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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDD76F it is the complementary color #122890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDD76F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDD76F shade: #F2D76A, #FFE97D, #FFFB90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDD76F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDD76F shade: #EDD76F, #DCC55C, #CBB349, #BAA136 and #A98F23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDD76F shade: #EDD76E, #EDB46E, #ED926E, #ED706E and #ED6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDD76F shade: #EDD76E, #E1ED6E, #BFED6E, #9CED6E and #7AED6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDD76F shade matches the following richer shades: #EDD76E and #FADF61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDD76F shade: #EDD76E, #E0CE7B, #D3C688, #C5BD95 and #B8B4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDD76F shade: #ED926E, #EDB46E, #EDD66E, #E2ED6E and #C0ED6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDD76F shade: #E4C224, #E9CD49, #EDD76E, #F2E192 and #F6EBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDD76F shade: #EDD76F, #6EED70 and #A36EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDD76F shade: #EDD76F, #6EEDD6 and #D66EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDD76F shade: #EDD76F, #6EED70, #6E85ED and #ED6EEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDD76F shade: #EDD76F, #6EED96, #6E85ED and #ED6EC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 53 / 7

HEX #EDD76F

RGB 237 215 111

HSL 49.52, 0.78%, 0.68%

LAB 85.88, -5.3, 53.45

 

Complementary color

CMYK 88 / 72 / 0 / 44

HEX #122890

RGB 18 40 144

HSL 229.52, 0.78%, 0.32%

LAB 22.51, 33.55, -58.9

 

CMYK 0 / 11 / 56 / 5

HEX #F2D76A

RGB 242 215 106

HSL 48.09, 0.84%, 0.68%

LAB 86.27, -3.65, 56.33

 

CMYK 0 / 9 / 51 / 0

HEX #FFE97D

RGB 255 233 125

HSL 49.85, 1%, 0.75%

LAB 92.14, -5.98, 54.68

 

CMYK 0 / 2 / 44 / 0

HEX #FFFB90

RGB 255 251 144

HSL 57.84, 1%, 0.78%

LAB 96.93, -13.17, 51.54

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 9 / 53 / 7

HEX #EDD76F

RGB 237 215 111

HSL 49.52, 0.78%, 0.68%

LAB 85.88, -5.3, 53.45

 

CMYK 0 / 10 / 58 / 14

HEX #DCC55C

RGB 220 197 92

HSL 49.22, 0.65%, 0.61%

LAB 79.57, -4.54, 54.58

 

CMYK 0 / 12 / 64 / 20

HEX #CBB349

RGB 203 179 73

HSL 48.92, 0.56%, 0.54%

LAB 73.17, -3.65, 55.61

 

CMYK 0 / 13 / 71 / 27

HEX #BAA136

RGB 186 161 54

HSL 48.64, 0.55%, 0.47%

LAB 66.67, -2.58, 56.38

 

CMYK 0 / 15 / 79 / 34

HEX #A98F23

RGB 169 143 35

HSL 48.36, 0.66%, 0.4%

LAB 60.07, -1.3, 56.61

 

CMYK 0 / 9 / 54 / 7

HEX #EDD76E

RGB 237 215 110

HSL 49.61, 0.78%, 0.68%

LAB 85.87, -5.38, 53.9

 

CMYK 0 / 24 / 54 / 7

HEX #EDB46E

RGB 237 180 110

HSL 33.07, 0.78%, 0.68%

LAB 77.14, 12.78, 43.42

 

CMYK 0 / 38 / 54 / 7

HEX #ED926E

RGB 237 146 110

HSL 17.01, 0.78%, 0.68%

LAB 69.25, 30.78, 33.51

 

CMYK 0 / 53 / 54 / 7

HEX #ED706E

RGB 237 112 110

HSL 0.94, 0.78%, 0.68%

LAB 62.27, 48.05, 24.4

 

CMYK 0 / 54 / 54 / 7

HEX #ED6E6E

RGB 237 110 110

HSL 0, 0.78%, 0.68%

LAB 61.9, 49.01, 23.9

 

CMYK 0 / 9 / 54 / 7

HEX #EDD76E

RGB 237 215 110

HSL 49.61, 0.78%, 0.68%

LAB 85.87, -5.38, 53.9

 

CMYK 5 / 0 / 54 / 7

HEX #E1ED6E

RGB 225 237 110

HSL 65.67, 0.78%, 0.68%

LAB 90.64, -21.08, 59.2

 

CMYK 19 / 0 / 54 / 7

HEX #BFED6E

RGB 191 237 110

HSL 81.73, 0.78%, 0.68%

LAB 88.34, -34.13, 55.94

 

CMYK 34 / 0 / 54 / 7

HEX #9CED6E

RGB 156 237 110

HSL 98.27, 0.78%, 0.68%

LAB 86.39, -46.47, 53.16

 

CMYK 49 / 0 / 54 / 7

HEX #7AED6E

RGB 122 237 110

HSL 114.33, 0.78%, 0.68%

LAB 84.91, -56.79, 51.04

 

CMYK 0 / 9 / 54 / 7

HEX #EDD76E

RGB 237 215 110

HSL 49.61, 0.78%, 0.68%

LAB 85.87, -5.38, 53.9

 

CMYK 0 / 11 / 61 / 2

HEX #FADF61

RGB 250 223 97

HSL 49.41, 0.94%, 0.68%

LAB 88.9, -5.05, 63.51

 

CMYK 0 / 9 / 54 / 7

HEX #EDD76E

RGB 237 215 110

HSL 49.61, 0.78%, 0.68%

LAB 85.87, -5.38, 53.9

 

