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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE8325 it is the complementary color #117CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE8325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EE8325: #F38320, #FF9533, #FFA746, #FFB959 and #FFCB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE8325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EE8325: #EE8325, #DD7112, #CC5F00, #BB4D00 and #AA3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

Complementary color

CMYK 92 / 43 / 0 / 15

HEX #117CDA

RGB 17 124 218

HSL 208.06, 0.86%, 0.46%

LAB 51.38, 7.44, -55.66

 

CMYK 0 / 46 / 87 / 5

HEX #F38320

RGB 243 131 32

HSL 28.15, 0.9%, 0.54%

LAB 66.05, 37, 66.18

 

CMYK 0 / 42 / 80 / 0

HEX #FF9533

RGB 255 149 51

HSL 28.82, 1%, 0.6%

LAB 71.55, 33.09, 64.94

 

CMYK 0 / 35 / 73 / 0

HEX #FFA746

RGB 255 167 70

HSL 31.46, 1%, 0.64%

LAB 75.66, 24.48, 61.21

 

CMYK 0 / 27 / 65 / 0

HEX #FFB959

RGB 255 185 89

HSL 34.7, 1%, 0.67%

LAB 80, 16.06, 57.38

 

CMYK 0 / 20 / 58 / 0

HEX #FFCB6C

RGB 255 203 108

HSL 38.78, 1%, 0.71%

LAB 84.51, 7.96, 53.67

 

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

CMYK 0 / 49 / 92 / 13

HEX #DD7112

RGB 221 113 18

HSL 28.08, 0.85%, 0.47%

LAB 59.18, 37.14, 63.48

 

CMYK 0 / 53 / 100 / 20

HEX #CC5F00

RGB 204 95 0

HSL 27.94, 1%, 0.4%

LAB 52.97, 39.29, 61.85

 

CMYK 0 / 59 / 100 / 27

HEX #BB4D00

RGB 187 77 0

HSL 24.71, 1%, 0.37%

LAB 46.81, 41.52, 56.93

 

CMYK 0 / 65 / 100 / 33

HEX #AA3B00

RGB 170 59 0

HSL 20.82, 1%, 0.33%

LAB 40.69, 43.52, 52.07

 

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

CMYK 0 / 31 / 85 / 7

HEX #EEA424

RGB 238 164 36

HSL 38.02, 0.86%, 0.54%

LAB 72.8, 17.78, 70.2

 

CMYK 0 / 17 / 85 / 7

HEX #EEC624

RGB 238 198 36

HSL 48.12, 0.86%, 0.54%

LAB 81.12, -0.03, 77.04

 

CMYK 0 / 3 / 85 / 7

HEX #EEE724

RGB 238 231 36

HSL 57.92, 0.86%, 0.54%

LAB 89.61, -16.6, 83.97

 

CMYK 11 / 0 / 85 / 7

HEX #D3EE24

RGB 211 238 36

HSL 68.02, 0.86%, 0.54%

LAB 89.45, -31.03, 83.01

 

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

CMYK 0 / 44 / 85 / 87

HEX #221305

RGB 34 19 5

HSL 28.97, 0.74%, 0.08%

LAB 7.38, 5.79, 9.11

 

CMYK 0 / 45 / 85 / 67

HEX #552F0D

RGB 85 47 13

HSL 28.33, 0.73%, 0.19%

LAB 23.65, 14.37, 27.95

 

CMYK 0 / 45 / 85 / 47

HEX #884B15

RGB 136 75 21

HSL 28.17, 0.73%, 0.31%

LAB 38.41, 21.79, 40.81

 

CMYK 0 / 45 / 84 / 27

HEX #BB671D

RGB 187 103 29

HSL 28.1, 0.73%, 0.42%

LAB 52.24, 28.64, 52.61

 

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

CMYK 56 / 0 / 85 / 7

HEX #68EE24

RGB 104 238 36

HSL 99.8, 0.86%, 0.54%

LAB 84.08, -67.61, 76.3

 

CMYK 79 / 85 / 0 / 7

HEX #3224EE

RGB 50 36 238

HSL 244.16, 0.86%, 0.54%

LAB 34.22, 67.34, -95.04

 

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

CMYK 85 / 0 / 45 / 7

HEX #24EE82

RGB 36 238 130

HSL 147.92, 0.86%, 0.54%

LAB 83.51, -69.43, 39.38

 

CMYK 45 / 85 / 0 / 7

HEX #8224EE

RGB 130 36 238

HSL 267.92, 0.86%, 0.54%

LAB 41.5, 73.65, -82.75

 

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

CMYK 56 / 0 / 85 / 7

HEX #68EE24

RGB 104 238 36

HSL 99.8, 0.86%, 0.54%

LAB 84.08, -67.61, 76.3

 

CMYK 85 / 39 / 0 / 7

HEX #2490EE

RGB 36 144 238

HSL 207.92, 0.86%, 0.54%

LAB 58.5, 3.99, -55.43

 

CMYK 28 / 85 / 0 / 7

HEX #AB24EE

RGB 171 36 238

HSL 280.1, 0.86%, 0.54%

LAB 47.1, 78.95, -73.37

 

CMYK 0 / 45 / 84 / 7

HEX #EE8325

RGB 238 131 37

HSL 28.06, 0.86%, 0.54%

LAB 65.39, 35.11, 63.74

 

CMYK 82 / 0 / 85 / 7

HEX #2BEE24

RGB 43 238 36

HSL 117.92, 0.86%, 0.54%

LAB 82.8, -78.44, 74.69

 

CMYK 85 / 39 / 0 / 7

HEX #2490EE

RGB 36 144 238

HSL 207.92, 0.86%, 0.54%

LAB 58.5, 3.99, -55.43

 

CMYK 3 / 85 / 0 / 7

HEX #E724EE

RGB 231 36 238

HSL 297.92, 0.86%, 0.54%

LAB 56.51, 88.43, -57.7

 

Description

Color code: HEX #EE8325 | qconv.com Color code: HEX #EE8325 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 131 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 131 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 84 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 84% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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