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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDDBCF it is the complementary color #122430. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDDBCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EDDBCF: #F2DBCA, #FFEDDD, #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDDBCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EDDBCF: #EDDBCF, #DCC9BC, #CBB7A9, #BAA596 and #A99383

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

Complementary color

CMYK 63 / 25 / 0 / 81

HEX #122430

RGB 18 36 48

HSL 204, 0.45%, 0.13%

LAB 13.25, -3.12, -10.18

 

CMYK 0 / 10 / 17 / 5

HEX #F2DBCA

RGB 242 219 202

HSL 25.5, 0.61%, 0.87%

LAB 88.83, 5.22, 11.23

 

CMYK 0 / 7 / 13 / 0

HEX #FFEDDD

RGB 255 237 221

HSL 28.24, 1%, 0.93%

LAB 94.76, 3.51, 9.93

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 0 / 9 / 15 / 14

HEX #DCC9BC

RGB 220 201 188

HSL 24.38, 0.31%, 0.8%

LAB 82.17, 4.51, 8.89

 

CMYK 0 / 10 / 17 / 20

HEX #CBB7A9

RGB 203 183 169

HSL 24.71, 0.25%, 0.73%

LAB 75.72, 4.83, 9.7

 

CMYK 0 / 11 / 19 / 27

HEX #BAA596

RGB 186 165 150

HSL 25, 0.21%, 0.66%

LAB 69.15, 5.19, 10.56

 

CMYK 0 / 13 / 22 / 34

HEX #A99383

RGB 169 147 131

HSL 25.26, 0.18%, 0.59%

LAB 62.46, 5.6, 11.48

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 0 / 6 / 13 / 7

HEX #ECDFCE

RGB 236 223 206

HSL 34, 0.44%, 0.87%

LAB 89.42, 1.64, 9.91

 

CMYK 0 / 3 / 13 / 7

HEX #ECE4CE

RGB 236 228 206

HSL 44, 0.44%, 0.87%

LAB 90.68, -0.93, 11.7

 

CMYK 0 / 1 / 13 / 7

HEX #ECE9CE

RGB 236 233 206

HSL 54, 0.44%, 0.87%

LAB 91.94, -3.48, 13.49

 

CMYK 1 / 0 / 13 / 7

HEX #EAECCE

RGB 234 236 206

HSL 64, 0.44%, 0.87%

LAB 92.55, -5.7, 14.33

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 0 / 9 / 12 / 87

HEX #211E1D

RGB 33 30 29

HSL 15, 0.06%, 0.12%

LAB 11.56, 1.2, 1.2

 

CMYK 0 / 7 / 13 / 67

HEX #544E49

RGB 84 78 73

HSL 27.27, 0.07%, 0.31%

LAB 33.59, 1.48, 3.84

 

CMYK 0 / 7 / 13 / 47

HEX #877D76

RGB 135 125 118

HSL 24.71, 0.07%, 0.5%

LAB 53.09, 2.53, 5.18

 

CMYK 0 / 8 / 13 / 27

HEX #BAACA2

RGB 186 172 162

HSL 25, 0.15%, 0.68%

LAB 71.25, 3.31, 6.94

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 8 / 0 / 13 / 7

HEX #DAECCE

RGB 218 236 206

HSL 96, 0.44%, 0.87%

LAB 91.39, -11.26, 12.53

 

CMYK 13 / 13 / 0 / 7

HEX #CECEEC

RGB 206 206 236

HSL 240, 0.44%, 0.87%

LAB 83.61, 5.82, -14.75

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 13 / 0 / 8 / 7

HEX #CEECDA

RGB 206 236 218

HSL 144, 0.44%, 0.87%

LAB 90.86, -13.18, 5.42

 

CMYK 8 / 13 / 0 / 7

HEX #DACEEC

RGB 218 206 236

HSL 264, 0.44%, 0.87%

LAB 84.54, 9.69, -13.26

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 8 / 0 / 13 / 7

HEX #DAECCE

RGB 218 236 206

HSL 96, 0.44%, 0.87%

LAB 91.39, -11.26, 12.53

 

CMYK 13 / 5 / 0 / 7

HEX #CEE0EC

RGB 206 224 236

HSL 204, 0.44%, 0.87%

LAB 88.2, -3.61, -7.9

 

CMYK 5 / 13 / 0 / 7

HEX #E0CEEC

RGB 224 206 236

HSL 276, 0.44%, 0.87%

LAB 85.02, 11.66, -12.49

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 11 / 0 / 13 / 7

HEX #D1ECCE

RGB 209 236 206

HSL 114, 0.44%, 0.87%

LAB 90.78, -14.32, 11.58

 

CMYK 13 / 5 / 0 / 7

HEX #CEE0EC

RGB 206 224 236

HSL 204, 0.44%, 0.87%

LAB 88.2, -3.61, -7.9

 

CMYK 1 / 13 / 0 / 7

HEX #E9CEEC

RGB 233 206 236

HSL 294, 0.44%, 0.87%

LAB 85.77, 14.63, -11.3

 

Description

Color code: HEX #EDDBCF | qconv.com Color code: HEX #EDDBCF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 219 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 219 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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