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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 37 / 46 / 7 it is the complementary color CMYK 86 / 17 / 0 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 37 / 46 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 37 / 46 / 7: CMYK 0 / 38 / 49 / 5, CMYK 0 / 35 / 44 / 0, CMYK 0 / 27 / 37 / 0, CMYK 0 / 20 / 29 / 0 and CMYK 0 / 13 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 37 / 46 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 37 / 46 / 7: CMYK 0 / 37 / 46 / 7, CMYK 0 / 40 / 50 / 14, CMYK 0 / 44 / 56 / 20, CMYK 0 / 49 / 62 / 27 and CMYK 0 / 54 / 69 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

Complementary color

CMYK 86 / 17 / 0 / 50

HEX #126A7F

RGB 18 106 127

HSL 191.56, 0.75%, 0.28%

LAB 41.17, -16.55, -18.62

 

CMYK 0 / 38 / 49 / 5

HEX #F2957B

RGB 242 149 123

HSL 13.11, 0.82%, 0.72%

LAB 70.73, 32.29, 28.52

 

CMYK 0 / 35 / 44 / 0

HEX #FFA78E

RGB 255 167 142

HSL 13.27, 1%, 0.78%

LAB 76.59, 29.69, 26.32

 

CMYK 0 / 27 / 37 / 0

HEX #FFB9A1

RGB 255 185 161

HSL 15.32, 1%, 0.82%

LAB 81.03, 22.32, 22.19

 

CMYK 0 / 20 / 29 / 0

HEX #FFCBB4

RGB 255 203 180

HSL 18.4, 1%, 0.85%

LAB 85.64, 15.22, 18.48

 

CMYK 0 / 13 / 22 / 0

HEX #FFDDC7

RGB 255 221 199

HSL 23.57, 1%, 0.89%

LAB 90.37, 8.45, 15.13

 

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

CMYK 0 / 40 / 50 / 14

HEX #DC836D

RGB 220 131 109

HSL 11.89, 0.61%, 0.65%

LAB 63.8, 31.96, 26.56

 

CMYK 0 / 44 / 56 / 20

HEX #CB715A

RGB 203 113 90

HSL 12.21, 0.52%, 0.57%

LAB 57.31, 33.2, 28.33

 

CMYK 0 / 49 / 62 / 27

HEX #BA5F47

RGB 186 95 71

HSL 12.52, 0.45%, 0.5%

LAB 50.78, 34.55, 30.33

 

CMYK 0 / 54 / 69 / 34

HEX #A94D34

RGB 169 77 52

HSL 12.82, 0.53%, 0.43%

LAB 44.22, 36.01, 32.62

 

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

CMYK 0 / 30 / 45 / 7

HEX #EDA782

RGB 237 167 130

HSL 20.75, 0.75%, 0.72%

LAB 74.35, 21.51, 29.42

 

CMYK 0 / 22 / 45 / 7

HEX #EDB982

RGB 237 185 130

HSL 30.84, 0.75%, 0.72%

LAB 78.64, 11.97, 35.04

 

CMYK 0 / 14 / 45 / 7

HEX #EDCB82

RGB 237 203 130

HSL 40.93, 0.75%, 0.72%

LAB 83.09, 2.55, 40.74

 

CMYK 0 / 7 / 45 / 7

HEX #EDDD82

RGB 237 221 130

HSL 51.03, 0.75%, 0.72%

LAB 87.64, -6.66, 46.46

 

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

CMYK 0 / 36 / 45 / 87

HEX #211512

RGB 33 21 18

HSL 12, 0.29%, 0.1%

LAB 8.16, 5.59, 4.14

 

CMYK 0 / 37 / 46 / 67

HEX #54352D

RGB 84 53 45

HSL 12.31, 0.3%, 0.25%

LAB 25.62, 12.83, 10.76

 

CMYK 0 / 37 / 46 / 47

HEX #875549

RGB 135 85 73

HSL 11.61, 0.3%, 0.41%

LAB 41.42, 19.31, 15.64

 

CMYK 0 / 37 / 46 / 27

HEX #BA7564

RGB 186 117 100

HSL 11.86, 0.38%, 0.56%

LAB 56.17, 25.19, 20.72

 

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

CMYK 17 / 0 / 45 / 7

HEX #C4ED82

RGB 196 237 130

HSL 82.99, 0.75%, 0.72%

LAB 88.88, -30.24, 47.34

 

CMYK 45 / 35 / 0 / 7

HEX #8299ED

RGB 130 153 237

HSL 227.1, 0.75%, 0.72%

LAB 64.68, 13.62, -44.85

 

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

CMYK 45 / 0 / 37 / 7

HEX #82ED95

RGB 130 237 149

HSL 130.65, 0.75%, 0.72%

LAB 85.75, -49.12, 33.28

 

CMYK 37 / 45 / 0 / 7

HEX #9582ED

RGB 149 130 237

HSL 250.65, 0.75%, 0.72%

LAB 60.31, 31.71, -51.67

 

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

CMYK 17 / 0 / 45 / 7

HEX #C4ED82

RGB 196 237 130

HSL 82.99, 0.75%, 0.72%

LAB 88.88, -30.24, 47.34

 

CMYK 45 / 8 / 0 / 7

HEX #82D9ED

RGB 130 217 237

HSL 191.21, 0.75%, 0.72%

LAB 82.1, -21.1, -18

 

CMYK 28 / 45 / 0 / 7

HEX #AB82ED

RGB 171 130 237

HSL 262.99, 0.75%, 0.72%

LAB 62.29, 37.45, -48.41

 

CMYK 0 / 37 / 46 / 7

HEX #ED9580

RGB 237 149 128

HSL 11.56, 0.75%, 0.72%

LAB 70.22, 30.84, 24.99

 

CMYK 31 / 0 / 45 / 7

HEX #A3ED82

RGB 163 237 130

HSL 101.5, 0.75%, 0.72%

LAB 86.98, -41.83, 44.55

 

CMYK 45 / 8 / 0 / 7

HEX #82D9ED

RGB 130 217 237

HSL 191.21, 0.75%, 0.72%

LAB 82.1, -21.1, -18

 

CMYK 14 / 45 / 0 / 7

HEX #CB82ED

RGB 203 130 237

HSL 280.93, 0.75%, 0.72%

LAB 65.57, 46.28, -43.01

 

Description

Color code: CMYK 0 / 37 / 46 / 7 | qconv.com Color code: CMYK 0 / 37 / 46 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 149 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 149 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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