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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE82A6 it is the complementary color #117D59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE82A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE82A6 shade: #F382A1, #FF94B4, #FFA6C7, #FFB8DA and #FFCAED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE82A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE82A6 shade: #EE82A6, #DD7093, #CC5E80, #BB4C6D and #AA3A5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE82A6 shade: #EE81A6, #EE8188 and #EE8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE82A6 shade: #EE81A6, #EE81C3, #EE81E0, #DE81EE and #C181EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE82A6 shade matches the following richer shades: #EE81A6 and #F976A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE82A6 shade: #EE81A6, #E28DA9, #D798AD, #CBA4B1 and #C0B0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE82A6 shade: #EE81DF, #EE81C2, #EE81A6, #EE8189 and #EE9781

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE82A6 shade: #E43972, #E95D8C, #EE81A6, #F3A6BF and #F8CAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE82A6 shade: #EE82A6, #EEDF81 and #81D1EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE82A6 shade: #EE82A6, #A6EE81 and #81A6EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE82A6 shade: #EE82A6, #EEDF81, #81EECA and #8190EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE82A6 shade: #EE82A6, #DCEE81, #81EECA and #9381EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 30 / 7

HEX #EE82A6

RGB 238 130 166

HSL 340, 0.76%, 0.72%

LAB 67.2, 45.35, -0.45

 

Complementary color

CMYK 86 / 0 / 29 / 51

HEX #117D59

RGB 17 125 89

HSL 160, 0.76%, 0.28%

LAB 46.32, -37.67, 11.69

 

CMYK 0 / 47 / 34 / 5

HEX #F382A1

RGB 243 130 161

HSL 343.54, 0.82%, 0.73%

LAB 67.72, 46.44, 3.2

 

CMYK 0 / 42 / 29 / 0

HEX #FF94B4

RGB 255 148 180

HSL 342.06, 1%, 0.79%

LAB 73.37, 43.85, 0.99

 

CMYK 0 / 35 / 22 / 0

HEX #FFA6C7

RGB 255 166 199

HSL 337.75, 1%, 0.83%

LAB 77.67, 37.18, -3.16

 

CMYK 0 / 28 / 15 / 0

HEX #FFB8DA

RGB 255 184 218

HSL 331.27, 1%, 0.86%

LAB 82.16, 30.62, -6.82

 

CMYK 0 / 21 / 7 / 0

HEX #FFCAED

RGB 255 202 237

HSL 320.38, 1%, 0.9%

LAB 86.81, 24.27, -10.07

 

CMYK 0 / 45 / 30 / 7

HEX #EE82A6

RGB 238 130 166

HSL 340, 0.76%, 0.72%

LAB 67.2, 45.35, -0.45

 

CMYK 0 / 49 / 33 / 13

HEX #DD7093

RGB 221 112 147

HSL 340.73, 0.62%, 0.65%

LAB 60.84, 46.21, 0.83

 

CMYK 0 / 54 / 37 / 20

HEX #CC5E80

RGB 204 94 128

HSL 341.45, 0.52%, 0.58%

LAB 54.45, 47.05, 2.33

 

CMYK 0 / 59 / 42 / 27

HEX #BB4C6D

RGB 187 76 109

HSL 342.16, 0.45%, 0.52%

LAB 48.06, 47.8, 4.12

 

CMYK 0 / 66 / 47 / 33

HEX #AA3A5A

RGB 170 58 90

HSL 342.86, 0.49%, 0.45%

LAB 41.71, 48.35, 6.35

 

CMYK 0 / 46 / 30 / 7

HEX #EE81A6

RGB 238 129 166

HSL 339.63, 0.76%, 0.72%

LAB 67, 45.85, -0.75

 

CMYK 0 / 46 / 43 / 7

HEX #EE8188

RGB 238 129 136

HSL 356.15, 0.76%, 0.72%

LAB 66.26, 42.39, 15.14

 

CMYK 0 / 46 / 46 / 7

HEX #EE8181

RGB 238 129 129

HSL 0, 0.76%, 0.72%

LAB 66.11, 41.68, 18.88

 

CMYK 0 / 46 / 30 / 7

HEX #EE81A6

RGB 238 129 166

HSL 339.63, 0.76%, 0.72%

LAB 67, 45.85, -0.75

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C3

RGB 238 129 195

HSL 323.67, 0.76%, 0.72%

LAB 67.89, 49.86, -15.74

 

CMYK 0 / 46 / 6 / 7

HEX #EE81E0

RGB 238 129 224

HSL 307.71, 0.76%, 0.72%

LAB 68.94, 54.46, -30.28

 

CMYK 7 / 46 / 0 / 7

HEX #DE81EE

RGB 222 129 238

HSL 291.19, 0.76%, 0.72%

LAB 67.58, 52.34, -40.27

 

CMYK 19 / 46 / 0 / 7

HEX #C181EE

RGB 193 129 238

HSL 275.23, 0.76%, 0.72%

LAB 64.33, 44.23, -45.59

 

CMYK 0 / 46 / 30 / 7

HEX #EE81A6

RGB 238 129 166

HSL 339.63, 0.76%, 0.72%

LAB 67, 45.85, -0.75

 

CMYK 0 / 53 / 35 / 2

HEX #F976A2

RGB 249 118 162

HSL 339.85, 0.92%, 0.72%

LAB 66.29, 54.4, 0.67

 

CMYK 0 / 46 / 30 / 7

HEX #EE81A6

RGB 238 129 166

HSL 339.63, 0.76%, 0.72%

LAB 67, 45.85, -0.75

 

