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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3C688 it is the complementary color #2C3977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3C688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3C688 shade: #D8C683, #E9D896, #FAEAA9, #FFFCBC and #FFFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3C688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3C688 shade: #D3C688, #C2B475, #B1A262, #A0904F and #8F7E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3C688 shade: #D2C587, #D2B187, #D29D87, #D28987 and #D28787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3C688 shade: #D2C587, #CBD287, #B7D287, #A3D287 and #8ED287

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3C688 shade matches the following richer shades: #D2C587, #E0CE7A, #EDD76D and #FADF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3C688 shade: #D2C587, #C5BD95, #B8B4A2, #ABACAF and #9EA3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3C688 shade: #D29D87, #D2B187, #D2C587, #CCD287 and #B8D287

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3C688 shade: #BCA94B, #C7B769, #D2C587, #DED4A5 and #E9E2C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3C688 shade: #D3C688, #87D289 and #A787D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3C688 shade: #D3C688, #87D2C5 and #C587D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3C688 shade: #D3C688, #87D289, #8795D2 and #D287D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3C688 shade: #D3C688, #87D29F, #8795D2 and #D287BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 36 / 17

HEX #D3C688

RGB 211 198 136

HSL 49.6, 0.46%, 0.68%

LAB 79.62, -4.54, 32.74

 

Complementary color

CMYK 63 / 52 / 0 / 53

HEX #2C3977

RGB 44 57 119

HSL 229.6, 0.46%, 0.32%

LAB 26.14, 15.57, -37.26

 

CMYK 0 / 8 / 39 / 15

HEX #D8C683

RGB 216 198 131

HSL 47.29, 0.52%, 0.68%

LAB 79.97, -3.13, 35.86

 

CMYK 0 / 7 / 36 / 9

HEX #E9D896

RGB 233 216 150

HSL 47.71, 0.65%, 0.75%

LAB 86.32, -3.57, 34.69

 

CMYK 0 / 6 / 32 / 2

HEX #FAEAA9

RGB 250 234 169

HSL 48.15, 0.89%, 0.82%

LAB 92.59, -3.96, 33.58

 

CMYK 0 / 1 / 26 / 0

HEX #FFFCBC

RGB 255 252 188

HSL 57.31, 1%, 0.87%

LAB 97.84, -8.72, 31.1

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 6 / 36 / 17

HEX #D3C688

RGB 211 198 136

HSL 49.6, 0.46%, 0.68%

LAB 79.62, -4.54, 32.74

 

CMYK 0 / 7 / 40 / 24

HEX #C2B475

RGB 194 180 117

HSL 49.09, 0.39%, 0.61%

LAB 73.15, -4.1, 33.93

 

CMYK 0 / 8 / 45 / 31

HEX #B1A262

RGB 177 162 98

HSL 48.61, 0.34%, 0.54%

LAB 66.57, -3.59, 35.17

 

CMYK 0 / 10 / 51 / 37

HEX #A0904F

RGB 160 144 79

HSL 48.15, 0.34%, 0.47%

LAB 59.87, -2.96, 36.46

 

CMYK 0 / 12 / 58 / 44

HEX #8F7E3C

RGB 143 126 60

HSL 47.71, 0.41%, 0.4%

LAB 53.05, -2.19, 37.75

 

CMYK 0 / 6 / 36 / 18

HEX #D2C587

RGB 210 197 135

HSL 49.6, 0.45%, 0.68%

LAB 79.26, -4.53, 32.77

 

CMYK 0 / 16 / 36 / 18

HEX #D2B187

RGB 210 177 135

HSL 33.6, 0.45%, 0.68%

LAB 74.12, 6.01, 25.95

 

CMYK 0 / 25 / 36 / 18

HEX #D29D87

RGB 210 157 135

HSL 17.6, 0.45%, 0.68%

LAB 69.16, 16.8, 19.2

 