CMYK 0 / 8 / 45 / 12

HEX #E0CE7B

RGB 224 206 123

HSL 49.31, 0.62%, 0.68%

LAB 82.6, -4.89, 43.4

 

CMYK 0 / 6 / 36 / 17

HEX #D3C688

RGB 211 198 136

HSL 49.6, 0.46%, 0.68%

LAB 79.62, -4.54, 32.74

 

CMYK 0 / 4 / 24 / 23

HEX #C5BD95

RGB 197 189 149

HSL 50, 0.29%, 0.68%

LAB 76.34, -3.6, 21.28

 

CMYK 0 / 2 / 11 / 28

HEX #B8B4A3

RGB 184 180 163

HSL 48.57, 0.13%, 0.68%

LAB 73.21, -1.56, 9.17

 

CMYK 0 / 38 / 54 / 7

HEX #ED926E

RGB 237 146 110

HSL 17.01, 0.78%, 0.68%

LAB 69.25, 30.78, 33.51

 

CMYK 0 / 24 / 54 / 7

HEX #EDB46E

RGB 237 180 110

HSL 33.07, 0.78%, 0.68%

LAB 77.14, 12.78, 43.42

 

CMYK 0 / 10 / 54 / 7

HEX #EDD66E

RGB 237 214 110

HSL 49.13, 0.78%, 0.68%

LAB 85.62, -4.87, 53.6

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6E

RGB 226 237 110

HSL 65.2, 0.78%, 0.68%

LAB 90.72, -20.69, 59.31

 

CMYK 19 / 0 / 54 / 7

HEX #C0ED6E

RGB 192 237 110

HSL 81.26, 0.78%, 0.68%

LAB 88.4, -33.76, 56.03

 

CMYK 0 / 15 / 84 / 11

HEX #E4C224

RGB 228 194 36

HSL 49.38, 0.78%, 0.52%

LAB 79.16, -2.27, 75.04

 

CMYK 0 / 12 / 69 / 9

HEX #E9CD49

RGB 233 205 73

HSL 49.5, 0.78%, 0.6%

LAB 82.63, -4.37, 66.34

 

CMYK 0 / 9 / 54 / 7

HEX #EDD76E

RGB 237 215 110

HSL 49.61, 0.78%, 0.68%

LAB 85.87, -5.38, 53.9

 

CMYK 0 / 7 / 40 / 5

HEX #F2E192

RGB 242 225 146

HSL 49.38, 0.79%, 0.76%

LAB 89.3, -5.09, 40.73

 

CMYK 0 / 4 / 26 / 4

HEX #F6EBB7

RGB 246 235 183

HSL 49.52, 0.78%, 0.84%

LAB 92.76, -4.19, 26.63

 

CMYK 0 / 9 / 53 / 7

HEX #EDD76F

RGB 237 215 111

HSL 49.52, 0.78%, 0.68%

LAB 85.88, -5.3, 53.45

 

CMYK 54 / 0 / 53 / 7

HEX #6EED70

RGB 110 237 112

HSL 120.94, 0.78%, 0.68%

LAB 84.51, -59.67, 49.54

 

CMYK 31 / 54 / 0 / 7

HEX #A36EED

RGB 163 110 237

HSL 265.04, 0.78%, 0.68%

LAB 57.13, 46.45, -56.66

 

CMYK 0 / 9 / 53 / 7

HEX #EDD76F

RGB 237 215 111

HSL 49.52, 0.78%, 0.68%

LAB 85.88, -5.3, 53.45

 

CMYK 54 / 0 / 10 / 7

HEX #6EEDD6

RGB 110 237 214

HSL 169.13, 0.78%, 0.68%

LAB 86.37, -40.75, 0.42

 

CMYK 10 / 54 / 0 / 7

HEX #D66EED

RGB 214 110 237

HSL 289.13, 0.78%, 0.68%

LAB 62.98, 59.38, -47

 

CMYK 0 / 9 / 53 / 7

HEX #EDD76F

RGB 237 215 111

HSL 49.52, 0.78%, 0.68%

LAB 85.88, -5.3, 53.45

 

CMYK 54 / 0 / 53 / 7

HEX #6EED70

RGB 110 237 112

HSL 120.94, 0.78%, 0.68%

LAB 84.51, -59.67, 49.54

 

CMYK 54 / 44 / 0 / 7

HEX #6E85ED

RGB 110 133 237

HSL 229.13, 0.78%, 0.68%

LAB 58.23, 20.87, -55.15

 

CMYK 0 / 54 / 1 / 7

HEX #ED6EEB

RGB 237 110 235

HSL 300.94, 0.78%, 0.68%

LAB 65.87, 65.02, -41.15

 

CMYK 0 / 9 / 53 / 7

HEX #EDD76F

RGB 237 215 111

HSL 49.52, 0.78%, 0.68%

LAB 85.88, -5.3, 53.45

 

CMYK 54 / 0 / 37 / 7

HEX #6EED96

RGB 110 237 150

HSL 138.9, 0.78%, 0.68%

LAB 85.04, -54.02, 31.71

 

CMYK 54 / 44 / 0 / 7

HEX #6E85ED

RGB 110 133 237

HSL 229.13, 0.78%, 0.68%

LAB 58.23, 20.87, -55.15

 

CMYK 0 / 54 / 17 / 7

HEX #ED6EC5

RGB 237 110 197

HSL 318.9, 0.78%, 0.68%

LAB 64.31, 59, -22.31

 

Description

Color code: HEX #EDD76F | qconv.com Color code: HEX #EDD76F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 215 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 215 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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