CMYK 0 / 38 / 25 / 11

HEX #E28DA9

RGB 226 141 169

HSL 340.24, 0.59%, 0.72%

LAB 68.08, 35.89, -1.03

 

CMYK 0 / 29 / 20 / 16

HEX #D798AD

RGB 215 152 173

HSL 340, 0.44%, 0.72%

LAB 69.41, 26.65, -1.46

 

CMYK 0 / 19 / 13 / 20

HEX #CBA4B1

RGB 203 164 177

HSL 340, 0.27%, 0.72%

LAB 71.16, 16.41, -1.27

 

CMYK 0 / 8 / 6 / 25

HEX #C0B0B5

RGB 192 176 181

HSL 341.25, 0.11%, 0.72%

LAB 73.28, 6.6, -0.48

 

CMYK 0 / 46 / 6 / 7

HEX #EE81DF

RGB 238 129 223

HSL 308.26, 0.76%, 0.72%

LAB 68.9, 54.29, -29.78

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C2

RGB 238 129 194

HSL 324.22, 0.76%, 0.72%

LAB 67.85, 49.71, -15.23

 

CMYK 0 / 46 / 30 / 7

HEX #EE81A6

RGB 238 129 166

HSL 339.63, 0.76%, 0.72%

LAB 67, 45.85, -0.75

 

CMYK 0 / 46 / 42 / 7

HEX #EE8189

RGB 238 129 137

HSL 355.6, 0.76%, 0.72%

LAB 66.28, 42.49, 14.61

 

CMYK 0 / 37 / 46 / 7

HEX #EE9781

RGB 238 151 129

HSL 12.11, 0.76%, 0.72%

LAB 70.8, 30.27, 25.25

 

CMYK 0 / 75 / 50 / 11

HEX #E43972

RGB 228 57 114

HSL 340, 0.76%, 0.56%

LAB 52.55, 67.95, 8.46

 

CMYK 0 / 60 / 40 / 9

HEX #E95D8C

RGB 233 93 140

HSL 339.86, 0.76%, 0.64%

LAB 59.02, 58.25, 2.45

 

CMYK 0 / 46 / 30 / 7

HEX #EE81A6

RGB 238 129 166

HSL 339.63, 0.76%, 0.72%

LAB 67, 45.85, -0.75

 

CMYK 0 / 32 / 21 / 5

HEX #F3A6BF

RGB 243 166 191

HSL 340.52, 0.76%, 0.8%

LAB 76.12, 31.84, -1.21

 

CMYK 0 / 19 / 13 / 3

HEX #F8CAD9

RGB 248 202 217

HSL 340.43, 0.77%, 0.88%

LAB 85.61, 18.58, -1.29

 

CMYK 0 / 45 / 30 / 7

HEX #EE82A6

RGB 238 130 166

HSL 340, 0.76%, 0.72%

LAB 67.2, 45.35, -0.45

 

CMYK 0 / 6 / 46 / 7

HEX #EEDF81

RGB 238 223 129

HSL 51.74, 0.76%, 0.72%

LAB 88.23, -7.36, 47.69

 

CMYK 46 / 12 / 0 / 7

HEX #81D1EE

RGB 129 209 238

HSL 195.96, 0.76%, 0.72%

LAB 79.86, -17.02, -21.92

 

CMYK 0 / 45 / 30 / 7

HEX #EE82A6

RGB 238 130 166

HSL 340, 0.76%, 0.72%

LAB 67.2, 45.35, -0.45

 

CMYK 30 / 0 / 46 / 7

HEX #A6EE81

RGB 166 238 129

HSL 99.63, 0.76%, 0.72%

LAB 87.41, -41.39, 45.6

 

CMYK 46 / 30 / 0 / 7

HEX #81A6EE

RGB 129 166 238

HSL 219.63, 0.76%, 0.72%

LAB 68.1, 6.22, -40.04

 

CMYK 0 / 45 / 30 / 7

HEX #EE82A6

RGB 238 130 166

HSL 340, 0.76%, 0.72%

LAB 67.2, 45.35, -0.45

 

CMYK 0 / 6 / 46 / 7

HEX #EEDF81

RGB 238 223 129

HSL 51.74, 0.76%, 0.72%

LAB 88.23, -7.36, 47.69

 

CMYK 46 / 0 / 15 / 7

HEX #81EECA

RGB 129 238 202

HSL 160.18, 0.76%, 0.72%

LAB 87.04, -39.72, 7.75

 

CMYK 46 / 39 / 0 / 7

HEX #8190EE

RGB 129 144 238

HSL 231.74, 0.76%, 0.72%

LAB 62.33, 18.91, -49.12

 

CMYK 0 / 45 / 30 / 7

HEX #EE82A6

RGB 238 130 166

HSL 340, 0.76%, 0.72%

LAB 67.2, 45.35, -0.45

 

CMYK 8 / 0 / 46 / 7

HEX #DCEE81

RGB 220 238 129

HSL 69.91, 0.76%, 0.72%

LAB 90.76, -21.79, 50.49

 

CMYK 46 / 0 / 15 / 7

HEX #81EECA

RGB 129 238 202

HSL 160.18, 0.76%, 0.72%

LAB 87.04, -39.72, 7.75

 

CMYK 38 / 46 / 0 / 7

HEX #9381EE

RGB 147 129 238

HSL 249.91, 0.76%, 0.72%

LAB 59.96, 32.05, -52.79

 

Description

Color code: HEX #EE82A6 | qconv.com Color code: HEX #EE82A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 130 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 130 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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