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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE3A2F it is the complementary color #11C5D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE3A2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE3A2F shade: #F33A2A, #FF4C3D, #FF5E50, #FF7063 and #FF8276

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE3A2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE3A2F shade: #EE3A2F, #DD281C, #CC1609, #BB0400 and #AA0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE3A2F shade: #EE3A2F and #EE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE3A2F shade: #EE3A2F, #EE6D2F, #EEA12F, #EED42F and #D4EE2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE3A2F shade matches the following richer shades: #EE3A2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE3A2F shade: #EE3A2F, #DC4A41, #C95A53, #B76A65 and #A57A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE3A2F shade: #EE2F8B, #EE2F58, #EE382F, #EE6B2F and #EE9E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE3A2F shade: #BB190F, #E21E12, #EE3A2F, #F15E55 and #F4827B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE3A2F shade: #EE3A2F, #BEEE2F and #2F72EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE3A2F shade: #EE3A2F, #2FEE38 and #382FEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE3A2F shade: #EE3A2F, #BEEE2F, #2FE4EE and #5F2FEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE3A2F shade: #EE3A2F, #85EE2F, #2FE4EE and #982FEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

Complementary color

CMYK 92 / 5 / 0 / 18

HEX #11C5D0

RGB 17 197 208

HSL 183.46, 0.85%, 0.44%

LAB 72.63, -35.72, -16.98

 

CMYK 0 / 76 / 83 / 5

HEX #F33A2A

RGB 243 58 42

HSL 4.78, 0.89%, 0.56%

LAB 54.29, 68.24, 52.38

 

CMYK 0 / 70 / 76 / 0

HEX #FF4C3D

RGB 255 76 61

HSL 4.64, 1%, 0.62%

LAB 58.76, 66.51, 47.91

 

CMYK 0 / 63 / 69 / 0

HEX #FF5E50

RGB 255 94 80

HSL 4.8, 1%, 0.66%

LAB 61.52, 60.38, 40.82

 

CMYK 0 / 56 / 61 / 0

HEX #FF7063

RGB 255 112 99

HSL 5, 1%, 0.69%

LAB 64.76, 53.58, 34.32

 

CMYK 0 / 49 / 54 / 0

HEX #FF8276

RGB 255 130 118

HSL 5.26, 1%, 0.73%

LAB 68.41, 46.38, 28.52

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 0 / 82 / 87 / 13

HEX #DD281C

RGB 221 40 28

HSL 3.73, 0.78%, 0.49%

LAB 48.23, 66.55, 52.04

 

CMYK 0 / 89 / 96 / 20

HEX #CC1609

RGB 204 22 9

HSL 4, 0.92%, 0.42%

LAB 43.41, 65.31, 54.26

 

CMYK 0 / 98 / 100 / 27

HEX #BB0400

RGB 187 4 0

HSL 1.28, 1%, 0.37%

LAB 38.99, 63.02, 53.29

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 0 / 80 / 80 / 7

HEX #EE2F2F

RGB 238 47 47

HSL 0, 0.85%, 0.56%

LAB 52.3, 69.98, 47.65

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 0 / 54 / 80 / 7

HEX #EE6D2F

RGB 238 109 47

HSL 19.48, 0.85%, 0.56%

LAB 61.06, 46.37, 56.03

 

CMYK 0 / 32 / 80 / 7

HEX #EEA12F

RGB 238 161 47

HSL 35.81, 0.85%, 0.56%

LAB 72.14, 19.67, 66.16

 

CMYK 0 / 11 / 80 / 7

HEX #EED42F

RGB 238 212 47

HSL 51.83, 0.85%, 0.56%

LAB 84.73, -6.88, 77.25

 

CMYK 11 / 0 / 80 / 7

HEX #D4EE2F

RGB 212 238 47

HSL 68.17, 0.85%, 0.56%

LAB 89.56, -30.31, 80.66

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 0 / 66 / 70 / 14

HEX #DC4A41

RGB 220 74 65

HSL 3.48, 0.69%, 0.56%

LAB 52.39, 56.34, 36.96

 

CMYK 0 / 55 / 59 / 21

HEX #C95A53

RGB 201 90 83

HSL 3.56, 0.52%, 0.56%

LAB 52.24, 43.66, 25.74

 

