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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDB88E it is the complementary color #124771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDB88E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDB88E shade: #F2B889, #FFCA9C, #FFDCAF, #FFEEC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDB88E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDB88E shade: #EDB88E, #DCA67B, #CB9468, #BA8255 and #A97042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDB88E shade: #EDB78C, #ED9D8C and #ED8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDB88E shade: #EDB78C, #EDD18C, #EDEB8C, #D5ED8C and #BBED8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDB88E shade matches the following richer shades: #EDB78C and #F8B682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDB88E shade: #EDB78C, #E2B897, #D8BAA2, #CDBBAC and #C2BCB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDB88E shade: #ED8C96, #ED9C8C, #EDB68C, #EDD08C and #EDEA8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDB88E shade: #E28A45, #E8A169, #EDB78C, #F3CDB0 and #F8E4D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDB88E shade: #EDB88E, #B0ED8C and #908CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDB88E shade: #EDB88E, #8CEDB6 and #B68CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDB88E shade: #EDB88E, #B0ED8C, #8CC3ED and #CA8CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDB88E shade: #EDB88E, #93ED8C, #8CC3ED and #E78CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 40 / 7

HEX #EDB88E

RGB 237 184 142

HSL 26.53, 0.73%, 0.74%

LAB 78.6, 13.76, 28.68

 

Complementary color

CMYK 84 / 37 / 0 / 56

HEX #124771

RGB 18 71 113

HSL 206.53, 0.73%, 0.26%

LAB 28.97, -0.65, -29

 

CMYK 0 / 24 / 43 / 5

HEX #F2B889

RGB 242 184 137

HSL 26.86, 0.8%, 0.74%

LAB 79.02, 15.19, 31.97

 

CMYK 0 / 21 / 39 / 0

HEX #FFCA9C

RGB 255 202 156

HSL 27.88, 1%, 0.81%

LAB 84.95, 12.87, 30.13

 

CMYK 0 / 14 / 31 / 0

HEX #FFDCAF

RGB 255 220 175

HSL 33.75, 1%, 0.84%

LAB 89.65, 5.78, 26.62

 

CMYK 0 / 7 / 24 / 0

HEX #FFEEC2

RGB 255 238 194

HSL 43.28, 1%, 0.88%

LAB 94.44, -0.93, 23.41

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 22 / 40 / 7

HEX #EDB88E

RGB 237 184 142

HSL 26.53, 0.73%, 0.74%

LAB 78.6, 13.76, 28.68

 

CMYK 0 / 25 / 44 / 14

HEX #DCA67B

RGB 220 166 123

HSL 26.6, 0.58%, 0.67%

LAB 72.17, 14.56, 29.96

 

CMYK 0 / 27 / 49 / 20

HEX #CB9468

RGB 203 148 104

HSL 26.67, 0.49%, 0.6%

LAB 65.65, 15.48, 31.34

 

CMYK 0 / 30 / 54 / 27

HEX #BA8255

RGB 186 130 85

HSL 26.73, 0.42%, 0.53%

LAB 59.03, 16.54, 32.83

 

CMYK 0 / 34 / 61 / 34

HEX #A97042

RGB 169 112 66

HSL 26.8, 0.44%, 0.46%

LAB 52.31, 17.79, 34.44

 

CMYK 0 / 23 / 41 / 7

HEX #EDB78C

RGB 237 183 140

HSL 26.6, 0.73%, 0.74%

LAB 78.32, 14.07, 29.37

 

CMYK 0 / 34 / 41 / 7

HEX #ED9D8C

RGB 237 157 140

HSL 10.52, 0.73%, 0.74%

LAB 72.24, 27.86, 21.16

 

CMYK 0 / 41 / 41 / 7

HEX #ED8C8C

RGB 237 140 140

HSL 0, 0.73%, 0.74%

LAB 68.5, 36.79, 16

 

CMYK 0 / 23 / 41 / 7

HEX #EDB78C

RGB 237 183 140

HSL 26.6, 0.73%, 0.74%

LAB 78.32, 14.07, 29.37

 

CMYK 0 / 12 / 41 / 7

HEX #EDD18C

RGB 237 209 140

HSL 42.68, 0.73%, 0.74%

LAB 84.74, 0.47, 37.79

 

CMYK 0 / 1 / 41 / 7

HEX #EDEB8C

RGB 237 235 140

HSL 58.76, 0.73%, 0.74%

LAB 91.38, -12.66, 46.24

 

CMYK 10 / 0 / 41 / 7

HEX #D5ED8C

RGB 213 237 140

HSL 74.85, 0.73%, 0.74%

LAB 90.14, -22.81, 44.31

 

CMYK 21 / 0 / 41 / 7

HEX #BBED8C

RGB 187 237 140

HSL 90.93, 0.73%, 0.74%

LAB 88.46, -32.32, 41.83

 

CMYK 0 / 23 / 41 / 7

HEX #EDB78C

RGB 237 183 140

HSL 26.6, 0.73%, 0.74%

LAB 78.32, 14.07, 29.37

 

CMYK 0 / 27 / 48 / 3

HEX #F8B682

RGB 248 182 130

HSL 26.44, 0.89%, 0.74%

LAB 79.06, 17.93, 35.79

 

CMYK 0 / 23 / 41 / 7

HEX #EDB78C

RGB 237 183 140

HSL 26.6, 0.73%, 0.74%

LAB 78.32, 14.07, 29.37

 

