57, 0.6%, 0.46%

LAB 55.34, 22.2, 48

 

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

CMYK 52 / 0 / 76 / 7

HEX #72ED39

RGB 114 237 57

HSL 101, 0.83%, 0.58%

LAB 84.19, -63.65, 71.07

 

CMYK 70 / 76 / 0 / 7

HEX #4839ED

RGB 72 57 237

HSL 245, 0.83%, 0.58%

LAB 38.58, 59.23, -87.19

 

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

CMYK 76 / 0 / 39 / 7

HEX #39ED90

RGB 57 237 144

HSL 149, 0.83%, 0.58%

LAB 83.68, -64.55, 32.7

 

CMYK 39 / 76 / 0 / 7

HEX #9039ED

RGB 144 57 237

HSL 269, 0.83%, 0.58%

LAB 45.59, 68.2, -75.41

 

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

CMYK 52 / 0 / 76 / 7

HEX #72ED39

RGB 114 237 57

HSL 101, 0.83%, 0.58%

LAB 84.19, -63.65, 71.07

 

CMYK 76 / 37 / 0 / 7

HEX #3996ED

RGB 57 150 237

HSL 209, 0.83%, 0.58%

LAB 60.6, 2.03, -51.51

 

CMYK 24 / 76 / 0 / 7

HEX #B439ED

RGB 180 57 237

HSL 281, 0.83%, 0.58%

LAB 50.39, 74.17, -67.4

 

CMYK 0 / 38 / 75 / 7

HEX #EE933C

RGB 238 147 60

HSL 29.33, 0.84%, 0.58%

LAB 69.02, 27.55, 58.12

 

CMYK 75 / 0 / 76 / 7

HEX #3CED39

RGB 60 237 57

HSL 119, 0.83%, 0.58%

LAB 82.82, -74.93, 69.26

 

CMYK 76 / 37 / 0 / 7

HEX #3996ED

RGB 57 150 237

HSL 209, 0.83%, 0.58%

LAB 60.6, 2.03, -51.51

 

CMYK 1 / 76 / 0 / 7

HEX #EA39ED

RGB 234 57 237

HSL 299, 0.83%, 0.58%

LAB 58.54, 84.16, -53.87

 

Description

Color code: HEX #EE933C | qconv.com Color code: HEX #EE933C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 147 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 147 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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