CMYK 0 / 42 / 45 / 28

HEX #B76A65

RGB 183 106 101

HSL 3.66, 0.36%, 0.56%

LAB 53.29, 30.14, 16.17

 

CMYK 0 / 26 / 27 / 35

HEX #A57A78

RGB 165 122 120

HSL 2.67, 0.2%, 0.56%

LAB 55.35, 16.46, 7.66

 

CMYK 0 / 80 / 42 / 7

HEX #EE2F8B

RGB 238 47 139

HSL 331.1, 0.85%, 0.56%

LAB 54.11, 75.42, -4.04

 

CMYK 0 / 80 / 63 / 7

HEX #EE2F58

RGB 238 47 88

HSL 347.12, 0.85%, 0.56%

LAB 52.86, 71.67, 24.83

 

CMYK 0 / 76 / 80 / 7

HEX #EE382F

RGB 238 56 47

HSL 2.83, 0.85%, 0.56%

LAB 53.18, 67.51, 48.51

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 0 / 34 / 80 / 7

HEX #EE9E2F

RGB 238 158 47

HSL 34.87, 0.85%, 0.56%

LAB 71.44, 21.26, 65.53

 

CMYK 0 / 87 / 92 / 27

HEX #BB190F

RGB 187 25 15

HSL 3.49, 0.85%, 0.4%

LAB 40.07, 60.23, 48.42

 

CMYK 0 / 87 / 92 / 11

HEX #E21E12

RGB 226 30 18

HSL 3.46, 0.85%, 0.48%

LAB 48.44, 69.86, 56.65

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 0 / 61 / 65 / 5

HEX #F15E55

RGB 241 94 85

HSL 3.46, 0.85%, 0.64%

LAB 59.31, 55.99, 34.85

 

CMYK 0 / 47 / 50 / 4

HEX #F4827B

RGB 244 130 123

HSL 3.47, 0.85%, 0.72%

LAB 67, 42.81, 23.59

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 20 / 0 / 80 / 7

HEX #BEEE2F

RGB 190 238 47

HSL 75.08, 0.85%, 0.56%

LAB 88.11, -38.98, 78.83

 

CMYK 80 / 52 / 0 / 7

HEX #2F72EE

RGB 47 114 238

HSL 218.95, 0.85%, 0.56%

LAB 50.47, 23.37, -68.34

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 80 / 0 / 76 / 7

HEX #2FEE38

RGB 47 238 56

HSL 122.83, 0.85%, 0.56%

LAB 82.93, -76.94, 69.62

 

CMYK 76 / 80 / 0 / 7

HEX #382FEE

RGB 56 47 238

HSL 242.83, 0.85%, 0.56%

LAB 36.07, 63.1, -91.94

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 20 / 0 / 80 / 7

HEX #BEEE2F

RGB 190 238 47

HSL 75.08, 0.85%, 0.56%

LAB 88.11, -38.98, 78.83

 

CMYK 80 / 4 / 0 / 7

HEX #2FE4EE

RGB 47 228 238

HSL 183.14, 0.85%, 0.56%

LAB 83.05, -39.15, -17.31

 

CMYK 60 / 80 / 0 / 7

HEX #5F2FEE

RGB 95 47 238

HSL 255.08, 0.85%, 0.56%

LAB 38.97, 66.16, -87.07

 

CMYK 0 / 76 / 80 / 7

HEX #EE3A2F

RGB 238 58 47

HSL 3.46, 0.85%, 0.56%

LAB 53.39, 66.91, 48.72

 

CMYK 44 / 0 / 80 / 7

HEX #85EE2F

RGB 133 238 47

HSL 92.98, 0.85%, 0.56%

LAB 85.17, -59.02, 75.08

 

CMYK 80 / 4 / 0 / 7

HEX #2FE4EE

RGB 47 228 238

HSL 183.14, 0.85%, 0.56%

LAB 83.05, -39.15, -17.31

 

CMYK 36 / 80 / 0 / 7

HEX #982FEE

RGB 152 47 238

HSL 272.98, 0.85%, 0.56%

LAB 45.47, 73.18, -76.13

 

Description

Color code: HEX #EE3A2F | qconv.com Color code: HEX #EE3A2F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 58 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 58 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 80% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Animal Farm :: Home
Link: http://www.animalfarmamsterdam.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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