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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE6B2F it is the complementary color #1194D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE6B2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE6B2F shade: #F36B2A, #FF7D3D, #FF8F50, #FFA163 and #FFB376

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE6B2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE6B2F shade: #EE6B2F, #DD591C, #CC4709, #BB3500 and #AA2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE6B2F shade: #EE6B2F, #EE372F and #EE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE6B2F shade: #EE6B2F, #EE9E2F, #EED22F, #D6EE2F and #A3EE2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE6B2F shade matches the following richer shades: #EE6B2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE6B2F shade: #EE6B2F, #DC7241, #C97853, #B77F65 and #A58678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE6B2F shade: #EE2F5B, #EE352F, #EE682F, #EE9B2F and #EECE2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE6B2F shade: #BB450F, #E25312, #EE6B2F, #F18655 and #F4A17B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE6B2F shade: #EE6B2F, #8EEE2F and #2F42EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE6B2F shade: #EE6B2F, #2FEE68 and #682FEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE6B2F shade: #EE6B2F, #8EEE2F, #2FB4EE and #8E2FEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE6B2F shade: #EE6B2F, #55EE2F, #2FB4EE and #C82FEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

Complementary color

CMYK 92 / 29 / 0 / 18

HEX #1194D0

RGB 17 148 208

HSL 198.85, 0.85%, 0.44%

LAB 57.9, -10.57, -39.68

 

CMYK 0 / 56 / 83 / 5

HEX #F36B2A

RGB 243 107 42

HSL 19.4, 0.89%, 0.56%

LAB 61.43, 49.02, 58.75

 

CMYK 0 / 51 / 76 / 0

HEX #FF7D3D

RGB 255 125 61

HSL 19.79, 1%, 0.62%

LAB 66.72, 45.49, 56.12

 

CMYK 0 / 44 / 69 / 0

HEX #FF8F50

RGB 255 143 80

HSL 21.6, 1%, 0.66%

LAB 70.51, 37.37, 51.11

 

CMYK 0 / 37 / 61 / 0

HEX #FFA163

RGB 255 161 99

HSL 23.85, 1%, 0.69%

LAB 74.6, 29.22, 46.37

 

CMYK 0 / 30 / 54 / 0

HEX #FFB376

RGB 255 179 118

HSL 26.72, 1%, 0.73%

LAB 78.93, 21.23, 41.99

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 0 / 60 / 87 / 13

HEX #DD591C

RGB 221 89 28

HSL 18.96, 0.78%, 0.49%

LAB 54.66, 48.98, 57.1

 

CMYK 0 / 65 / 96 / 20

HEX #CC4709

RGB 204 71 9

HSL 19.08, 0.92%, 0.42%

LAB 48.71, 50.57, 57.3

 

CMYK 0 / 72 / 100 / 27

HEX #BB3500

RGB 187 53 0

HSL 17.01, 1%, 0.37%

LAB 42.93, 51.9, 54.93

 

CMYK 0 / 79 / 100 / 33

HEX #AA2300

RGB 170 35 0

HSL 12.35, 1%, 0.33%

LAB 37.39, 52.58, 50.5

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 0 / 77 / 80 / 7

HEX #EE372F

RGB 238 55 47

HSL 2.51, 0.85%, 0.56%

LAB 53.07, 67.8, 48.41

 

CMYK 0 / 80 / 80 / 7

HEX #EE2F2F

RGB 238 47 47

HSL 0, 0.85%, 0.56%

LAB 52.3, 69.98, 47.65

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 0 / 34 / 80 / 7

HEX #EE9E2F

RGB 238 158 47

HSL 34.87, 0.85%, 0.56%

LAB 71.44, 21.26, 65.53

 

CMYK 0 / 12 / 80 / 7

HEX #EED22F

RGB 238 210 47

HSL 51.2, 0.85%, 0.56%

LAB 84.21, -5.87, 76.8

 

CMYK 10 / 0 / 80 / 7

HEX #D6EE2F

RGB 214 238 47

HSL 67.54, 0.85%, 0.56%

LAB 89.7, -29.5, 80.83

 

CMYK 32 / 0 / 80 / 7

HEX #A3EE2F

RGB 163 238 47

HSL 83.56, 0.85%, 0.56%

LAB 86.57, -49.02, 76.88

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 0 / 48 / 70 / 14

HEX #DC7241

RGB 220 114 65

HSL 18.97, 0.69%, 0.56%

LAB 59.55, 37.72, 45.09

 

