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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE6860 it is the complementary color #11979F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE6860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EE6860: #F3685B, #FF7A6E, #FF8C81, #FF9E94 and #FFB0A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE6860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EE6860: #EE6860, #DD564D, #CC443A, #BB3227 and #AA2014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

Complementary color

CMYK 89 / 5 / 0 / 38

HEX #11979F

RGB 17 151 159

HSL 183.38, 0.81%, 0.35%

LAB 56.84, -29.2, -13.55

 

CMYK 0 / 57 / 63 / 5

HEX #F3685B

RGB 243 104 91

HSL 5.13, 0.86%, 0.65%

LAB 61.4, 52.57, 34.16

 

CMYK 0 / 52 / 57 / 0

HEX #FF7A6E

RGB 255 122 110

HSL 4.97, 1%, 0.72%

LAB 66.75, 49.65, 30.78

 

CMYK 0 / 45 / 49 / 0

HEX #FF8C81

RGB 255 140 129

HSL 5.24, 1%, 0.75%

LAB 70.6, 42.34, 25.35

 

CMYK 0 / 38 / 42 / 0

HEX #FF9E94

RGB 255 158 148

HSL 5.61, 1%, 0.79%

LAB 74.73, 34.99, 20.54

 

CMYK 0 / 31 / 35 / 0

HEX #FFB0A7

RGB 255 176 167

HSL 6.14, 1%, 0.83%

LAB 79.1, 27.74, 16.29

 

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

CMYK 0 / 61 / 65 / 13

HEX #DD564D

RGB 221 86 77

HSL 3.75, 0.68%, 0.58%

LAB 54.62, 52.22, 32.87

 

CMYK 0 / 67 / 72 / 20

HEX #CC443A

RGB 204 68 58

HSL 4.11, 0.59%, 0.51%

LAB 48.61, 53.15, 35.81

 

CMYK 0 / 73 / 79 / 27

HEX #BB3227

RGB 187 50 39

HSL 4.46, 0.65%, 0.44%

LAB 42.75, 53.76, 39.14

 

CMYK 0 / 81 / 88 / 33

HEX #AA2014

RGB 170 32 20

HSL 4.8, 0.79%, 0.37%

LAB 37.17, 53.75, 42.55

 

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

CMYK 0 / 48 / 61 / 7

HEX #EE7C5D

RGB 238 124 93

HSL 12.83, 0.81%, 0.65%

LAB 64.47, 41.23, 36.71

 

CMYK 0 / 38 / 61 / 7

HEX #EE945D

RGB 238 148 93

HSL 22.76, 0.81%, 0.65%

LAB 69.57, 28.83, 42.92

 

CMYK 0 / 28 / 61 / 7

HEX #EEAC5D

RGB 238 172 93

HSL 32.69, 0.81%, 0.65%

LAB 75.12, 16.14, 49.47

 

CMYK 0 / 17 / 61 / 7

HEX #EEC55D

RGB 238 197 93

HSL 43.03, 0.81%, 0.65%

LAB 81.24, 3.02, 56.46

 

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

CMYK 0 / 56 / 59 / 87

HEX #220F0E

RGB 34 15 14

HSL 3, 0.42%, 0.09%

LAB 6.44, 9.42, 3.88

 

CMYK 0 / 56 / 60 / 67

HEX #552522

RGB 85 37 34

HSL 3.53, 0.43%, 0.23%

LAB 21.47, 21.98, 12.58

 

CMYK 0 / 57 / 60 / 47

HEX #883B37

RGB 136 59 55

HSL 2.96, 0.42%, 0.37%

LAB 35.28, 32.61, 18.61

 

CMYK 0 / 56 / 60 / 27

HEX #BB524B

RGB 187 82 75

HSL 3.75, 0.45%, 0.51%

LAB 48.4, 41.86, 25.04

 

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5D

RGB 201 238 93

HSL 75.31, 0.81%, 0.65%

LAB 89.09, -32.23, 64.33

 

CMYK 61 / 39 / 0 / 7

HEX #5D90EE

RGB 93 144 238

HSL 218.9, 0.81%, 0.65%

LAB 60.29, 11.29, -52.48

 

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

CMYK 61 / 0 / 58 / 7

HEX #5DEE64

RGB 93 238 100

HSL 122.9, 0.81%, 0.65%

LAB 84.17, -65.42, 54.44

 

CMYK 58 / 61 / 0 / 7

HEX #645DEE

RGB 100 93 238

HSL 242.9, 0.81%, 0.65%

LAB 47.89, 43.25, -72.4

 

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

CMYK 16 / 0 / 61 / 7

HEX #C9EE5D

RGB 201 238 93

HSL 75.31, 0.81%, 0.65%

LAB 89.09, -32.23, 64.33

 

CMYK 61 / 3 / 0 / 7

HEX #5DE6EE

RGB 93 230 238

HSL 183.31, 0.81%, 0.65%

LAB 84.53, -34.48, -15

 

CMYK 46 / 61 / 0 / 7

HEX #815DEE

RGB 129 93 238

HSL 254.9, 0.81%, 0.65%

LAB 50.3, 48.51, -68.39

 

CMYK 0 / 56 / 60 / 7

HEX #EE6860

RGB 238 104 96

HSL 3.38, 0.81%, 0.65%

LAB 60.71, 51.15, 30.32

 

CMYK 34 / 0 / 61 / 7

HEX #9EEE5D

RGB 158 238 93

HSL 93.1, 0.81%, 0.65%

LAB 86.61, -47.87, 60.89

 

CMYK 61 / 3 / 0 / 7

HEX #5DE6EE

RGB 93 230 238

HSL 183.31, 0.81%, 0.65%

LAB 84.53, -34.48, -15

 

CMYK 28 / 61 / 0 / 7

HEX #AC5DEE

RGB 172 93 238

HSL 272.69, 0.81%, 0.65%

LAB 54.84, 57.63, -60.84

 

Description

Color code: HEX #EE6860 | qconv.com Color code: HEX #EE6860 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 104 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 104 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 60% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Crowdfunding para pr...
Link: http://www.fromlab.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RGBA

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NCS® to CMYK

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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