CMYK 0 / 35 / 36 / 18

HEX #D28987

RGB 210 137 135

HSL 1.6, 0.45%, 0.68%

LAB 64.44, 27.66, 12.64

 

CMYK 0 / 36 / 36 / 18

HEX #D28787

RGB 210 135 135

HSL 0, 0.45%, 0.68%

LAB 63.98, 28.74, 12

 

CMYK 0 / 6 / 36 / 18

HEX #D2C587

RGB 210 197 135

HSL 49.6, 0.45%, 0.68%

LAB 79.26, -4.53, 32.77

 

CMYK 3 / 0 / 36 / 18

HEX #CBD287

RGB 203 210 135

HSL 65.6, 0.45%, 0.68%

LAB 82.13, -13.91, 36.41

 

CMYK 13 / 0 / 36 / 18

HEX #B7D287

RGB 183 210 135

HSL 81.6, 0.45%, 0.68%

LAB 80.69, -21.52, 34.25

 

CMYK 22 / 0 / 36 / 18

HEX #A3D287

RGB 163 210 135

HSL 97.6, 0.45%, 0.68%

LAB 79.4, -28.8, 32.33

 

CMYK 32 / 0 / 36 / 18

HEX #8ED287

RGB 142 210 135

HSL 114.4, 0.45%, 0.68%

LAB 78.22, -35.95, 30.55

 

CMYK 0 / 6 / 36 / 18

HEX #D2C587

RGB 210 197 135

HSL 49.6, 0.45%, 0.68%

LAB 79.26, -4.53, 32.77

 

CMYK 0 / 8 / 46 / 12

HEX #E0CE7A

RGB 224 206 122

HSL 49.41, 0.62%, 0.68%

LAB 82.59, -4.98, 43.88

 

CMYK 0 / 9 / 54 / 7

HEX #EDD76D

RGB 237 215 109

HSL 49.69, 0.78%, 0.68%

LAB 85.86, -5.46, 54.36

 

CMYK 0 / 11 / 62 / 2

HEX #FADF60

RGB 250 223 96

HSL 49.48, 0.94%, 0.68%

LAB 88.9, -5.11, 63.93

 

CMYK 0 / 6 / 36 / 18

HEX #D2C587

RGB 210 197 135

HSL 49.6, 0.45%, 0.68%

LAB 79.26, -4.53, 32.77

 

CMYK 0 / 4 / 24 / 23

HEX #C5BD95

RGB 197 189 149

HSL 50, 0.29%, 0.68%

LAB 76.34, -3.6, 21.28

 

CMYK 0 / 2 / 12 / 28

HEX #B8B4A2

RGB 184 180 162

HSL 49.09, 0.13%, 0.68%

LAB 73.18, -1.73, 9.68

 

CMYK 2 / 2 / 0 / 31

HEX #ABACAF

RGB 171 172 175

HSL 225, 0.02%, 0.68%

LAB 70.36, 0.22, -1.67

 

CMYK 16 / 13 / 0 / 26

HEX #9EA3BC

RGB 158 163 188

HSL 230, 0.18%, 0.68%

LAB 67.35, 3.42, -13.45

 

CMYK 0 / 25 / 36 / 18

HEX #D29D87

RGB 210 157 135

HSL 17.6, 0.45%, 0.68%

LAB 69.16, 16.8, 19.2

 

CMYK 0 / 16 / 36 / 18

HEX #D2B187

RGB 210 177 135

HSL 33.6, 0.45%, 0.68%

LAB 74.12, 6.01, 25.95

 

CMYK 0 / 6 / 36 / 18

HEX #D2C587

RGB 210 197 135

HSL 49.6, 0.45%, 0.68%

LAB 79.26, -4.53, 32.77

 

CMYK 3 / 0 / 36 / 18

HEX #CCD287

RGB 204 210 135

HSL 64.8, 0.45%, 0.68%

LAB 82.21, -13.52, 36.52

 

CMYK 12 / 0 / 36 / 18

HEX #B8D287

RGB 184 210 135

HSL 80.8, 0.45%, 0.68%

LAB 80.76, -21.14, 34.36

 