CMYK 0 / 40 / 59 / 21

HEX #C97853

RGB 201 120 83

HSL 18.81, 0.52%, 0.56%

LAB 58.49, 28.1, 33.64

 

CMYK 0 / 31 / 45 / 28

HEX #B77F65

RGB 183 127 101

HSL 19.02, 0.36%, 0.56%

LAB 58.21, 18.52, 22.83

 

CMYK 0 / 19 / 27 / 35

HEX #A58678

RGB 165 134 120

HSL 18.67, 0.2%, 0.56%

LAB 58.42, 9.65, 11.99

 

CMYK 0 / 80 / 62 / 7

HEX #EE2F5B

RGB 238 47 91

HSL 346.18, 0.85%, 0.56%

LAB 52.91, 71.84, 23.1

 

CMYK 0 / 78 / 80 / 7

HEX #EE352F

RGB 238 53 47

HSL 1.88, 0.85%, 0.56%

LAB 52.87, 68.38, 48.21

 

CMYK 0 / 56 / 80 / 7

HEX #EE682F

RGB 238 104 47

HSL 17.91, 0.85%, 0.56%

LAB 60.14, 48.73, 55.17

 

CMYK 0 / 35 / 80 / 7

HEX #EE9B2F

RGB 238 155 47

HSL 33.93, 0.85%, 0.56%

LAB 70.75, 22.85, 64.91

 

CMYK 0 / 13 / 80 / 7

HEX #EECE2F

RGB 238 206 47

HSL 49.95, 0.85%, 0.56%

LAB 83.19, -3.83, 75.91

 

CMYK 0 / 63 / 92 / 27

HEX #BB450F

RGB 187 69 15

HSL 18.84, 0.85%, 0.4%

LAB 45.44, 45.44, 52.1

 

CMYK 0 / 63 / 92 / 11

HEX #E25312

RGB 226 83 18

HSL 18.75, 0.85%, 0.48%

LAB 54.45, 53.24, 60.56

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 0 / 44 / 65 / 5

HEX #F18655

RGB 241 134 85

HSL 18.85, 0.85%, 0.64%

LAB 66.83, 36.79, 43.89

 

CMYK 0 / 34 / 50 / 4

HEX #F4A17B

RGB 244 161 123

HSL 18.84, 0.85%, 0.72%

LAB 73.64, 26.76, 32.38

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 40 / 0 / 80 / 7

HEX #8EEE2F

RGB 142 238 47

HSL 90.16, 0.85%, 0.56%

LAB 85.56, -56.17, 75.58

 

CMYK 80 / 72 / 0 / 7

HEX #2F42EE

RGB 47 66 238

HSL 234.03, 0.85%, 0.56%

LAB 39.03, 52.86, -87.07

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 80 / 0 / 56 / 7

HEX #2FEE68

RGB 47 238 104

HSL 137.91, 0.85%, 0.56%

LAB 83.31, -72.28, 51.42

 

CMYK 56 / 80 / 0 / 7

HEX #682FEE

RGB 104 47 238

HSL 257.91, 0.85%, 0.56%

LAB 39.83, 67.08, -85.61

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 40 / 0 / 80 / 7

HEX #8EEE2F

RGB 142 238 47

HSL 90.16, 0.85%, 0.56%

LAB 85.56, -56.17, 75.58

 

CMYK 80 / 24 / 0 / 7

HEX #2FB4EE

RGB 47 180 238

HSL 198.22, 0.85%, 0.56%

LAB 69.05, -15.45, -38.77

 

CMYK 40 / 80 / 0 / 7

HEX #8E2FEE

RGB 142 47 238

HSL 269.84, 0.85%, 0.56%

LAB 44.17, 71.76, -78.31

 

CMYK 0 / 55 / 80 / 7

HEX #EE6B2F

RGB 238 107 47

HSL 18.85, 0.85%, 0.56%

LAB 60.69, 47.32, 55.68

 

CMYK 64 / 0 / 80 / 7

HEX #55EE2F

RGB 85 238 47

HSL 108.06, 0.85%, 0.56%

LAB 83.59, -71.46, 73.06

 

CMYK 80 / 24 / 0 / 7

HEX #2FB4EE

RGB 47 180 238

HSL 198.22, 0.85%, 0.56%

LAB 69.05, -15.45, -38.77

 

CMYK 16 / 80 / 0 / 7

HEX #C82FEE

RGB 200 47 238

HSL 288.06, 0.85%, 0.56%

LAB 52.38, 80.78, -64.59

 

Description

Color code: HEX #EE6B2F | qconv.com Color code: HEX #EE6B2F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 107 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 107 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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