CMYK 0 / 19 / 33 / 11

HEX #E2B897

RGB 226 184 151

HSL 26.4, 0.56%, 0.74%

LAB 77.69, 10.52, 22.48

 

CMYK 0 / 14 / 25 / 15

HEX #D8BAA2

RGB 216 186 162

HSL 26.67, 0.41%, 0.74%

LAB 77.47, 7.07, 16.13

 

CMYK 0 / 9 / 16 / 20

HEX #CDBBAC

RGB 205 187 172

HSL 27.27, 0.25%, 0.74%

LAB 76.98, 3.91, 9.9

 

CMYK 0 / 3 / 6 / 24

HEX #C2BCB7

RGB 194 188 183

HSL 27.27, 0.08%, 0.74%

LAB 76.59, 1.21, 3.26

 

CMYK 0 / 41 / 37 / 7

HEX #ED8C96

RGB 237 140 150

HSL 353.81, 0.73%, 0.74%

LAB 68.72, 37.92, 10.72

 

CMYK 0 / 34 / 41 / 7

HEX #ED9C8C

RGB 237 156 140

HSL 9.9, 0.73%, 0.74%

LAB 72.01, 28.39, 20.85

 

CMYK 0 / 23 / 41 / 7

HEX #EDB68C

RGB 237 182 140

HSL 25.98, 0.73%, 0.74%

LAB 78.08, 14.6, 29.05

 

CMYK 0 / 12 / 41 / 7

HEX #EDD08C

RGB 237 208 140

HSL 42.06, 0.73%, 0.74%

LAB 84.49, 0.99, 37.46

 

CMYK 0 / 1 / 41 / 7

HEX #EDEA8C

RGB 237 234 140

HSL 58.14, 0.73%, 0.74%

LAB 91.12, -12.17, 45.92

 

CMYK 0 / 39 / 69 / 11

HEX #E28A45

RGB 226 138 69

HSL 26.37, 0.73%, 0.58%

LAB 65.57, 27.79, 49.95

 

CMYK 0 / 31 / 55 / 9

HEX #E8A169

RGB 232 161 105

HSL 26.46, 0.73%, 0.66%

LAB 72, 20.42, 39.51

 

CMYK 0 / 23 / 41 / 7

HEX #EDB78C

RGB 237 183 140

HSL 26.6, 0.73%, 0.74%

LAB 78.32, 14.07, 29.37

 

CMYK 0 / 16 / 28 / 5

HEX #F3CDB0

RGB 243 205 176

HSL 25.97, 0.74%, 0.82%

LAB 84.92, 9.16, 19.42

 

CMYK 0 / 8 / 15 / 3

HEX #F8E4D4

RGB 248 228 212

HSL 26.67, 0.72%, 0.9%

LAB 91.77, 4.26, 10.26

 

CMYK 0 / 22 / 40 / 7

HEX #EDB88E

RGB 237 184 142

HSL 26.53, 0.73%, 0.74%

LAB 78.6, 13.76, 28.68

 

CMYK 26 / 0 / 41 / 7

HEX #B0ED8C

RGB 176 237 140

HSL 97.73, 0.73%, 0.74%

LAB 87.82, -36.16, 40.88

 

CMYK 39 / 41 / 0 / 7

HEX #908CED

RGB 144 140 237

HSL 242.47, 0.73%, 0.74%

LAB 62.34, 24.65, -48.48

 

CMYK 0 / 22 / 40 / 7

HEX #EDB88E

RGB 237 184 142

HSL 26.53, 0.73%, 0.74%

LAB 78.6, 13.76, 28.68

 

CMYK 41 / 0 / 23 / 7

HEX #8CEDB6

RGB 140 237 182

HSL 145.98, 0.73%, 0.74%

LAB 86.76, -40.54, 17.83

 

CMYK 23 / 41 / 0 / 7

HEX #B68CED

RGB 182 140 237

HSL 265.98, 0.73%, 0.74%

LAB 65.6, 34.91, -43.11

 

CMYK 0 / 22 / 40 / 7

HEX #EDB88E

RGB 237 184 142

HSL 26.53, 0.73%, 0.74%

LAB 78.6, 13.76, 28.68

 

CMYK 26 / 0 / 41 / 7

HEX #B0ED8C

RGB 176 237 140

HSL 97.73, 0.73%, 0.74%

LAB 87.82, -36.16, 40.88

 

CMYK 41 / 18 / 0 / 7

HEX #8CC3ED

RGB 140 195 237

HSL 205.98, 0.73%, 0.74%

LAB 76.51, -7.28, -26.45

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 0 / 22 / 40 / 7

HEX #EDB88E

RGB 237 184 142

HSL 26.53, 0.73%, 0.74%

LAB 78.6, 13.76, 28.68

 

CMYK 38 / 0 / 41 / 7

HEX #93ED8C

RGB 147 237 140

HSL 115.67, 0.73%, 0.74%

LAB 86.34, -45.58, 38.68

 

CMYK 41 / 18 / 0 / 7

HEX #8CC3ED

RGB 140 195 237

HSL 205.98, 0.73%, 0.74%

LAB 76.51, -7.28, -26.45

 

CMYK 3 / 41 / 0 / 7

HEX #E78CED

RGB 231 140 237

HSL 296.29, 0.73%, 0.74%

LAB 70.77, 49.14, -34.66

 

Description

Color code: HEX #EDB88E | qconv.com Color code: HEX #EDB88E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 184 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 184 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 40 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 40% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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