CMYK 0 / 10 / 60 / 26

HEX #BCA94B

RGB 188 169 75

HSL 49.91, 0.46%, 0.52%

LAB 69.17, -4.67, 49.93

 

CMYK 0 / 8 / 47 / 22

HEX #C7B769

RGB 199 183 105

HSL 49.79, 0.46%, 0.6%

LAB 74.21, -4.88, 41.51

 

CMYK 0 / 6 / 36 / 18

HEX #D2C587

RGB 210 197 135

HSL 49.6, 0.45%, 0.68%

LAB 79.26, -4.53, 32.77

 

CMYK 0 / 5 / 26 / 13

HEX #DED4A5

RGB 222 212 165

HSL 49.47, 0.46%, 0.76%

LAB 84.66, -3.85, 24.54

 

CMYK 0 / 3 / 16 / 9

HEX #E9E2C4

RGB 233 226 196

HSL 48.65, 0.46%, 0.84%

LAB 89.72, -2.52, 15.53

 

CMYK 0 / 6 / 36 / 17

HEX #D3C688

RGB 211 198 136

HSL 49.6, 0.46%, 0.68%

LAB 79.62, -4.54, 32.74

 

CMYK 36 / 0 / 35 / 18

HEX #87D289

RGB 135 210 137

HSL 121.6, 0.45%, 0.68%

LAB 77.9, -37.87, 29.03

 

CMYK 20 / 36 / 0 / 18

HEX #A787D2

RGB 167 135 210

HSL 265.6, 0.45%, 0.68%

LAB 61.82, 27.1, -34.13

 

CMYK 0 / 6 / 36 / 17

HEX #D3C688

RGB 211 198 136

HSL 49.6, 0.46%, 0.68%

LAB 79.62, -4.54, 32.74

 

CMYK 36 / 0 / 6 / 18

HEX #87D2C5

RGB 135 210 197

HSL 169.6, 0.45%, 0.68%

LAB 79.2, -26.16, -0.94

 

CMYK 6 / 36 / 0 / 18

HEX #C587D2

RGB 197 135 210

HSL 289.6, 0.45%, 0.68%

LAB 64.84, 36.33, -29.21

 

CMYK 0 / 6 / 36 / 17

HEX #D3C688

RGB 211 198 136

HSL 49.6, 0.46%, 0.68%

LAB 79.62, -4.54, 32.74

 

CMYK 36 / 0 / 35 / 18

HEX #87D289

RGB 135 210 137

HSL 121.6, 0.45%, 0.68%

LAB 77.9, -37.87, 29.03

 

CMYK 36 / 29 / 0 / 18

HEX #8795D2

RGB 135 149 210

HSL 228.8, 0.45%, 0.68%

LAB 62.76, 9.7, -32.88

 

CMYK 0 / 36 / 0 / 18

HEX #D287D1

RGB 210 135 209

HSL 300.8, 0.45%, 0.68%

LAB 66.24, 40.21, -26.38

 

CMYK 0 / 6 / 36 / 17

HEX #D3C688

RGB 211 198 136

HSL 49.6, 0.46%, 0.68%

LAB 79.62, -4.54, 32.74

 

CMYK 36 / 0 / 24 / 18

HEX #87D29F

RGB 135 210 159

HSL 139.2, 0.45%, 0.68%

LAB 78.31, -34.04, 18.07

 

CMYK 36 / 29 / 0 / 18

HEX #8795D2

RGB 135 149 210

HSL 228.8, 0.45%, 0.68%

LAB 62.76, 9.7, -32.88

 

CMYK 0 / 36 / 11 / 18

HEX #D287BB

RGB 210 135 187

HSL 318.4, 0.45%, 0.68%

LAB 65.45, 36.33, -15.26

 

Description

Color code: HEX #D3C688 | qconv.com Color code: HEX #D3C688 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 198 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 198 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 36 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 36% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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